The Zeiss ZE 25mm f/2 brings the 25mm focal length to the Canon EF mount. While the previous f/2.8 version was available in other mounts, the ZE version was never made. The ZE 25mm f/2, if using the Zeiss 25mm f/2.8 as a basis, has been greatly improved. Despite the design overhaul, the lens still maintains its Distagon roots. Through the addition of two aspheric lens surfaces, the field curvature that was so noticeable on the previous version has been eliminated. This also makes chromatic aberrations virtually non-existent. Thanks to a floating element design, distortion is no longer a concern. This makes the 25mm f/2 ideal for architectural photography, as well as any other application where distortion-free images are a must. Like all other Zeiss SLR lenses, the 25mm f/2 has the Carl Zeiss T* anti-reflective coating, which enables high-contrast images and wonderful color saturation. One key difference that should be pointed out is the Zeiss 25mm f/2 doesn’t focus as close as the f/2.8 version. This makes the focus throw of the f/2 version seem shorter. However, if you take into consideration the difference in focus distance, the effective throw is the same. The barrel of the lens is larger, so the focus ring diameter is also. For video shooters this will be a welcome change. Like all other ZE lenses, you have full aperture control from the camera.
The Zeiss ZE 25mm f/2 brings the 25mm focal length to the Canon EF mount. While the previous f/2.8 version was available in other mounts, the ZE version was never made. The ZE 25mm f/2, if using the Zeiss 25mm f/2.8 as a basis, has been greatly improved. Despite the design overhaul, the lens still maintains its Distagon roots. Through the addition of two aspheric lens surfaces, the field curvature that was so noticeable on the previous version has been eliminated. This also makes chromatic aberrations virtually non-existent. Thanks to a floating element design, distortion is no longer a concern. This makes the 25mm f/2 ideal for architectural photography, as well as any other application where distortion-free images are a must. Like all other Zeiss SLR lenses, the 25mm f/2 has the Carl Zeiss T* anti-reflective coating, which enables high-contrast images and wonderful color saturation. One key difference that should be pointed out is the Zeiss 25mm f/2 doesn’t focus as close as the f/2.8 version. This makes the focus throw of the f/2 version seem shorter. However, if you take into consideration the difference in focus distance, the effective throw is the same. The barrel of the lens is larger, so the focus ring diameter is also. For video shooters this will be a welcome change. Like all other ZE lenses, you have full aperture control from the camera.
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The Zeiss ZE 25mm f/2 brings the 25mm focal length to the Canon EF mount. While the previous f/2.8 version was available in other mounts, the ZE version was never made. The ZE 25mm f/2, if using the Zeiss 25mm f/2.8 as a basis, has been greatly improved. Despite the design overhaul, the lens still maintains its Distagon roots. Through the addition of two aspheric lens surfaces, the field curvature that was so noticeable on the previous version has been eliminated. This also makes chromatic aberrations virtually non-existent. Thanks to a floating element design, distortion is no longer a concern. This makes the 25mm f/2 ideal for architectural photography, as well as any other application where distortion-free images are a must. Like all other Zeiss SLR lenses, the 25mm f/2 has the Carl Zeiss T* anti-reflective coating, which enables high-contrast images and wonderful color saturation. One key difference that should be pointed out is the Zeiss 25mm f/2 doesn’t focus as close as the f/2.8 version. This makes the focus throw of the f/2 version seem shorter. However, if you take into consideration the difference in focus distance, the effective throw is the same. The barrel of the lens is larger, so the focus ring diameter is also. For video shooters this will be a welcome change. Like all other ZE lenses, you have full aperture control from the camera.
The Zeiss ZE 25mm f/2 brings the 25mm focal length to the Canon EF mount. While the previous f/2.8 version was available in other mounts, the ZE version was never made. The ZE 25mm f/2, if using the Zeiss 25mm f/2.8 as a basis, has been greatly improved. Despite the design overhaul, the lens still maintains its Distagon roots. Through the addition of two aspheric lens surfaces, the field curvature that was so noticeable on the previous version has been eliminated. This also makes chromatic aberrations virtually non-existent. Thanks to a floating element design, distortion is no longer a concern. This makes the 25mm f/2 ideal for architectural photography, as well as any other application where distortion-free images are a must. Like all other Zeiss SLR lenses, the 25mm f/2 has the Carl Zeiss T* anti-reflective coating, which enables high-contrast images and wonderful color saturation. One key difference that should be pointed out is the Zeiss 25mm f/2 doesn’t focus as close as the f/2.8 version. This makes the focus throw of the f/2 version seem shorter. However, if you take into consideration the difference in focus distance, the effective throw is the same. The barrel of the lens is larger, so the focus ring diameter is also. For video shooters this will be a welcome change. Like all other ZE lenses, you have full aperture control from the camera.
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Last updated at 22/10/2024 08:15:45
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available about 1 month ago
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available 6 months ago
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originally posted on ebay.com
originally posted on ebay.com
originally posted on adorama.com
Focal Length | 25mm |
Lens type | Prime lens |
Max Format size | 35mm Full Frame |
Camera Mount | Canon EF |
Lens mount | Canon EF |
Updated 1 day ago
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Focal Length | 25mm |
Lens type | Prime lens |
Max Format size | 35mm Full Frame |
Camera Mount | Canon EF |
Lens mount | Canon EF |