As the first Sony G Lens designed specifically for E-Mount cameras, the SELP18105G combines high image quality with a precise and quiet power zoom. The constant F4 aperture means you get stunning image quality even in low light. Are you filming? This powerful zoom uses Handycam technology to provide smooth zooming that is difficult to achieve manually. It's also very quiet so you won't startle your protagonists, while the integrated zoom lever allows you to maintain an even zoom speed. Known for their quality, G Series lenses offer excellent imaging performance with maximum contrast right to the edges of the image. The lens' built-in optical SteadyShot image stabilisation system ensures crisp, blur-free photos and video for hand-held shooting. Instead of a standard polygon shaped aperture, this lens offers a circular aperture with 7 blades for a natural, soft bokeh. Aspherical lens elements ensure minimal distortion, while ED (Extra-low Dispersion) glass elements ensure outstanding contrast, resolution and colour depth. The integrated focusing mechanism ensures a constant lens length, is easy to use and has a fast autofocus and a small minimum focus distance. In addition, the filter thread on the front of the lens does not rotate - a clear advantage when using polarizing filters.
As the first Sony G Lens designed specifically for E-Mount cameras, the SELP18105G combines high image quality with a precise and quiet power zoom. The constant F4 aperture means you get stunning image quality even in low light. Are you filming? This powerful zoom uses Handycam technology to provide smooth zooming that is difficult to achieve manually. It's also very quiet so you won't startle your protagonists, while the integrated zoom lever allows you to maintain an even zoom speed. Known for their quality, G Series lenses offer excellent imaging performance with maximum contrast right to the edges of the image. The lens' built-in optical SteadyShot image stabilisation system ensures crisp, blur-free photos and video for hand-held shooting. Instead of a standard polygon shaped aperture, this lens offers a circular aperture with 7 blades for a natural, soft bokeh. Aspherical lens elements ensure minimal distortion, while ED (Extra-low Dispersion) glass elements ensure outstanding contrast, resolution and colour depth. The integrated focusing mechanism ensures a constant lens length, is easy to use and has a fast autofocus and a small minimum focus distance. In addition, the filter thread on the front of the lens does not rotate - a clear advantage when using polarizing filters.
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The lowest price for Sony 18-105mm f/4 G OSS E PZ Lens right now is $745.00.
Prices last updated 24 July 2024.
Sony 18-105mm f/4 G OSS E PZ Lens
As the first Sony G Lens designed specifically for E-Mount cameras, the SELP18105G combines high image quality with a precise and quiet power zoom. The constant F4 aperture means you get stunning image quality even in low light. Are you filming? This powerful zoom uses Handycam technology to provide smooth zooming that is difficult to achieve manually. It's also very quiet so you won't startle your protagonists, while the integrated zoom lever allows you to maintain an even zoom speed. Known for their quality, G Series lenses offer excellent imaging performance with maximum contrast right to the edges of the image. The lens' built-in optical SteadyShot image stabilisation system ensures crisp, blur-free photos and video for hand-held shooting. Instead of a standard polygon shaped aperture, this lens offers a circular aperture with 7 blades for a natural, soft bokeh. Aspherical lens elements ensure minimal distortion, while ED (Extra-low Dispersion) glass elements ensure outstanding contrast, resolution and colour depth. The integrated focusing mechanism ensures a constant lens length, is easy to use and has a fast autofocus and a small minimum focus distance. In addition, the filter thread on the front of the lens does not rotate - a clear advantage when using polarizing filters.
As the first Sony G Lens designed specifically for E-Mount cameras, the SELP18105G combines high image quality with a precise and quiet power zoom. The constant F4 aperture means you get stunning image quality even in low light. Are you filming? This powerful zoom uses Handycam technology to provide smooth zooming that is difficult to achieve manually. It's also very quiet so you won't startle your protagonists, while the integrated zoom lever allows you to maintain an even zoom speed. Known for their quality, G Series lenses offer excellent imaging performance with maximum contrast right to the edges of the image. The lens' built-in optical SteadyShot image stabilisation system ensures crisp, blur-free photos and video for hand-held shooting. Instead of a standard polygon shaped aperture, this lens offers a circular aperture with 7 blades for a natural, soft bokeh. Aspherical lens elements ensure minimal distortion, while ED (Extra-low Dispersion) glass elements ensure outstanding contrast, resolution and colour depth. The integrated focusing mechanism ensures a constant lens length, is easy to use and has a fast autofocus and a small minimum focus distance. In addition, the filter thread on the front of the lens does not rotate - a clear advantage when using polarizing filters.
Last updated at 24/07/2024 14:38:17
originally posted on bestbuy.com
I broke my first one by dropping it several times and had to replace it on the 4th drop. I use this with My SONY a6300 camera and it is hands down the best all round lens to use. I take it everywhere and shoot 90% of my pictures with it. I can not recommend this Lens enough. Fast on the count and takes a beating in the field. I have recently bought a a7iii full frame and it works so well with this lens. It gives me a great walk around ability for fast shooting. Flexibility and quality are the hallmarks of having this lens in my bag. I have included a variety of Pics shot with this lens and one of them was from the front seat of a moving bus.
originally posted on bhphotovideo.com
TLDR;Pros:- Versatile Zoom Range- Smooth Power Zoom- Rings are Smooth- Solid Construction- OSS- Minimal Focus Breathing- Weight- Internal ZoomCons:- Zoom/Focus by wire- No Weather Sealing- Rings are too close together (Nit-Pick)- f/4 minimum apertureLong Version:- I purchased this lens for my a6600 for a vacation to thewest coast along California through Washington state. Traveling with non-photographers, as some of you may know, isn't always easy (or maybe it's the other way around, who really knows). You may feel that your party is always waiting on you while you try to capture the perfect frame with your 50mm prime and then again with your 16mm or maybe you need more compression, so you suit up your 85mm. All the while, you ... MoreTLDR;Pros:- Versatile Zoom Range- Smooth Power Zoom- Rings are Smooth- Solid Construction- OSS- Minimal Focus Breathing- Weight- Internal ZoomCons:- Zoom/Focus by wire- No Weather Sealing- Rings are too close together (Nit-Pick)- f/4 minimum apertureLong Version:- I purchased this lens for my a6600 for a vacation to thewest coast along California through Washington state. Traveling with non-photographers, as some of you may know, isn't always easy (or maybe it's the other way around, who really knows). You may feel that your party is always waiting on you while you try to capture the perfect frame with your 50mm prime and then again with your 16mm or maybe you need more compression, so you suit up your 85mm. All the while, you haven't moved a foot and the rest of your crew is off walking into the distance. Yes, I've had this happen several times. My solution was this lens - a compromise between versatility and image quality for the sake of speed and efficiency.- The most obvious advantage of this lens is, of course, themassive zoom range 18-105mm (27-157mm equivalent). Excellent for anything from landscape to portraits to isolating subjects all in quick succession. Going from wide to telephoto is very smooth with both the zoom ring as well as the easy-to-control variable-speed power zoom which also makes this lens great for video. The rings are smooth, but not overly loose so you get great feel when pulling focus or zooming in videos. And on the telephoto end, having OSS helps tremendously with micro-jitters so you can hold longer exposures without breaking out the tripod. If you want to use this lens professionally, it's also perfect for gimbals with its internal zoom which doesn't throw off your balance. You can switch focal lengths without rebalancing, do zoom shots, and dolly zooms easily with thislens.Now for the not-so-great stuff. Let's start with the butter-smooth rings. Yes, they feel great and smooth and delicious, but they are both zoom/focus by wire. The zoom ring lags and sometimes continues to zoom after I've stopped rotating which can make it difficult to land on the exact focal length I'm shooting for. Itreally takes away from the 'speed and efficiency' of this lens. I much prefer the 'clunk' 'clunk' of slamming into the stops on manual zooms. You know where you are at all times within the focal range. With the by wire system, you can't develop muscle memory because you're always landing in a different spot. My gripe with the focus by wire is a little different, but a little simpler. It doesn'thave as fine of a step as I would like. As if Sony made focus pulling faster just because the lens has a deeper DOF at f/4. Nailing focus manually can be a bit difficult. No weather sealing,c'mon... Not the sharpest marshmallow in the pub, not much of a con since this is a zoom lens, but I've noticed the 16-55mmG is sharper (and it should be for being two times the price). I'll also pick on the minimum f/4. For a full-frame sensor, this is absolutely fine. For crop sensor, the camera is going to struggle before sunrise and after sunset. To be more specific, the moment blue hour starts is around the time it gets too dark for handheld shooting.Overall, I am happy with this lens as it keeps my fellow travel companions happy with me. It doesn't produce the best image quality and isn't the perfect lens, but it is absolutely the most versatile lens you will find for the price, and for this price, it's well worth it.Thanks for reading my book :)
originally posted on very.co.uk
I bought my Sony a6400 back in August last year and quickly realised the limitations of the kit lens that came with it. I like to travel light when I’m out taking pictures and video so I wanted a new lens that would give me the flexibility of both wide angle and better zoom capability. After extensive research I decided to get the Sony E PZ 18-105 mm lens. I have been using the lens for a few weeks now and have not been disappointed. The fixed f/4 aperture is a real bonus when taking video and zooming in and out. The lens is very well made as you would expect for a Sony G lens. And all the magic is done inside the lens - ie, the lens does not extend when you zoom in and out like other lenses. There is a toggle switch on the side of the lens to zoom in and out. Very ... MoreI bought my Sony a6400 back in August last year and quickly realised the limitations of the kit lens that came with it. I like to travel light when I’m out taking pictures and video so I wanted a new lens that would give me the flexibility of both wide angle and better zoom capability. After extensive research I decided to get the Sony E PZ 18-105 mm lens. I have been using the lens for a few weeks now and have not been disappointed. The fixed f/4 aperture is a real bonus when taking video and zooming in and out. The lens is very well made as you would expect for a Sony G lens. And all the magic is done inside the lens - ie, the lens does not extend when you zoom in and out like other lenses. There is a toggle switch on the side of the lens to zoom in and out. Very smooth operation. Ok I hear you say what about low light performance. Well, at f/4 you ain’t going to get as much light coming in as a lens with say f/1.8 aperture. However, don’t be afraid to use higher ISO settings in poor light as there is very clever AI software out there that can de-noise ISO settings as high as 12800. In summary I am very happy with my purchase and I recommend it very highly. Of course with such a large lens area to protect when the lens cover is off I recommend you buy a UV filter to avoid scratching it.
| General | |
| Length | 11 cm |
| Diameter | 7.8 cm |
| Weight | 427 g |
| Colour | Black |
I broke my first one by dropping it several times and had to replace it on the 4th drop. I use this with My SONY a6300 camera and it is hands down the best all round lens to use. I take it everywhere and shoot 90% of my pictures with it. I can not recommend this Lens enough. Fast on the count and takes a beating in the field. I have recently bought a a7iii full frame and it works so well with this lens. It gives me a great walk around ability for fast shooting. Flexibility and quality are the hallmarks of having this lens in my bag. I have included a variety of Pics shot with this lens and one of them was from the front seat of a moving bus.
TLDR;Pros:- Versatile Zoom Range- Smooth Power Zoom- Rings are Smooth- Solid Construction- OSS- Minimal Focus Breathing- Weight- Internal ZoomCons:- Zoom/Focus by wire- No Weather Sealing- Rings are too close together (Nit-Pick)- f/4 minimum apertureLong Version:- I purchased this lens for my a6600 for a vacation to thewest coast along California through Washington state. Traveling with non-photographers, as some of you may know, isn't always easy (or maybe it's the other way around, who really knows). You may feel that your party is always waiting on you while you try to capture the perfect frame with your 50mm prime and then again with your 16mm or maybe you need more compression, so you suit up your 85mm. All the while, you ... MoreTLDR;Pros:- Versatile Zoom Range- Smooth Power Zoom- Rings are Smooth- Solid Construction- OSS- Minimal Focus Breathing- Weight- Internal ZoomCons:- Zoom/Focus by wire- No Weather Sealing- Rings are too close together (Nit-Pick)- f/4 minimum apertureLong Version:- I purchased this lens for my a6600 for a vacation to thewest coast along California through Washington state. Traveling with non-photographers, as some of you may know, isn't always easy (or maybe it's the other way around, who really knows). You may feel that your party is always waiting on you while you try to capture the perfect frame with your 50mm prime and then again with your 16mm or maybe you need more compression, so you suit up your 85mm. All the while, you haven't moved a foot and the rest of your crew is off walking into the distance. Yes, I've had this happen several times. My solution was this lens - a compromise between versatility and image quality for the sake of speed and efficiency.- The most obvious advantage of this lens is, of course, themassive zoom range 18-105mm (27-157mm equivalent). Excellent for anything from landscape to portraits to isolating subjects all in quick succession. Going from wide to telephoto is very smooth with both the zoom ring as well as the easy-to-control variable-speed power zoom which also makes this lens great for video. The rings are smooth, but not overly loose so you get great feel when pulling focus or zooming in videos. And on the telephoto end, having OSS helps tremendously with micro-jitters so you can hold longer exposures without breaking out the tripod. If you want to use this lens professionally, it's also perfect for gimbals with its internal zoom which doesn't throw off your balance. You can switch focal lengths without rebalancing, do zoom shots, and dolly zooms easily with thislens.Now for the not-so-great stuff. Let's start with the butter-smooth rings. Yes, they feel great and smooth and delicious, but they are both zoom/focus by wire. The zoom ring lags and sometimes continues to zoom after I've stopped rotating which can make it difficult to land on the exact focal length I'm shooting for. Itreally takes away from the 'speed and efficiency' of this lens. I much prefer the 'clunk' 'clunk' of slamming into the stops on manual zooms. You know where you are at all times within the focal range. With the by wire system, you can't develop muscle memory because you're always landing in a different spot. My gripe with the focus by wire is a little different, but a little simpler. It doesn'thave as fine of a step as I would like. As if Sony made focus pulling faster just because the lens has a deeper DOF at f/4. Nailing focus manually can be a bit difficult. No weather sealing,c'mon... Not the sharpest marshmallow in the pub, not much of a con since this is a zoom lens, but I've noticed the 16-55mmG is sharper (and it should be for being two times the price). I'll also pick on the minimum f/4. For a full-frame sensor, this is absolutely fine. For crop sensor, the camera is going to struggle before sunrise and after sunset. To be more specific, the moment blue hour starts is around the time it gets too dark for handheld shooting.Overall, I am happy with this lens as it keeps my fellow travel companions happy with me. It doesn't produce the best image quality and isn't the perfect lens, but it is absolutely the most versatile lens you will find for the price, and for this price, it's well worth it.Thanks for reading my book :)
I bought my Sony a6400 back in August last year and quickly realised the limitations of the kit lens that came with it. I like to travel light when I’m out taking pictures and video so I wanted a new lens that would give me the flexibility of both wide angle and better zoom capability. After extensive research I decided to get the Sony E PZ 18-105 mm lens. I have been using the lens for a few weeks now and have not been disappointed. The fixed f/4 aperture is a real bonus when taking video and zooming in and out. The lens is very well made as you would expect for a Sony G lens. And all the magic is done inside the lens - ie, the lens does not extend when you zoom in and out like other lenses. There is a toggle switch on the side of the lens to zoom in and out. Very ... MoreI bought my Sony a6400 back in August last year and quickly realised the limitations of the kit lens that came with it. I like to travel light when I’m out taking pictures and video so I wanted a new lens that would give me the flexibility of both wide angle and better zoom capability. After extensive research I decided to get the Sony E PZ 18-105 mm lens. I have been using the lens for a few weeks now and have not been disappointed. The fixed f/4 aperture is a real bonus when taking video and zooming in and out. The lens is very well made as you would expect for a Sony G lens. And all the magic is done inside the lens - ie, the lens does not extend when you zoom in and out like other lenses. There is a toggle switch on the side of the lens to zoom in and out. Very smooth operation. Ok I hear you say what about low light performance. Well, at f/4 you ain’t going to get as much light coming in as a lens with say f/1.8 aperture. However, don’t be afraid to use higher ISO settings in poor light as there is very clever AI software out there that can de-noise ISO settings as high as 12800. In summary I am very happy with my purchase and I recommend it very highly. Of course with such a large lens area to protect when the lens cover is off I recommend you buy a UV filter to avoid scratching it.
It's a kit lens, so don't expect the best - however, it excels at what it's made to do, cover a long zoom range at a reasonable f-stop. Keeping a constant F/4 throughout the entire zoom range is fantastic, especially when using this lens in a live production situation. It's my primary lens for my FS5. Zoom is very smooth, when controlled either with the rocker on the lens barrel or a LANC controller. Housing is made of metal, and it feels pretty rugged - but it's not super heavy like some Canon L series lenses. My only gripe is that there's no feedback whatsoever when you focus - the focus and zoom rings are electronic controls for the focus and zoom, so there's no way to see or feel when you've gone as far as the lens can go. However, this is a minor issue, and if ... MoreIt's a kit lens, so don't expect the best - however, it excels at what it's made to do, cover a long zoom range at a reasonable f-stop. Keeping a constant F/4 throughout the entire zoom range is fantastic, especially when using this lens in a live production situation. It's my primary lens for my FS5. Zoom is very smooth, when controlled either with the rocker on the lens barrel or a LANC controller. Housing is made of metal, and it feels pretty rugged - but it's not super heavy like some Canon L series lenses. My only gripe is that there's no feedback whatsoever when you focus - the focus and zoom rings are electronic controls for the focus and zoom, so there's no way to see or feel when you've gone as far as the lens can go. However, this is a minor issue, and if you rely on power zoom and autofocus it doesn't matter at all. Lens is a good size - not too bulky, but not too small to look stupid on something like an FS5. I intend to pick up an FX30 soon and will likely grab another one of these for that camera too.The power zoom function DOES work with older Sony cinema cameras with zoom rockers like the FS700. I haven't tested others like the FS100 or A series mirrorless cameras.All in all, this is a solid lens and is a great bang for the buck. A great choice for live production since the only other option is the 28-135 which is more than double the price of this guy.Remember, this is NOT a full frame lens - only supports APS-C/Super 35 sensors.
Ive spent years collecting professional camera equipment. Big heavy full frame DSLRs and heavy 2.8 lenses. My mindset has always been that I need the best gear to take a good photo. But, carrying all this stuff around is back breaking. I got this lens so that I could try to carry less gear, and its been game changing. The 18-105 fitted to my Sony A6300, combined, weighs less than my Canon 24/70 2.8 on its own. Ive found that this lens and my dated A6300 is my go-to setup for 90% of everything I do now. The lens gives a great deal of flexibility given its huge focal range, and for something like the A6300 which has no in body stabilisation it adds another level to what you can capture. The lens is tack sharp, however the only caveat is that it does have a some ... MoreIve spent years collecting professional camera equipment. Big heavy full frame DSLRs and heavy 2.8 lenses. My mindset has always been that I need the best gear to take a good photo. But, carrying all this stuff around is back breaking. I got this lens so that I could try to carry less gear, and its been game changing. The 18-105 fitted to my Sony A6300, combined, weighs less than my Canon 24/70 2.8 on its own. Ive found that this lens and my dated A6300 is my go-to setup for 90% of everything I do now. The lens gives a great deal of flexibility given its huge focal range, and for something like the A6300 which has no in body stabilisation it adds another level to what you can capture. The lens is tack sharp, however the only caveat is that it does have a some warping. The centre of the frame does have some barrel distortion, and there is some light vignetting in the corners. You can remove them in Lightroom, but I find the camera lens correction profile can soften that tack sharp image. I actually like the look of the photos without correction. Im an advocate of lenses having character. If youre looking to get an identical photo from any lens you use which is tack sharp with no distortion across the entire frame then this perhaps is not the lens for you. For me, thelens performs best in its f8 to f11 range. Opening it up to f4 produces some nice Bokeh but the images are noticeably softer when pixel peeping. If youre looking for a lightweight versatile lens for day to day photography then this is an incredible lens for the price. If you need something that performs in low light or something which is a little more scientific with regards to the slight barrel distortion this lens produces, then perhaps there are better but more expensive options for you. Its not a replacement for all of my expensive gear. Its not that much of a unicorn. But for a lightweight run and gun lens this gets more use than any of my other equipment. The versatility and the price point make this a 5/5 for me. If I was being harsh Id drop to a 4/5 on image quality just for to the barrel distortion, but for the price thats an acceptable hitch for me.
Initial reaction was favourable. Excellent speed and accuracy of focus and crisp image, but, and it's a massive one, there was intermittent issue causing selective vignetting to top left corner of frame only. All apertures, at any short focal length. Like something was sticking. Returned it. Not going to risk another. Disappointing qc. Will probably stick with kit lens on my a6000, and carry on lugging a DSLR for anything beyond that.
This is the first lens I have spent this much on. I have a Sony a6000 and currently have the 50mm f/1.8 and 30mm f/3.5 lenses. But I wanted something I could throw on my camera and leave on there. A friend helped me decide on this lens.I definitely noticed the jump in quality of my photos with this lens. The only drawback of this lens is you don't have the super wide aperture of 1.8 like the 50mm BUT!!! You get a constant f/4 through every focal range which is a huge plus! Especially if you like to shoot video.If you use the kit lens or any of the primes the size of this is fairly substantial however the lens stays the same size all the way to the max 105mm since all if the zoom happens internally on the lens.I had a small format camera bag but had to buy a ... MoreThis is the first lens I have spent this much on. I have a Sony a6000 and currently have the 50mm f/1.8 and 30mm f/3.5 lenses. But I wanted something I could throw on my camera and leave on there. A friend helped me decide on this lens.I definitely noticed the jump in quality of my photos with this lens. The only drawback of this lens is you don't have the super wide aperture of 1.8 like the 50mm BUT!!! You get a constant f/4 through every focal range which is a huge plus! Especially if you like to shoot video.If you use the kit lens or any of the primes the size of this is fairly substantial however the lens stays the same size all the way to the max 105mm since all if the zoom happens internally on the lens.I had a small format camera bag but had to buy a slightly bigger one as I did not want to take on and off my lens every time I used it.I would highly recommend this lens if you have never stepped up to a higher quality lens. It is a great all around lens and will give you great results!
I bought this for mostly reality / docu / ENG work with my FS7II. I needed a native E mount lens that could live on the camera body for the majority of the work I do. I had previously been using my Canon EF 17-40mm f/4L USM lens and that did the job for a while but I didn't want to keep having to use my stills lenses for video. Also, having the EF - E mount adapter adds unnecessary length and bulk to the rig. This 18-105mm f/4 lens is a great replacement.All the electronic bits work fine controlled by the body or handgrip. Response is slow, of course, compared to more expensive fully manual ENG or cine lens, but it's fantastic value for the price against those lenses.Pros: cheap, lightweight, intended for APS so works well for the Super 35 sensor and for those ... MoreI bought this for mostly reality / docu / ENG work with my FS7II. I needed a native E mount lens that could live on the camera body for the majority of the work I do. I had previously been using my Canon EF 17-40mm f/4L USM lens and that did the job for a while but I didn't want to keep having to use my stills lenses for video. Also, having the EF - E mount adapter adds unnecessary length and bulk to the rig. This 18-105mm f/4 lens is a great replacement.All the electronic bits work fine controlled by the body or handgrip. Response is slow, of course, compared to more expensive fully manual ENG or cine lens, but it's fantastic value for the price against those lenses.Pros: cheap, lightweight, intended for APS so works well for the Super 35 sensor and for those of us used to guesstimating with lenses designed for that medium, optical image stabilizer (Sony calls it Optical SteadyShot or OSS), sharp enough at f/4, the slower max aperture makes it easier to pull focus, decent focal length range for reality work, reproduces colors well, mostly controllable from the FS7 handgrip, continuous auto focus works alright if that's your thing, native E mount requires no adapter.Cons: cheap, lightweight (rig balance might be back-heavy because of it), not parfocal, no hard stops, obvious pincushioning (only a problem if you're shooting brick walls straight on, otherwise not really a big deal), could be wider, could be more telephoto, could be faster (aperture), it's intended for stills use with a consumer camcorder zoom lever so it's not very ergonomic for pro servo zoom use...so you'll need the FS7 handgrip or a rails system to support it on the right side, 72mm is a bit small for me and my collection of 77mm filters.Overall, this is a decent reality lens for my FS7II. Cinema use is a completely different story but that's why I have a locking PL - E mount adapter and proper cinema lenses and Pelican cases for them all to live in. For the other 90% of the work I do, I need the camera to be ready-to-shoot. This lens does it for me. It's not perfect, but if it took a rock to the front element I'd only be moderately sad.
I bought this lens along with the Sony A6300 mirrorless camera as a first-time purchase since moving on from a bridge camera. Took ages a while back reasearching making a decision so as to make the best choice, mistakingly choosing another more expensive Panasonic FZ1000 Bridge on route, two of them having to be returned. The lens on such Panasonics was dreadful in terms of build quality and was what caused me to quickly appreciate that you have to pay more for a quality camera and lens.So my experience had me jump again and went mirrorless buying this lens which for my first sojourn into such lenses I am thoroughly impressed. The beautiful smooth zooming is a delight particularly for video and with constant f4 you have no exposure re-adjustments to make during ... MoreI bought this lens along with the Sony A6300 mirrorless camera as a first-time purchase since moving on from a bridge camera. Took ages a while back reasearching making a decision so as to make the best choice, mistakingly choosing another more expensive Panasonic FZ1000 Bridge on route, two of them having to be returned. The lens on such Panasonics was dreadful in terms of build quality and was what caused me to quickly appreciate that you have to pay more for a quality camera and lens.So my experience had me jump again and went mirrorless buying this lens which for my first sojourn into such lenses I am thoroughly impressed. The beautiful smooth zooming is a delight particularly for video and with constant f4 you have no exposure re-adjustments to make during the transition.Unlike the FZ1000 lense the Sony is solidly built, you can just feel it in your hands, that builds a sense of confidence in the lens that has only grown with use. I am unlikely to buy other lenses for my Sony A6300 camera, as I don't see myself as that type of photographer, Part of the reason is the facilities on this lens like the FL of 18-105mm (157mm full frame equivalent) along with the camera make for a fantastic combination of quality that is unlikely to have them separated in our household.Moving from long 25x zooms of bridge cameras I realised the number of times you actually take such long high-zoom images eventually is rare. Hence the 8x zoom of this camera is more than adequate with the Sony A6300 camera allowing me a smooth seemless transition to another 4x digital zoom anyway (32x in total) in the rare occassions I might need it, and still leaving me a quality 6M image.One last thing I never appreciated till I got it, the lens does not extend when you zoom, which is great. Yes it stcks out a bit further than other lenses as a consequence of that charactaristic, but it is balanced in the hand and that balance remains throughout the zoom.I love the lens after the huge learning curve to get to mirrorless, will never look back now.
I've been shooting with this lens for the past 7 years. I had a Canon 5D2 at the time with 16-35 f2.8 L, 70-200 f2.8 IS, and some primes, but it was too big and heavy for a lot of occasions. I ended missing shots on occasions when I left part of my kit behind, or I didn't bring it at all. I bought this lens + Sony 10-18 f4 and A6000 with the purpose of taking it on hikes or other outdoor activities, traveling, or going out.This lens has fulfilled it's purpose very well. Combined with a wide angle lens, it covers the majority of my shooting needs. Because of the large range I've also been able to grab more shots and squeeze out a lot more different compositions during the few short minutes of sunset. The lens is sharp across the frame at f6.3-f8 throughout most of ... MoreI've been shooting with this lens for the past 7 years. I had a Canon 5D2 at the time with 16-35 f2.8 L, 70-200 f2.8 IS, and some primes, but it was too big and heavy for a lot of occasions. I ended missing shots on occasions when I left part of my kit behind, or I didn't bring it at all. I bought this lens + Sony 10-18 f4 and A6000 with the purpose of taking it on hikes or other outdoor activities, traveling, or going out.This lens has fulfilled it's purpose very well. Combined with a wide angle lens, it covers the majority of my shooting needs. Because of the large range I've also been able to grab more shots and squeeze out a lot more different compositions during the few short minutes of sunset. The lens is sharp across the frame at f6.3-f8 throughout most of it's range. It's not as sharp as a premium lens, but I have no real complaints there. It's just ok at it's widest apertures and focal lengths.If I had to do it over with the choices available today, I'd probably pick the Tamron 17-70 f2.8 for it's superior optics but it's another 100 grams heavier and about 2x what I paid for this lens. The Sigma 18-50 f2.8 is cheap, light, small, and has excellent optics but just a bit short at 50mm without carrying an additional, longer lens.
| General | |
| Length | 11 cm |
| Diameter | 7.8 cm |
| Weight | 427 g |
| Colour | Black |
