Last updated at 23/08/2026 16:04:22
[USED] Tamron 17-35mm f/2.8-4 DI OSD Lens for Nikon F (S/N: 011800) (Near New in Box!)
Not eligible for returns
Tamron 17-35mm f/2.8-4 DI OSD Lens for Nikon F (Tamron Malaysia)
Used Tamron 17-35mm f/2.8-4 Di OSD Lens for Canon - GOOD
Delivery $42.09
Used Tamron 17-35mm f/2.8-4 Di OSD for Nikon F - Excellent
Delivery $35.08
Used Tamron 17-35mm f/2.8-4 Di OSD Lens for Canon
Delivery $42.09
Tamron 17-35mm F/2.8-4 Di Osd / A037n (for Nikon F Mount) 334
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Tamron 17-35mm F2.8-4 Di Osd A037 For Nikon F Dslr Lens Tested [near
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Tamron 17-35mm F/2.8-4 Di Osd / A037n (for Nikon F Mount) -near Mint-
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Near Mint Tamron A037 Af 17-35mm F/2.8-4 Di Osd For Nikon
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Tamron 17-35mm F/2.8-4 Di Osd Nikon F
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originally posted on bhphotovideo.com
I use ultra-wides for property photography. This one is the best I have used so far. Compared to the Tamron 15-30 SP G2, the 17-35 is consistently sharper and far less subject to misfocus. The G2 and the earlier iteration of Tamron's 15-30 misfocused about 5% of the time while using live view. This required me to verify the focus of every single shot I took. The same is true of Nikon's aged 14-28 f2.8. The autofocus speed of the 17-35 is somewhat slower than the 15-30 G2, but it exhibits far less hunting and is more accurate with the D750 and D850 Nikon. The lighter weight and ability to use normal filters is a huge benefit. I hardly notice the shift to f4 from f.2.8 at the long end of the lens. One additional bonus is the 17-35's superior ability to suppress haze ... MoreI use ultra-wides for property photography. This one is the best I have used so far. Compared to the Tamron 15-30 SP G2, the 17-35 is consistently sharper and far less subject to misfocus. The G2 and the earlier iteration of Tamron's 15-30 misfocused about 5% of the time while using live view. This required me to verify the focus of every single shot I took. The same is true of Nikon's aged 14-28 f2.8. The autofocus speed of the 17-35 is somewhat slower than the 15-30 G2, but it exhibits far less hunting and is more accurate with the D750 and D850 Nikon. The lighter weight and ability to use normal filters is a huge benefit. I hardly notice the shift to f4 from f.2.8 at the long end of the lens. One additional bonus is the 17-35's superior ability to suppress haze around bright windows and highly reflective surfaces. If you need the extra width of the 15-30, I suggest you pick up a 3rd party 14-15mm to cover those occasions when you need a bit more coverage.
originally posted on adorama.com
I purchased this lens based on favorable reviews, and have been pleasantly surprised. I agree with most of the reviews - the lens is not heavy, feels pretty solid, has a good feel/grip. It attaches to my D610 nice, not too tight, and releases easily. I like that Tamron made it a 77mm lens so my filters can work with my 24-70. I find it to be slower to focus than my other lenses, but that's not a real problem, images are sharp. The lens hood is large I suppose by necessity, but not obnoxious. I think distortion at the wide end can be minimized with proper technique; sounds correctable in post, but I haven't spent much time with that. I'm looking forward to using this on a trip to Death Valley and other parks this spring. I'm still getting used to WA, it's a different ... MoreI purchased this lens based on favorable reviews, and have been pleasantly surprised. I agree with most of the reviews - the lens is not heavy, feels pretty solid, has a good feel/grip. It attaches to my D610 nice, not too tight, and releases easily. I like that Tamron made it a 77mm lens so my filters can work with my 24-70. I find it to be slower to focus than my other lenses, but that's not a real problem, images are sharp. The lens hood is large I suppose by necessity, but not obnoxious. I think distortion at the wide end can be minimized with proper technique; sounds correctable in post, but I haven't spent much time with that. I'm looking forward to using this on a trip to Death Valley and other parks this spring. I'm still getting used to WA, it's a different animal. I don't see anything really negative about this lens, it's fun to use, and you learn to see differently thru it.
originally posted on bhphotovideo.com
I have quite a few AF Nikon fixed focal length lenses, both old and newer versions. My first Tamron Di lens was the SP 85mm f1.8, purchsed for the image stabilization feature. Asside from the bonus of stabilization, the optical quality was noticably superior in every respect in reference to the Nikkor 85mm f 1.8. My kit now includes the Tamaron 35mm, 85mm, and most recently the 17-35 Di series lenses. There may be lenses that perform marginally better on a test bench, but in real worldapplications there are zero image quality or functional issues. I purchased the 17-35mm to fill the wide angle requirements below 35mm. I was not expecting the zoom to be as sharp at 35mm as the FFL 35mm but it is very close. I don't have a highly rated 16 or 17mm FFL to compare it to ... MoreI have quite a few AF Nikon fixed focal length lenses, both old and newer versions. My first Tamron Di lens was the SP 85mm f1.8, purchsed for the image stabilization feature. Asside from the bonus of stabilization, the optical quality was noticably superior in every respect in reference to the Nikkor 85mm f 1.8. My kit now includes the Tamaron 35mm, 85mm, and most recently the 17-35 Di series lenses. There may be lenses that perform marginally better on a test bench, but in real worldapplications there are zero image quality or functional issues. I purchased the 17-35mm to fill the wide angle requirements below 35mm. I was not expecting the zoom to be as sharp at 35mm as the FFL 35mm but it is very close. I don't have a highly rated 16 or 17mm FFL to compare it to but at 17mm the performance is very good; as would be expected it is not quite as good as it is at 35mm. Used on a Nikon D850: amazing optical performance, fast focusing, solid construction, attractive design, and value priced.
| Focal Length | 17 - 35mm |
| Aperture | Maximum: f/2.8 - 4; Minimum: f/16 - 22 |
| Format Compatibility | 35mm Film / Full-Frame Digital Sensor |
| Minimum Focus Distance | 11" / 27.94 cm |
| Magnification | 0.20x |
[USED] Tamron 17-35mm f/2.8-4 DI OSD Lens for Nikon F (S/N: 011800) (Near New in Box!)
Not eligible for returns
Tamron 17-35mm f/2.8-4 DI OSD Lens for Nikon F (Tamron Malaysia)
Used Tamron 17-35mm f/2.8-4 Di OSD Lens for Canon - GOOD
Delivery $42.09
Used Tamron 17-35mm f/2.8-4 Di OSD for Nikon F - Excellent
Delivery $35.08
Used Tamron 17-35mm f/2.8-4 Di OSD Lens for Canon
Delivery $42.09
I use ultra-wides for property photography. This one is the best I have used so far. Compared to the Tamron 15-30 SP G2, the 17-35 is consistently sharper and far less subject to misfocus. The G2 and the earlier iteration of Tamron's 15-30 misfocused about 5% of the time while using live view. This required me to verify the focus of every single shot I took. The same is true of Nikon's aged 14-28 f2.8. The autofocus speed of the 17-35 is somewhat slower than the 15-30 G2, but it exhibits far less hunting and is more accurate with the D750 and D850 Nikon. The lighter weight and ability to use normal filters is a huge benefit. I hardly notice the shift to f4 from f.2.8 at the long end of the lens. One additional bonus is the 17-35's superior ability to suppress haze ... MoreI use ultra-wides for property photography. This one is the best I have used so far. Compared to the Tamron 15-30 SP G2, the 17-35 is consistently sharper and far less subject to misfocus. The G2 and the earlier iteration of Tamron's 15-30 misfocused about 5% of the time while using live view. This required me to verify the focus of every single shot I took. The same is true of Nikon's aged 14-28 f2.8. The autofocus speed of the 17-35 is somewhat slower than the 15-30 G2, but it exhibits far less hunting and is more accurate with the D750 and D850 Nikon. The lighter weight and ability to use normal filters is a huge benefit. I hardly notice the shift to f4 from f.2.8 at the long end of the lens. One additional bonus is the 17-35's superior ability to suppress haze around bright windows and highly reflective surfaces. If you need the extra width of the 15-30, I suggest you pick up a 3rd party 14-15mm to cover those occasions when you need a bit more coverage.
I purchased this lens based on favorable reviews, and have been pleasantly surprised. I agree with most of the reviews - the lens is not heavy, feels pretty solid, has a good feel/grip. It attaches to my D610 nice, not too tight, and releases easily. I like that Tamron made it a 77mm lens so my filters can work with my 24-70. I find it to be slower to focus than my other lenses, but that's not a real problem, images are sharp. The lens hood is large I suppose by necessity, but not obnoxious. I think distortion at the wide end can be minimized with proper technique; sounds correctable in post, but I haven't spent much time with that. I'm looking forward to using this on a trip to Death Valley and other parks this spring. I'm still getting used to WA, it's a different ... MoreI purchased this lens based on favorable reviews, and have been pleasantly surprised. I agree with most of the reviews - the lens is not heavy, feels pretty solid, has a good feel/grip. It attaches to my D610 nice, not too tight, and releases easily. I like that Tamron made it a 77mm lens so my filters can work with my 24-70. I find it to be slower to focus than my other lenses, but that's not a real problem, images are sharp. The lens hood is large I suppose by necessity, but not obnoxious. I think distortion at the wide end can be minimized with proper technique; sounds correctable in post, but I haven't spent much time with that. I'm looking forward to using this on a trip to Death Valley and other parks this spring. I'm still getting used to WA, it's a different animal. I don't see anything really negative about this lens, it's fun to use, and you learn to see differently thru it.
I have quite a few AF Nikon fixed focal length lenses, both old and newer versions. My first Tamron Di lens was the SP 85mm f1.8, purchsed for the image stabilization feature. Asside from the bonus of stabilization, the optical quality was noticably superior in every respect in reference to the Nikkor 85mm f 1.8. My kit now includes the Tamaron 35mm, 85mm, and most recently the 17-35 Di series lenses. There may be lenses that perform marginally better on a test bench, but in real worldapplications there are zero image quality or functional issues. I purchased the 17-35mm to fill the wide angle requirements below 35mm. I was not expecting the zoom to be as sharp at 35mm as the FFL 35mm but it is very close. I don't have a highly rated 16 or 17mm FFL to compare it to ... MoreI have quite a few AF Nikon fixed focal length lenses, both old and newer versions. My first Tamron Di lens was the SP 85mm f1.8, purchsed for the image stabilization feature. Asside from the bonus of stabilization, the optical quality was noticably superior in every respect in reference to the Nikkor 85mm f 1.8. My kit now includes the Tamaron 35mm, 85mm, and most recently the 17-35 Di series lenses. There may be lenses that perform marginally better on a test bench, but in real worldapplications there are zero image quality or functional issues. I purchased the 17-35mm to fill the wide angle requirements below 35mm. I was not expecting the zoom to be as sharp at 35mm as the FFL 35mm but it is very close. I don't have a highly rated 16 or 17mm FFL to compare it to but at 17mm the performance is very good; as would be expected it is not quite as good as it is at 35mm. Used on a Nikon D850: amazing optical performance, fast focusing, solid construction, attractive design, and value priced.
So here is the thing. I love this lens. The build is fantastic (it is a zoom so it does have an extending barrel (by about 1/2").It is tack sharp at all apertures in the center of the frame. Wide open, at 17mm it is a TAD soft in the corners.... I mean honestly completely workable and I have no complaints.Few notes it is indeed a 2.8-4 lens, but at 17mm at very close focus ranges (3ft) it is a 3.2 lens.My particular copy does have issues though which is why I am giving it 3 stars. For some reason only sometimes when I attach the lens at 35 mm the d750 body shows f25 (which isn't even possible on this lens) and lets you adjust from f25 - f90. If I remove the lens and put it back on no issues.....I bought it new at a retailer in Denver CO, and am considering ... MoreSo here is the thing. I love this lens. The build is fantastic (it is a zoom so it does have an extending barrel (by about 1/2").It is tack sharp at all apertures in the center of the frame. Wide open, at 17mm it is a TAD soft in the corners.... I mean honestly completely workable and I have no complaints.Few notes it is indeed a 2.8-4 lens, but at 17mm at very close focus ranges (3ft) it is a 3.2 lens.My particular copy does have issues though which is why I am giving it 3 stars. For some reason only sometimes when I attach the lens at 35 mm the d750 body shows f25 (which isn't even possible on this lens) and lets you adjust from f25 - f90. If I remove the lens and put it back on no issues.....I bought it new at a retailer in Denver CO, and am considering taking it back. I don't have issues with any of my other lenses.It is very odd though... only occurs say 1 in every 8 times.
I initially purchased this lens intending to return in. I bought it alongside the Nikon 14-24 f/2.8 to rationalize the investment in that lens, but ended up keeping the Tamron and returning the Nikon. Now, I am not going to tell you that this lens is the better than the Nikon (its not), but after evaluating the image quality that is capable from the Tamron and thinking about how Ill be using it, I couldnt justify the additional expense of the larger lens.From 17-28mm, center sharpness is very good wide-open and the corners sharpen up nicely by f/5.6. On my sample, 35mm is its weakest focal length, but I primarily shoot at the wider focal lengths more often so this doesnt really concern me. There is noticeable distortion at 17mm, and as of this writing Adobe has ... MoreI initially purchased this lens intending to return in. I bought it alongside the Nikon 14-24 f/2.8 to rationalize the investment in that lens, but ended up keeping the Tamron and returning the Nikon. Now, I am not going to tell you that this lens is the better than the Nikon (its not), but after evaluating the image quality that is capable from the Tamron and thinking about how Ill be using it, I couldnt justify the additional expense of the larger lens.From 17-28mm, center sharpness is very good wide-open and the corners sharpen up nicely by f/5.6. On my sample, 35mm is its weakest focal length, but I primarily shoot at the wider focal lengths more often so this doesnt really concern me. There is noticeable distortion at 17mm, and as of this writing Adobe has not yet released a lens profile for this lens, so manual adjustments may be needed to correct it. Autofocus is fast and consistent, and did not require any AF fine-tune on my D810. My only complaint is that the focus ring does move during auto-focus, which I dont like.The lens is less than half the weight of the Nikon and accepts standard 77mm filters (a filter set for the 14-24 costs more than the price of the Tamron), and being a firm believer in the fact that the lens you have with you will always be better than the lens you left at home, I have no regrets keeping this lens. Kudos to Tamron for providing an affordable lens that is capable of producing great images.
Bought this as the main video lens for my YouTube channel. It was between this and the Canon 16-35mm F4 L IS, which was twice the price. The image quality is excellent - super sharp, only really let down by barrel distortion at 17mm and a bit of vignetting. Autofocus is fast and accurate. When making micro adjustments face tracking when I'm in front of the camera it's very quiet, much quieter than my Canon 35mm IS USM. However with big changes it does make ugly-sounding clicking and motor noises but this isn't a problem for me with my off camera mic. Manual focus isn't great - no resistance and no full-time manual focus, but that's not a deal-breaker for me as I primarily use autofocus. Build quality is so-so - just acceptable. A bit plasticy, but is apparently ... MoreBought this as the main video lens for my YouTube channel. It was between this and the Canon 16-35mm F4 L IS, which was twice the price. The image quality is excellent - super sharp, only really let down by barrel distortion at 17mm and a bit of vignetting. Autofocus is fast and accurate. When making micro adjustments face tracking when I'm in front of the camera it's very quiet, much quieter than my Canon 35mm IS USM. However with big changes it does make ugly-sounding clicking and motor noises but this isn't a problem for me with my off camera mic. Manual focus isn't great - no resistance and no full-time manual focus, but that's not a deal-breaker for me as I primarily use autofocus. Build quality is so-so - just acceptable. A bit plasticy, but is apparently weather-sealed. I wish it was the same build quality as my SP Tamron lenses, however the light weight is nice on my EOS R with adapter. I like how fast it is compared to the Canon, but I miss the vibration control for handheld work. It has flaws, but these are well outweighed by the pros - namely excellent image quality, price and weight.
I had a Nikon 17-35 f/2.8 purchased used in 2013. I compared this to a possible new 16-35 f/4 but decided to go with the former… After 5 years of squeaky focus and sloppy zoom ring I felt it was time for a change. The Nikon was ok but was very soft on the edges and in the corners… forgetaboudit.So, when I saw the new Tamron 17-35 f 2.8-4 I thought it might be time for a change. I watched for reviews and Camera Labs https://www.cameralabs.com/tamron-17-35mm-f2-8-4-review/ did a great job doing a comparison of the Tamron 15-30, Nikon 18-35 and the Tokina 17-35 to the Tamron 17-35. It was exactly what I was looking for. If you are interested in this lens I HIGHLY recommend checking this out. It was a toss-up between the 18-35 3.5/4.5 and the Tamron 2.8-4 until I saw ... MoreI had a Nikon 17-35 f/2.8 purchased used in 2013. I compared this to a possible new 16-35 f/4 but decided to go with the former… After 5 years of squeaky focus and sloppy zoom ring I felt it was time for a change. The Nikon was ok but was very soft on the edges and in the corners… forgetaboudit.So, when I saw the new Tamron 17-35 f 2.8-4 I thought it might be time for a change. I watched for reviews and Camera Labs https://www.cameralabs.com/tamron-17-35mm-f2-8-4-review/ did a great job doing a comparison of the Tamron 15-30, Nikon 18-35 and the Tokina 17-35 to the Tamron 17-35. It was exactly what I was looking for. If you are interested in this lens I HIGHLY recommend checking this out. It was a toss-up between the 18-35 3.5/4.5 and the Tamron 2.8-4 until I saw this review.After spending more than a month with the lens I can share my thoughts on its performance. First off it is over a half pound lighter that the Nikon it replaced. It is far sharper everywhere in the frame especially the corners. So it is lighter and sharper and still takes the same 77mm filters so no new filters needed. It focuses quickly and is much quieter (no more squeaks).I did a side by side comparison with my own lenses Nikon 20mm f/2.8 D and Rokinon 14mm f/2.8. Both prime lenses and the Tamron easily beat the 20mm and was a match for the Rokinon. That is saying a lot when the zoom beats or matches the prime lenses.What I don’t like is the lack of a distance scale. I use hyperfocal distance All The Time so losing the distance scale has an impact on my workflow. It would have been really easy for Tamron to include a distance scale since the focusing ring is directly connected to the focusing mechanism aka infinity and close focus have solid stops on the focus ring… No brainer from my perspective. Easily fixed… At 17mm I know that 3ft is the hyperfocal distance for f/11 and 5ft is the hyperfocal distance for f/8. I set up the camera at these distances from a target and marked the focusing ring with white Testors model enamel for both distances.The focusing ring does rotate when in autofocus. It has not impacted me at all since most of my work is done on a tripod or when hand held my fingers are normally on the zoom ring. Speaking of the zoom ring it is nice and tight, unlike the old Nikon 17-35 which was loose and sloppy. When zooming the Tamron does increase it’s length unlike the Nikon 17-35. Not a big deal since I don’t hang a lot of filters off the front end of the lens and it doesn’t need to support any weight. The lens is at its shortest length at 24mm focal length and extends slightly at 35mm and its longest (5mm?) at 17mm focal length.There aren’t a lot of zoom lenses in this focal range that can combine the sharpness, light weight and price point of this lens. I recommend it to anyone who’s main subject is landscapes and uses a tripod the majority of the time.
Recently moved from DX (D300) to FX (D750), and have tried several samples of Nikon and other brands of consumer grade FX wide & mid range zooms. Up until now, nothing tried has measured up to the image quality standards that I've grown accustomed to with my DX set-up.I hardly ever do write-ups, but > > >this Tamron is a real keeper. No weaknesses by consumer-grade standards, at least not in my sample. Saturation, contrast, and color accuracy on par with modern Nikons. Tack sharp in most of image area wide open at all focal lengths. Tack sharp to far corners at all lengths when stopped down twice. All focal lengths equally good. Absolutely no flare or ghosting. No CA. Some distortion but nothing wavy or hard to correct even without a Lightroom update yet on lens ... MoreRecently moved from DX (D300) to FX (D750), and have tried several samples of Nikon and other brands of consumer grade FX wide & mid range zooms. Up until now, nothing tried has measured up to the image quality standards that I've grown accustomed to with my DX set-up.I hardly ever do write-ups, but > > >this Tamron is a real keeper. No weaknesses by consumer-grade standards, at least not in my sample. Saturation, contrast, and color accuracy on par with modern Nikons. Tack sharp in most of image area wide open at all focal lengths. Tack sharp to far corners at all lengths when stopped down twice. All focal lengths equally good. Absolutely no flare or ghosting. No CA. Some distortion but nothing wavy or hard to correct even without a Lightroom update yet on lens profile. Build quality is comparable with Nikon consumer grade, but not as solid (or heavy) as Tokina. Only minor nits to pick -- lens zoom is not totally contained in outer casing, it extends in zooming but only about a quarter inch or so, and the lack of a distance scale seems a bit cheap.Recommended for even the most critical of consumers.
I've made good use of my 24-70mm f2.8 Nikkor, but quite often 24 millimeters just isn't wide enough. This new Tamron lens is relatively lightweight and a superior performer with well controlled barrel distortion even at widest angles. Ideal for architectural photography.I also use it with Ronin S gimbal since it is a lightweight zoom and cinematography particularly walking along is usually best with a wide angle setting, I find 20 millimeters to be ideal.There's a lot of glass up front so I protect it withB+W 77mm XS-Pro Clear MRC-Nano 007 Filter which was pretty expensive but amazingly clear. I mean like not even there.
| Focal Length | 17 - 35mm |
| Aperture | Maximum: f/2.8 - 4; Minimum: f/16 - 22 |
| Format Compatibility | 35mm Film / Full-Frame Digital Sensor |
| Minimum Focus Distance | 11" / 27.94 cm |
| Magnification | 0.20x |

Tamron f/2.8-4 Di OSD Lens Nikon, 17-35mm
The 17-35mm f/2.8-4 Di OSD (model a037) is an ultra-wide-angle lens featuring superb image quality integrated into a compact, lightweight body. The use of specialized glass materials enables comprehensive control of the axial chromatic aberrations conspicuous in ultra-wide-angle lenses. The model a037 offers a high level of sharpness and contrast comparable to the very best of lenses. From the 35mm standard wide-angle for user-friendly snapshot photography, to the ultra-wide-angle 17mm used for professional landscape photography, this lens can meet a wide variety of your needs and yet still offer amazing portability being only 90mm (3.5 in) in length, 83.6mm in diameter, and just 460G (16.2 oz.) in weight. With a minimum object distance (MOD) of only 0.28M (11 in), opening the aperture while approaching the subject lets you blur the background. Wide enough to encompass the entire landscape, the model a037 lets you capture the thrill of the moment in each and every image you shoot. The AF Drive employs newly developed OSD (optimized silent Drive) to ensure silent operation. The front surface of the Lens element is coated with a protective fluorine compound that is water and oil repellant. Leak-proof seals throughout the Lens barrel further protect the Lens when shooting outdoors. Compatible with Tamron's tap-in Console.
The 17-35mm f/2.8-4 Di OSD (model a037) is an ultra-wide-angle lens featuring superb image quality integrated into a compact, lightweight body. The use of specialized glass materials enables comprehensive control of the axial chromatic aberrations conspicuous in ultra-wide-angle lenses. The model a037 offers a high level of sharpness and contrast comparable to the very best of lenses. From the 35mm standard wide-angle for user-friendly snapshot photography, to the ultra-wide-angle 17mm used for professional landscape photography, this lens can meet a wide variety of your needs and yet still offer amazing portability being only 90mm (3.5 in) in length, 83.6mm in diameter, and just 460G (16.2 oz.) in weight. With a minimum object distance (MOD) of only 0.28M (11 in), opening the aperture while approaching the subject lets you blur the background. Wide enough to encompass the entire landscape, the model a037 lets you capture the thrill of the moment in each and every image you shoot. The AF Drive employs newly developed OSD (optimized silent Drive) to ensure silent operation. The front surface of the Lens element is coated with a protective fluorine compound that is water and oil repellant. Leak-proof seals throughout the Lens barrel further protect the Lens when shooting outdoors. Compatible with Tamron's tap-in Console.
The 17-35mm f/2.8-4 Di OSD (model a037) is an ultra-wide-angle lens featuring superb image quality integrated into a compact, lightweight body. The use of specialized glass materials enables comprehensive control of the axial chromatic aberrations conspicuous in ultra-wide-angle lenses. The model a037 offers a high level of sharpness and contrast comparable to the very best of lenses. From the 35mm standard wide-angle for user-friendly snapshot photography, to the ultra-wide-angle 17mm used for professional landscape photography, this lens can meet a wide variety of your needs and yet still offer amazing portability being only 90mm (3.5 in) in length, 83.6mm in diameter, and just 460G (16.2 oz.) in weight. With a minimum object distance (MOD) of only 0.28M (11 in), opening the aperture while approaching the subject lets you blur the background. Wide enough to encompass the entire landscape, the model a037 lets you capture the thrill of the moment in each and every image you shoot. The AF Drive employs newly developed OSD (optimized silent Drive) to ensure silent operation. The front surface of the Lens element is coated with a protective fluorine compound that is water and oil repellant. Leak-proof seals throughout the Lens barrel further protect the Lens when shooting outdoors. Compatible with Tamron's tap-in Console.
The 17-35mm f/2.8-4 Di OSD (model a037) is an ultra-wide-angle lens featuring superb image quality integrated into a compact, lightweight body. The use of specialized glass materials enables comprehensive control of the axial chromatic aberrations conspicuous in ultra-wide-angle lenses. The model a037 offers a high level of sharpness and contrast comparable to the very best of lenses. From the 35mm standard wide-angle for user-friendly snapshot photography, to the ultra-wide-angle 17mm used for professional landscape photography, this lens can meet a wide variety of your needs and yet still offer amazing portability being only 90mm (3.5 in) in length, 83.6mm in diameter, and just 460G (16.2 oz.) in weight. With a minimum object distance (MOD) of only 0.28M (11 in), opening the aperture while approaching the subject lets you blur the background. Wide enough to encompass the entire landscape, the model a037 lets you capture the thrill of the moment in each and every image you shoot. The AF Drive employs newly developed OSD (optimized silent Drive) to ensure silent operation. The front surface of the Lens element is coated with a protective fluorine compound that is water and oil repellant. Leak-proof seals throughout the Lens barrel further protect the Lens when shooting outdoors. Compatible with Tamron's tap-in Console.
in 16 offers
The lowest price for Tamron f/2.8-4 Di OSD Lens Nikon, 17-35mm right now is $260.51 at ShaShinKi.com, compared across 7 retailers.
The all-time low was $260.51 on 23 Aug 2026. That's the lowest price we've ever tracked — a great time to buy.
Prices last updated 23 Aug 2026.