CineStill 800 Tungsten Color Negative 35mm Film - 1 Roll
CineStill 800Tungsten is a unique color film for still photographers. This ISO 800 speed tungsten balanced color negative film is based on the same gold standard motion picture technology used by top cinematographers around the world. Designed for difficult low light tungsten situations, this flexible film is suitable for use in different lighting situations to achieve a variety of looks. CineStill's new and improved manufacturing process now extends the shelf life of 800T, with less noticeable artifacts after expiration. This advanced motion picture emulsion is optimized for a hybrid workflow, ideal for scanning, and safe to process in standard C-41 photo lab machines or Cs41 processing at home, but it may also be processed in Cs2 chemistry for low-contrast motion picture negatives. It also produces a complementary contrast curve for optical printing on RA-4 paper when processed in C-41 chemistry. Treat this film as a high-speed 800 ISO film for C-41 processing and push process whenever needed up to 3200 ISO! Storage and Handling Load and unload film in subdued light. Store unexposed film in a refrigerator at 13-degree-C (55-degree-F) or lower in the original sealed package. To avoid moisture condensation on film that has been refrigerated, allow the film to warm up to room temperature before opening the package. Process film as soon as possible after exposure. Protect processed film from strong light, and store it in a cool, dry place.
CineStill 800Tungsten is a unique color film for still photographers. This ISO 800 speed tungsten balanced color negative film is based on the same gold standard motion picture technology used by top cinematographers around the world. Designed for difficult low light tungsten situations, this flexible film is suitable for use in different lighting situations to achieve a variety of looks. CineStill's new and improved manufacturing process now extends the shelf life of 800T, with less noticeable artifacts after expiration. This advanced motion picture emulsion is optimized for a hybrid workflow, ideal for scanning, and safe to process in standard C-41 photo lab machines or Cs41 processing at home, but it may also be processed in Cs2 chemistry for low-contrast motion picture negatives. It also produces a complementary contrast curve for optical printing on RA-4 paper when processed in C-41 chemistry. Treat this film as a high-speed 800 ISO film for C-41 processing and push process whenever needed up to 3200 ISO! Storage and Handling Load and unload film in subdued light. Store unexposed film in a refrigerator at 13-degree-C (55-degree-F) or lower in the original sealed package. To avoid moisture condensation on film that has been refrigerated, allow the film to warm up to room temperature before opening the package. Process film as soon as possible after exposure. Protect processed film from strong light, and store it in a cool, dry place.
CineStill 800Tungsten is a unique color film for still photographers. This ISO 800 speed tungsten balanced color negative film is based on the same gold standard motion picture technology used by top cinematographers around the world. Designed for difficult low light tungsten situations, this flexible film is suitable for use in different lighting situations to achieve a variety of looks. CineStill's new and improved manufacturing process now extends the shelf life of 800T, with less noticeable artifacts after expiration. This advanced motion picture emulsion is optimized for a hybrid workflow, ideal for scanning, and safe to process in standard C-41 photo lab machines or Cs41 processing at home, but it may also be processed in Cs2 chemistry for low-contrast motion picture negatives. It also produces a complementary contrast curve for optical printing on RA-4 paper when processed in C-41 chemistry. Treat this film as a high-speed 800 ISO film for C-41 processing and push process whenever needed up to 3200 ISO! Storage and Handling Load and unload film in subdued light. Store unexposed film in a refrigerator at 13-degree-C (55-degree-F) or lower in the original sealed package. To avoid moisture condensation on film that has been refrigerated, allow the film to warm up to room temperature before opening the package. Process film as soon as possible after exposure. Protect processed film from strong light, and store it in a cool, dry place.
CineStill 800Tungsten is a unique color film for still photographers. This ISO 800 speed tungsten balanced color negative film is based on the same gold standard motion picture technology used by top cinematographers around the world. Designed for difficult low light tungsten situations, this flexible film is suitable for use in different lighting situations to achieve a variety of looks. CineStill's new and improved manufacturing process now extends the shelf life of 800T, with less noticeable artifacts after expiration. This advanced motion picture emulsion is optimized for a hybrid workflow, ideal for scanning, and safe to process in standard C-41 photo lab machines or Cs41 processing at home, but it may also be processed in Cs2 chemistry for low-contrast motion picture negatives. It also produces a complementary contrast curve for optical printing on RA-4 paper when processed in C-41 chemistry. Treat this film as a high-speed 800 ISO film for C-41 processing and push process whenever needed up to 3200 ISO! Storage and Handling Load and unload film in subdued light. Store unexposed film in a refrigerator at 13-degree-C (55-degree-F) or lower in the original sealed package. To avoid moisture condensation on film that has been refrigerated, allow the film to warm up to room temperature before opening the package. Process film as soon as possible after exposure. Protect processed film from strong light, and store it in a cool, dry place.
in 30 offers
The lowest price for CineStill 800 Tungsten Color Negative 35mm Film - 1 Roll right now is $25.58 at Camera West, compared across 24 retailers.
The all-time low was $23.11 on 12 Mar 2026 — today's price is 11% above the lowest ever. That's a little above the best price we've seen.
Prices last updated 9 June 2026.
Last updated at 09/06/2026 20:42:09
Cinestill 800 Tungsten - 35mm
Cinestill 800T Tungsten 35mm film
Cinestill 800T Tungsten 120 film
Cinestill 800T 35mm Film - High Sensitivity and Tungsten Light
Delivery between 12–24 June $48.66
CineStill 800T - 35mm Color Film, Single Roll
CineStill 800T - 35mm Color Film Single Roll
Delivery between 12–17 June $23.65
CineStill 800T 35mm Tungsten Color Film - ISO 800 | 36 Exposures | New & Sealed
Delivery $34.98
Cinestill 800T Tungsten 36exp, 135/35mm Color Negative Film
Delivery $12.43
Cinestill 800t 35mm
Delivery $10
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Cinestill Film 800t - Tungsten 135-36
Delivery $9.90
Affiliate Disclosure: We may receive a small commission for purchases made through this link at no extra cost to you. This helps support our site. Thank you!
originally posted on bhphotovideo.com
I think a lot of people like the idea of 800t. A high speed film, tungsten balanced so you can shoot under artificial light? Who wouldn't want that?! Everybody is pulled to the idea.But I find the execution to be sub-par. It's filling a much needed gap (especially in medium format), but it's not what I want filling that gap.It's a cinema film being cross processed in C-41, and not only that, it's being under exposed to 800, finally, topping it off with the removal of remjet, which means yay, it can go in minilabs, but oh no, now any highlights will be in a wash of red light. (Also reports of rampant static issues in earlier batches, and light leaks or not fully removed remjet. This isn't so much of a worry now as they're now ordering the film from Kodak directly, ... MoreI think a lot of people like the idea of 800t. A high speed film, tungsten balanced so you can shoot under artificial light? Who wouldn't want that?! Everybody is pulled to the idea.But I find the execution to be sub-par. It's filling a much needed gap (especially in medium format), but it's not what I want filling that gap.It's a cinema film being cross processed in C-41, and not only that, it's being under exposed to 800, finally, topping it off with the removal of remjet, which means yay, it can go in minilabs, but oh no, now any highlights will be in a wash of red light. (Also reports of rampant static issues in earlier batches, and light leaks or not fully removed remjet. This isn't so much of a worry now as they're now ordering the film from Kodak directly, without any remjet to begin with.)I appreciate what they've done as a company to reinvigorate film photography, but this film has too many problems for me, and their actions as a company, going after Amber 800T (now T800 because of cinestill) just really puts me off.If you can, for 35mm, shoot the real deal stuff from Kodak, because Vision 3 rocks.In 120, there's really no other choice for something like this that doesn't involve shooting 65mm stocks. So it's either halations, or sprockets (that come with light leaks typically.) So, keep on with that until something better comes along.Honestly though, if you like it and you keep getting great results with it? Ignore me and keep shooting it. These are all just my two cents.
originally posted on analoguewonderland.co.uk
Firstly, this is a great colour stock with a 'cinematic' palette. Yes, I know, 'Cinematic' is a lovely vague word often over used. But as many may know Cinestill is a repacked kodak picture film. You can DIY and play around with Kodak Vision but remjet aside, Cinestill gives you the opportunity to produce nostalgic shots often suited to nighttime work.However, this is not a great all-rounder. It's also not super fun for beginners. Cinestill advise you use a 85 orange filter. I can't stress how much this helped improve my work. I shot a few rolls and had to spend so long in post fixing white balances and working in calmer colours.There is a lot of hype around this film. Many folks will swear by this and talk for hours about hallations etc. This film is expensive, ... MoreFirstly, this is a great colour stock with a 'cinematic' palette. Yes, I know, 'Cinematic' is a lovely vague word often over used. But as many may know Cinestill is a repacked kodak picture film. You can DIY and play around with Kodak Vision but remjet aside, Cinestill gives you the opportunity to produce nostalgic shots often suited to nighttime work.However, this is not a great all-rounder. It's also not super fun for beginners. Cinestill advise you use a 85 orange filter. I can't stress how much this helped improve my work. I shot a few rolls and had to spend so long in post fixing white balances and working in calmer colours.There is a lot of hype around this film. Many folks will swear by this and talk for hours about hallations etc. This film is expensive, fact. If you're keen to replicate the popular movie looks then I highly recommend this film stock. However, if you're new to colour or just want to shoot casually stick to some cheaper fuji stocks. I've shot Fuji C200 in low light with neons etc and theres not a huge difference.The high ISO of Cinestill is also more likely closer to 500, going of the original stock. But exposed correctly, you can really get some amazing night work. Overall, its a fun, but expensive way to experiment with a timeless look.
originally posted on analoguewonderland.co.uk
CineStill is effectively Kodak 500T motion picture film with the RemJet layer pre-removed so that it can be processed in regular C41 chemicals without any added steps. This alone makes it interesting, and something I think most photographers should try out. The fact that it is tungsten balanced is also unusual in the 35mm world. In practice, the film is pretty expensive, and can produce fairly bland results if you don't have the right conditions. This can be a great film, but don't go into it expecting that all of your shots will immediately turn out like something from Blade Runner.
| Variant | |
| type | Roll |
Cinestill 800 Tungsten - 35mm
Cinestill 800T Tungsten 35mm film
Cinestill 800T Tungsten 120 film
Cinestill 800T 35mm Film - High Sensitivity and Tungsten Light
Delivery between 12–24 June $48.66
CineStill 800T - 35mm Color Film, Single Roll
I think a lot of people like the idea of 800t. A high speed film, tungsten balanced so you can shoot under artificial light? Who wouldn't want that?! Everybody is pulled to the idea.But I find the execution to be sub-par. It's filling a much needed gap (especially in medium format), but it's not what I want filling that gap.It's a cinema film being cross processed in C-41, and not only that, it's being under exposed to 800, finally, topping it off with the removal of remjet, which means yay, it can go in minilabs, but oh no, now any highlights will be in a wash of red light. (Also reports of rampant static issues in earlier batches, and light leaks or not fully removed remjet. This isn't so much of a worry now as they're now ordering the film from Kodak directly, ... MoreI think a lot of people like the idea of 800t. A high speed film, tungsten balanced so you can shoot under artificial light? Who wouldn't want that?! Everybody is pulled to the idea.But I find the execution to be sub-par. It's filling a much needed gap (especially in medium format), but it's not what I want filling that gap.It's a cinema film being cross processed in C-41, and not only that, it's being under exposed to 800, finally, topping it off with the removal of remjet, which means yay, it can go in minilabs, but oh no, now any highlights will be in a wash of red light. (Also reports of rampant static issues in earlier batches, and light leaks or not fully removed remjet. This isn't so much of a worry now as they're now ordering the film from Kodak directly, without any remjet to begin with.)I appreciate what they've done as a company to reinvigorate film photography, but this film has too many problems for me, and their actions as a company, going after Amber 800T (now T800 because of cinestill) just really puts me off.If you can, for 35mm, shoot the real deal stuff from Kodak, because Vision 3 rocks.In 120, there's really no other choice for something like this that doesn't involve shooting 65mm stocks. So it's either halations, or sprockets (that come with light leaks typically.) So, keep on with that until something better comes along.Honestly though, if you like it and you keep getting great results with it? Ignore me and keep shooting it. These are all just my two cents.
Firstly, this is a great colour stock with a 'cinematic' palette. Yes, I know, 'Cinematic' is a lovely vague word often over used. But as many may know Cinestill is a repacked kodak picture film. You can DIY and play around with Kodak Vision but remjet aside, Cinestill gives you the opportunity to produce nostalgic shots often suited to nighttime work.However, this is not a great all-rounder. It's also not super fun for beginners. Cinestill advise you use a 85 orange filter. I can't stress how much this helped improve my work. I shot a few rolls and had to spend so long in post fixing white balances and working in calmer colours.There is a lot of hype around this film. Many folks will swear by this and talk for hours about hallations etc. This film is expensive, ... MoreFirstly, this is a great colour stock with a 'cinematic' palette. Yes, I know, 'Cinematic' is a lovely vague word often over used. But as many may know Cinestill is a repacked kodak picture film. You can DIY and play around with Kodak Vision but remjet aside, Cinestill gives you the opportunity to produce nostalgic shots often suited to nighttime work.However, this is not a great all-rounder. It's also not super fun for beginners. Cinestill advise you use a 85 orange filter. I can't stress how much this helped improve my work. I shot a few rolls and had to spend so long in post fixing white balances and working in calmer colours.There is a lot of hype around this film. Many folks will swear by this and talk for hours about hallations etc. This film is expensive, fact. If you're keen to replicate the popular movie looks then I highly recommend this film stock. However, if you're new to colour or just want to shoot casually stick to some cheaper fuji stocks. I've shot Fuji C200 in low light with neons etc and theres not a huge difference.The high ISO of Cinestill is also more likely closer to 500, going of the original stock. But exposed correctly, you can really get some amazing night work. Overall, its a fun, but expensive way to experiment with a timeless look.
CineStill is effectively Kodak 500T motion picture film with the RemJet layer pre-removed so that it can be processed in regular C41 chemicals without any added steps. This alone makes it interesting, and something I think most photographers should try out. The fact that it is tungsten balanced is also unusual in the 35mm world. In practice, the film is pretty expensive, and can produce fairly bland results if you don't have the right conditions. This can be a great film, but don't go into it expecting that all of your shots will immediately turn out like something from Blade Runner.
Overall so fun to use, really gives that sharp beautifully colored cinema look. Some frames may be subject to some red strikes/marks/flashes due to the way the film is manufactured, but in my experience has only affected the first 2-3 frames. Handles highlights ok due to the removal of the halation layer, but handles shadows/shadow detail very well. Love this film.
Good film, but do not buy at Urban Outfitters because of their import fees.https://downtowncamera.com/shop/cinestill-tungsten800-135-colour-36exp/e3c216e0-9b10-0139-8322-00163ecd2826?variation=3297960&query=cinestillUO would charge you CA$15.00 to ship & an "Import Fee" of CA$11.25. Yet it is a Canadian website, so why is there an import fee when other retailers do not do this? UO's sales and marketing directors need to get on the same page as their operations management.
I've shot about 3 rolls of CineStill 800T so far and developed 2 of those rolls my self and had great results. It's a really fun stock to shot!As cliche as it sounds, it does make everything look somewhat cinematic. Probably because it's Kodak motion picture film stock.I use it mostly for low light/night street photography as it can be pushed as much as 3 stops and stills look great. Although it's called 800T (T meaning tungsten balanced) this is definitely not 800 ISO stock. It's 500 ISO, not a big deal but it is something to bear in mind as rating it at 800 will technically cause you to underexpose which does produce a slight colour shift. Personally I like what happens when you over and underexpose this film.One of the most notable features of this film is the ... MoreI've shot about 3 rolls of CineStill 800T so far and developed 2 of those rolls my self and had great results. It's a really fun stock to shot!As cliche as it sounds, it does make everything look somewhat cinematic. Probably because it's Kodak motion picture film stock.I use it mostly for low light/night street photography as it can be pushed as much as 3 stops and stills look great. Although it's called 800T (T meaning tungsten balanced) this is definitely not 800 ISO stock. It's 500 ISO, not a big deal but it is something to bear in mind as rating it at 800 will technically cause you to underexpose which does produce a slight colour shift. Personally I like what happens when you over and underexpose this film.One of the most notable features of this film is the red halation it produces around highlights, particularly specular highlights. This is something that people love cinestill for but, having shot a few rolls of it now I am noticing that the amount of halation varies from roll to roll. Sometimes the halation is pretty extreme and almost overpowers the image. Other times it's very subtle.If you like shooting low light or just like experimenting with unique stock definitely give 800T a try!
I've had a roll of this in my fridge since 2021 - I'd been waiting on the right conditions to use it - in mind of was thinking of foggy petrol station at night.However, what I ended up using it for was photographing red squirrels! I needed a fast film due to the limited light and this was all I had higher than ISO400.I'm impressed with the results, especially as I'd heard this film doesn't shoot very well in daylight.
my favourite 35mm film, it's a bit pricey and maybe too hyped, but I think still worth it. Cold cinematic colours + light hilation = perfect combination. The first few shots are usually with light leaks, but I like it. Despite I heard that it's better to shoot this one at 500iso, I always shoot at 800 and get great results. I wish there would something similar existed at 1600 or 3200 iso.
didn't realize this was low light film until after i had used it in my half frame camera on multiple trips this summer. very grainy daylight shots & had to do some heavy recoloring. lots of photos were just straight up unusable shots. not hating on cinestill, this was just my mistake and i hope others learn from it and only use it for low light shots with flash! the photos i attached are after i recolored in photoshop to save them :)
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