CineStill 50Daylight Color Negative 35mm Film
The films of CineStill bring the unique look & feel of cinema film to 35mm "still" film! CineStill 50 Daylight, is the second film made by the American film manufacturer CineStill. Unlike its 800 Tungsten brother, this film can be used without a correction filter in ordinary daylight (5500K). The film is based on the original Kodak Vision3 50D cinema film and was further optimized, resulting in a finer grain and improved sharpness. CineStill also paid attention to the scanning performance of the emulsion, making it easy to scan the film without any loss of quality. The film delivers bright, high contrasts in daylight, and the typical smooth colours also stand out. CineStill 50D can easily be developed in the classic C-41 development process for colour films, without having to worry about things like remjet. The film can of course also be developed in the original Kodak ECN-2 chemistry for Picture Motion Film. CineStill 50 Daylight is now produced using a new and improved production process that guarantees the permanence of the film emulsion for at least two years. The shelf life has therefore been drastically improved. All CineStill 50 Daylight 35mm films are now supplied with the DX-coded cartridges as standard. Be sure to take a look at this Flickr group and be surprised by this unique film!
The films of CineStill bring the unique look & feel of cinema film to 35mm "still" film! CineStill 50 Daylight, is the second film made by the American film manufacturer CineStill. Unlike its 800 Tungsten brother, this film can be used without a correction filter in ordinary daylight (5500K). The film is based on the original Kodak Vision3 50D cinema film and was further optimized, resulting in a finer grain and improved sharpness. CineStill also paid attention to the scanning performance of the emulsion, making it easy to scan the film without any loss of quality. The film delivers bright, high contrasts in daylight, and the typical smooth colours also stand out. CineStill 50D can easily be developed in the classic C-41 development process for colour films, without having to worry about things like remjet. The film can of course also be developed in the original Kodak ECN-2 chemistry for Picture Motion Film. CineStill 50 Daylight is now produced using a new and improved production process that guarantees the permanence of the film emulsion for at least two years. The shelf life has therefore been drastically improved. All CineStill 50 Daylight 35mm films are now supplied with the DX-coded cartridges as standard. Be sure to take a look at this Flickr group and be surprised by this unique film!
The films of CineStill bring the unique look & feel of cinema film to 35mm "still" film! CineStill 50 Daylight, is the second film made by the American film manufacturer CineStill. Unlike its 800 Tungsten brother, this film can be used without a correction filter in ordinary daylight (5500K). The film is based on the original Kodak Vision3 50D cinema film and was further optimized, resulting in a finer grain and improved sharpness. CineStill also paid attention to the scanning performance of the emulsion, making it easy to scan the film without any loss of quality. The film delivers bright, high contrasts in daylight, and the typical smooth colours also stand out. CineStill 50D can easily be developed in the classic C-41 development process for colour films, without having to worry about things like remjet. The film can of course also be developed in the original Kodak ECN-2 chemistry for Picture Motion Film. CineStill 50 Daylight is now produced using a new and improved production process that guarantees the permanence of the film emulsion for at least two years. The shelf life has therefore been drastically improved. All CineStill 50 Daylight 35mm films are now supplied with the DX-coded cartridges as standard. Be sure to take a look at this Flickr group and be surprised by this unique film!
The films of CineStill bring the unique look & feel of cinema film to 35mm "still" film! CineStill 50 Daylight, is the second film made by the American film manufacturer CineStill. Unlike its 800 Tungsten brother, this film can be used without a correction filter in ordinary daylight (5500K). The film is based on the original Kodak Vision3 50D cinema film and was further optimized, resulting in a finer grain and improved sharpness. CineStill also paid attention to the scanning performance of the emulsion, making it easy to scan the film without any loss of quality. The film delivers bright, high contrasts in daylight, and the typical smooth colours also stand out. CineStill 50D can easily be developed in the classic C-41 development process for colour films, without having to worry about things like remjet. The film can of course also be developed in the original Kodak ECN-2 chemistry for Picture Motion Film. CineStill 50 Daylight is now produced using a new and improved production process that guarantees the permanence of the film emulsion for at least two years. The shelf life has therefore been drastically improved. All CineStill 50 Daylight 35mm films are now supplied with the DX-coded cartridges as standard. Be sure to take a look at this Flickr group and be surprised by this unique film!
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The lowest price for CineStill 50Daylight Color Negative 35mm Film right now is $13.64 at Jo Geier - Mint & Rare, compared across 23 retailers.
The all-time low was $13.62 on 3 June 2026. That's the lowest price we've ever tracked — a great time to buy.
Prices last updated 10 June 2026.
Last updated at 10/06/2026 14:54:59
CineStill 50 D 135/36 Xpro C-41 Daylight Color Film Exp 3/25
Cinestill 50 Daylight - 35mm
Cinestill 50 Daylight Color Negative Film (35mm, 135/36Exp.)
Delivery $35.56
Cinestill 50D Daylight 35mm color negative film (36 exposures)
Delivery $66.14
Cinestill 50D 35mm Film - High Resolution in Daylight
Delivery between 15–25 June $48.66
CineStill 50D 35mm Color Film - ISO 50 | 36 Exposures | New & Sealed
Delivery $34.35
CineStill 50D 35mm 36 exp
Delivery between 16–24 June $31.51
CineStill 50D 35mm 36exp
Delivery $10.95
CineStill 50D 35mm
Delivery between 11–19 June $9.70
CineStill Film 50D - Daylight 135-36
Delivery between 20–23 June $33
originally posted on analoguewonderland.co.uk
I used this film recently after watching the Analogue wonderland YouTube video about it. I had used it once before I think but didn't find it so good that I would use it again. After watching the YouTube video which both reviewed and gave tips on how to expose the film I decided to shoot it on a bright day in Zurich. I shot street photography on it and rated it at the iso speed on the packaging that is 50. The ISO is low and the grain is fine and on very bright days iso 50 is good. The halation on the brightest parts is nice and similar to on 800T, I am assuming this is also due to removing the remjet layer from the film before packaging it as cinestill brand . the halation is less red and more soft but noticeable if I think about how halation looks on 800T. The ... MoreI used this film recently after watching the Analogue wonderland YouTube video about it. I had used it once before I think but didn't find it so good that I would use it again. After watching the YouTube video which both reviewed and gave tips on how to expose the film I decided to shoot it on a bright day in Zurich. I shot street photography on it and rated it at the iso speed on the packaging that is 50. The ISO is low and the grain is fine and on very bright days iso 50 is good. The halation on the brightest parts is nice and similar to on 800T, I am assuming this is also due to removing the remjet layer from the film before packaging it as cinestill brand . the halation is less red and more soft but noticeable if I think about how halation looks on 800T. The colours are fresh and warm at the same time and this film is expensive but I think it is worth the price for the quality
originally posted on analoguewonderland.co.uk
When I got my pictures back I was initially quite disappointed that a lot of them had turned out quite green. This is a combination of not having to quite enough light for some of them and also my camera not being quite as professional as perhaps it needs to be for the film. However, the more I look at them the more I like them, and the lack of grain gives them a really professional quality, whilst still retaining the look of film photos. In direct sunlight in the middle of the day, the pictures come out really well, although even they have a green twinge in my case (I'm warming to the effect it gives) but if it's overcast, something's shaded or it's even just a little bit cloudy, the film really struggles to capture colours. I would probably try it again but would ... MoreWhen I got my pictures back I was initially quite disappointed that a lot of them had turned out quite green. This is a combination of not having to quite enough light for some of them and also my camera not being quite as professional as perhaps it needs to be for the film. However, the more I look at them the more I like them, and the lack of grain gives them a really professional quality, whilst still retaining the look of film photos. In direct sunlight in the middle of the day, the pictures come out really well, although even they have a green twinge in my case (I'm warming to the effect it gives) but if it's overcast, something's shaded or it's even just a little bit cloudy, the film really struggles to capture colours. I would probably try it again but would use it more sparingly and only if it was an incredibly sunny day. I might also try it with a more technical camera.
originally posted on analoguewonderland.co.uk
Lets put CineStill's shady legal dealings aside and just focus on the reality. that being that this is just Kodak Vision3 50D. You can get this film with or without the remjet layer from so many other places that aren't trying to rip you off on the price. It's a beautiful film with acurate colours and a ton of room for editing, but don't buy it from CineStill.
| Variant | |
| type | Roll |
CineStill 50 D 135/36 Xpro C-41 Daylight Color Film Exp 3/25
Cinestill 50 Daylight - 35mm
Cinestill 50 Daylight Color Negative Film (35mm, 135/36Exp.)
Delivery $35.56
Cinestill 50D Daylight 35mm color negative film (36 exposures)
Delivery $66.14
Cinestill 50D 35mm Film - High Resolution in Daylight
Delivery between 15–25 June $48.66
I used this film recently after watching the Analogue wonderland YouTube video about it. I had used it once before I think but didn't find it so good that I would use it again. After watching the YouTube video which both reviewed and gave tips on how to expose the film I decided to shoot it on a bright day in Zurich. I shot street photography on it and rated it at the iso speed on the packaging that is 50. The ISO is low and the grain is fine and on very bright days iso 50 is good. The halation on the brightest parts is nice and similar to on 800T, I am assuming this is also due to removing the remjet layer from the film before packaging it as cinestill brand . the halation is less red and more soft but noticeable if I think about how halation looks on 800T. The ... MoreI used this film recently after watching the Analogue wonderland YouTube video about it. I had used it once before I think but didn't find it so good that I would use it again. After watching the YouTube video which both reviewed and gave tips on how to expose the film I decided to shoot it on a bright day in Zurich. I shot street photography on it and rated it at the iso speed on the packaging that is 50. The ISO is low and the grain is fine and on very bright days iso 50 is good. The halation on the brightest parts is nice and similar to on 800T, I am assuming this is also due to removing the remjet layer from the film before packaging it as cinestill brand . the halation is less red and more soft but noticeable if I think about how halation looks on 800T. The colours are fresh and warm at the same time and this film is expensive but I think it is worth the price for the quality
When I got my pictures back I was initially quite disappointed that a lot of them had turned out quite green. This is a combination of not having to quite enough light for some of them and also my camera not being quite as professional as perhaps it needs to be for the film. However, the more I look at them the more I like them, and the lack of grain gives them a really professional quality, whilst still retaining the look of film photos. In direct sunlight in the middle of the day, the pictures come out really well, although even they have a green twinge in my case (I'm warming to the effect it gives) but if it's overcast, something's shaded or it's even just a little bit cloudy, the film really struggles to capture colours. I would probably try it again but would ... MoreWhen I got my pictures back I was initially quite disappointed that a lot of them had turned out quite green. This is a combination of not having to quite enough light for some of them and also my camera not being quite as professional as perhaps it needs to be for the film. However, the more I look at them the more I like them, and the lack of grain gives them a really professional quality, whilst still retaining the look of film photos. In direct sunlight in the middle of the day, the pictures come out really well, although even they have a green twinge in my case (I'm warming to the effect it gives) but if it's overcast, something's shaded or it's even just a little bit cloudy, the film really struggles to capture colours. I would probably try it again but would use it more sparingly and only if it was an incredibly sunny day. I might also try it with a more technical camera.
Lets put CineStill's shady legal dealings aside and just focus on the reality. that being that this is just Kodak Vision3 50D. You can get this film with or without the remjet layer from so many other places that aren't trying to rip you off on the price. It's a beautiful film with acurate colours and a ton of room for editing, but don't buy it from CineStill.
This film really shines in medium format. Highlight retention is excellent even with the halation, which you'll either love or hate. For skin tones I prefer Portra 160, but you can't shoot Portra straight into the sun and expect to retain every last highlight detail. 50D creates very true-to-life colors, even if that's sometimes not desired. Reciprocity failure is nearly identical to Portra 160/400 and it works well as a fine grain night film on a tripod.There have been several improvements over previous versions of this film. The last roll I shot uses Ilford backing paper with a CineStill 50D stamp on the end, so it has frame numbers on the backing paper for use in manual roll backs or Holgas. The film itself also has CINESTILL50D markings along the edge for easy ... MoreThis film really shines in medium format. Highlight retention is excellent even with the halation, which you'll either love or hate. For skin tones I prefer Portra 160, but you can't shoot Portra straight into the sun and expect to retain every last highlight detail. 50D creates very true-to-life colors, even if that's sometimes not desired. Reciprocity failure is nearly identical to Portra 160/400 and it works well as a fine grain night film on a tripod.There have been several improvements over previous versions of this film. The last roll I shot uses Ilford backing paper with a CineStill 50D stamp on the end, so it has frame numbers on the backing paper for use in manual roll backs or Holgas. The film itself also has CINESTILL50D markings along the edge for easy identification once sleeved. I compared the length to other recent 120 rolls from Kodak and Ilford and it's the same.The only drawback is the price. As of this writing 50D is 61% more expensive than Portra. Whether it's 61% better is up to you.
This is my favorite roll of color film. Technically doing it in C-41 instead of ECN2 is cross processing it but it still comes out wonderful. I will say though that I really only think it's worth doing when there is sunshine outside. On cloudy days it's sort of wasted. Can handle overexposure pretty well. I think this captures the most accurate skin tones of any film/sensor ever. Not for every single person but some shots I've taken with this just look so authentic in a really unexplainable way. I just came to love it from the first time I shot it.
Overall I like the look of this film: moderate contrast and saturation right out of the scanner, with a definite cool color palette, and accurate skin tones. But any bright object or light source in your image, such as a snowman in a winter scene, will have a reddish halo all around it that’s impossible to remove in Lightroom. For me, shooting in the streets, it really limits its uses. If you can control the lighting or what’s in the frame, it’s not an issue.So close to perfect! We really need a proper C-41 ISO50 color film.In Silverfast 8, I use either the “Kodak VR” (cool) or “Kodak Royal Gold” (warm) profiles in the Negafix module. There are no profiles for Vision or Cinestill.
I've just returned from a trip to Croatia in the last week. It's always a bit of a predicament as to which caneras and which film to take along. I decided to travel light this time and took my Olympus Trip 35 with me but which film? I had recently purchased from AW a couple of rolls of Cinestill 50D and was dying to try it out and thought the sunshine and bright days in Croatia would be ideal. I also took along a roll of Kodak Gold 200 and a roll of Kodak Ektar 100. I must say though, I was very impressed with the Cinestill 50D. The colours were very realistic and not oversaturated which they were with the Kodak Ektar100. The colours of the Kodak Gold 200 were also close to realistic but overall I preferred the Cinestill 50D, an ideal film for bright conditions!
Cinestill 50D is a motion picture film with its remjet layer removed. All this means is that you're going to get halations coming from lights, which is a weird kind of glow. I absolutely love the effect, but some people hate the red tint it can take.50 iso film is very specialized. Unless you're shooting in daylight/doing longer exposures/are shooting wide open you're likely going to be running low on light. But if you manage to find a time to use it, it's the sharpest and most grain-free film I use in 35mm. I am in love with the colors and saturation it has, and feel it more than makes up for how difficult it is to use. The film is a bit lenient, I feel you can get away with underexposing it a bit and still fitting into its dynamic range, it doesn't suddenly drop ... MoreCinestill 50D is a motion picture film with its remjet layer removed. All this means is that you're going to get halations coming from lights, which is a weird kind of glow. I absolutely love the effect, but some people hate the red tint it can take.50 iso film is very specialized. Unless you're shooting in daylight/doing longer exposures/are shooting wide open you're likely going to be running low on light. But if you manage to find a time to use it, it's the sharpest and most grain-free film I use in 35mm. I am in love with the colors and saturation it has, and feel it more than makes up for how difficult it is to use. The film is a bit lenient, I feel you can get away with underexposing it a bit and still fitting into its dynamic range, it doesn't suddenly drop off. I've pushed it up to 200 iso as well with great results, although you do begin to lose your halations and it becomes grainier.I recommend this most for shallow depth of field portraits and long exposures.
This is a very nice, fine grained daylight balanced film. I feel like it's lack of an anti-halation layer (remjet!) leads to it getting more light leaks on the first few/5-6 frames. They're interesting and nice light leaks, but... there's more than usual.The color is nice, the grain is nice, and as long as you can deal with the slow speed, it's a good tool to have in your selection
This was one of the films in my Wonderbox. I finished my previous colour roll when on a visit to Hyde Hall gardens and decided to try out this film as the weather was bright and sunny. I then finished the roll over the next couple of weeks.I was very pleased when the results came back from the lab. The images are sharp and fine-grained and the colours excellent. I didn't really take pictures with bright light sources so the "glow" caused by the lack of anti-halation layer was not really evident. It does, however, caused some colour fringing if you are photographing towards the sun or with back-lit subjects so that is something to be aware of.In general, the colours are nicer in bright light. I would recommend this film if you want very fine grain and are willing ... MoreThis was one of the films in my Wonderbox. I finished my previous colour roll when on a visit to Hyde Hall gardens and decided to try out this film as the weather was bright and sunny. I then finished the roll over the next couple of weeks.I was very pleased when the results came back from the lab. The images are sharp and fine-grained and the colours excellent. I didn't really take pictures with bright light sources so the "glow" caused by the lack of anti-halation layer was not really evident. It does, however, caused some colour fringing if you are photographing towards the sun or with back-lit subjects so that is something to be aware of.In general, the colours are nicer in bright light. I would recommend this film if you want very fine grain and are willing to work within its characteristics.
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| type | Roll |
