Nikon AF-S NIKKOR 24mm f/1.4G Ed Lens
Taking the classic wide-angle field of view and pairing it with an impressively fast design, the AF-S NIKKOR 24mm f/1.4G ED from Nikon is a versatile lens for a variety of subjects, ranging from landscape to nature to street photography. The f/1.4 maximum aperture excels in low-light conditions and also offers greater control over focus position for producing shallow depth of field imagery. The optical design features two extra-low dispersion elements and two aspherical elements, which minimize a variety of aberrations and distortions for improved clarity and sharpness. A Nano Crystal Coating has also been applied to suppress flare for improved contrast. Additionally, the Silent Wave Motor affords fast, near-silent autofocus performance along with full-time manual focus override. Wide-angle prime is designed for FX-format Nikon F-mount cameras, however can also be used with DX models where it provides a 36mm equivalent focal length. Notably fast f/1.4 maximum aperture suits working in low-light conditions and also enables greater control over depth of field for selective focus imagery Two extra-low dispersion glass elements are used in the optical construction to reduce a variety of chromatic aberrations and color fringing for a high degree of clarity and color neutrality. Two aspherical elements are featured to control spherical aberrations and distortion in order to produce notable sharpness and resolution. A Nano Crystal Coating has been applied to lens elements to minimize surface and internal reflections for a marked reduction in lens flare and ghosting. Silent Wave Motor affords quick, quiet, and precise autofocus performance along with full-time manual focus override. A rear focusing design is also used, where only the rear lens group is moved during focusing, to maintain the overall length of the lens during use and to promote faster focusing speeds.
Taking the classic wide-angle field of view and pairing it with an impressively fast design, the AF-S NIKKOR 24mm f/1.4G ED from Nikon is a versatile lens for a variety of subjects, ranging from landscape to nature to street photography. The f/1.4 maximum aperture excels in low-light conditions and also offers greater control over focus position for producing shallow depth of field imagery. The optical design features two extra-low dispersion elements and two aspherical elements, which minimize a variety of aberrations and distortions for improved clarity and sharpness. A Nano Crystal Coating has also been applied to suppress flare for improved contrast. Additionally, the Silent Wave Motor affords fast, near-silent autofocus performance along with full-time manual focus override. Wide-angle prime is designed for FX-format Nikon F-mount cameras, however can also be used with DX models where it provides a 36mm equivalent focal length. Notably fast f/1.4 maximum aperture suits working in low-light conditions and also enables greater control over depth of field for selective focus imagery Two extra-low dispersion glass elements are used in the optical construction to reduce a variety of chromatic aberrations and color fringing for a high degree of clarity and color neutrality. Two aspherical elements are featured to control spherical aberrations and distortion in order to produce notable sharpness and resolution. A Nano Crystal Coating has been applied to lens elements to minimize surface and internal reflections for a marked reduction in lens flare and ghosting. Silent Wave Motor affords quick, quiet, and precise autofocus performance along with full-time manual focus override. A rear focusing design is also used, where only the rear lens group is moved during focusing, to maintain the overall length of the lens during use and to promote faster focusing speeds.
Taking the classic wide-angle field of view and pairing it with an impressively fast design, the AF-S NIKKOR 24mm f/1.4G ED from Nikon is a versatile lens for a variety of subjects, ranging from landscape to nature to street photography. The f/1.4 maximum aperture excels in low-light conditions and also offers greater control over focus position for producing shallow depth of field imagery. The optical design features two extra-low dispersion elements and two aspherical elements, which minimize a variety of aberrations and distortions for improved clarity and sharpness. A Nano Crystal Coating has also been applied to suppress flare for improved contrast. Additionally, the Silent Wave Motor affords fast, near-silent autofocus performance along with full-time manual focus override. Wide-angle prime is designed for FX-format Nikon F-mount cameras, however can also be used with DX models where it provides a 36mm equivalent focal length. Notably fast f/1.4 maximum aperture suits working in low-light conditions and also enables greater control over depth of field for selective focus imagery Two extra-low dispersion glass elements are used in the optical construction to reduce a variety of chromatic aberrations and color fringing for a high degree of clarity and color neutrality. Two aspherical elements are featured to control spherical aberrations and distortion in order to produce notable sharpness and resolution. A Nano Crystal Coating has been applied to lens elements to minimize surface and internal reflections for a marked reduction in lens flare and ghosting. Silent Wave Motor affords quick, quiet, and precise autofocus performance along with full-time manual focus override. A rear focusing design is also used, where only the rear lens group is moved during focusing, to maintain the overall length of the lens during use and to promote faster focusing speeds.
Taking the classic wide-angle field of view and pairing it with an impressively fast design, the AF-S NIKKOR 24mm f/1.4G ED from Nikon is a versatile lens for a variety of subjects, ranging from landscape to nature to street photography. The f/1.4 maximum aperture excels in low-light conditions and also offers greater control over focus position for producing shallow depth of field imagery. The optical design features two extra-low dispersion elements and two aspherical elements, which minimize a variety of aberrations and distortions for improved clarity and sharpness. A Nano Crystal Coating has also been applied to suppress flare for improved contrast. Additionally, the Silent Wave Motor affords fast, near-silent autofocus performance along with full-time manual focus override. Wide-angle prime is designed for FX-format Nikon F-mount cameras, however can also be used with DX models where it provides a 36mm equivalent focal length. Notably fast f/1.4 maximum aperture suits working in low-light conditions and also enables greater control over depth of field for selective focus imagery Two extra-low dispersion glass elements are used in the optical construction to reduce a variety of chromatic aberrations and color fringing for a high degree of clarity and color neutrality. Two aspherical elements are featured to control spherical aberrations and distortion in order to produce notable sharpness and resolution. A Nano Crystal Coating has been applied to lens elements to minimize surface and internal reflections for a marked reduction in lens flare and ghosting. Silent Wave Motor affords quick, quiet, and precise autofocus performance along with full-time manual focus override. A rear focusing design is also used, where only the rear lens group is moved during focusing, to maintain the overall length of the lens during use and to promote faster focusing speeds.
in 32 offers
The lowest price for Nikon AF-S NIKKOR 24mm f/1.4G Ed Lens right now is $722.18 at Unique Photo, compared across 12 retailers.
The all-time low was $618.00 on 3 June 2026 — today's price is 17% above the lowest ever. That's a little above the best price we've seen.
Prices last updated 1 July 2026.
Last updated at 01/07/2026 14:41:18
Nikon NIKKOR AF-S 24mm f/1.4G ED Lens
Affiliate Disclosure: We may receive a small commission for purchases made through this link at no extra cost to you. This helps support our site. Thank you!
Used Nikon AF-S Nikkor 24mm f/1.4G ED - Fair
Delivery $43.34
Used Nikon AF-S 24mm f/1.4G ED - Good
Delivery $43.34
Used Nikon AF-S Nikkor 24mm f/1.4G ED - Excellent
Delivery $43.34
Nikon AF-S Nikkor 24mm f/1.4G ED Wide Angle Prime Lens - Black
Delivery $36.11
Nikon Af-s N Nikkor 24mm 1:1.4g Ed Rf Camera Lens Wide Angle F Mount
Free delivery
Affiliate Disclosure: We may receive a small commission for purchases made through this link at no extra cost to you. This helps support our site. Thank you!
Nikon Af-s Nikkor 24mm F/1.4g Lens F Dslr
Delivery $79.43
Affiliate Disclosure: We may receive a small commission for purchases made through this link at no extra cost to you. This helps support our site. Thank you!
NIKON 2184 AF-S NIKKOR 24 mm f/1.4G ED Wide-angle Prime Lens
Affiliate Disclosure: We may receive a small commission for purchases made through this link at no extra cost to you. This helps support our site. Thank you!
Nikon Af-s Nikkor 24mm F/1.4 Ed Lens Excellent
Delivery $23.83
Affiliate Disclosure: We may receive a small commission for purchases made through this link at no extra cost to you. This helps support our site. Thank you!
Nikon Af-s Nikkor 24mm F/1.4g Ed (nikon F Mount) 160
Free delivery
Affiliate Disclosure: We may receive a small commission for purchases made through this link at no extra cost to you. This helps support our site. Thank you!
originally posted on bhphotovideo.com
It took Nikon over 90 years to finally release a prime fixed-focal length lens at f/ 1.4. For years I've been waiting for a low-light, sharp, well-constructed lens from Nikon. So much credit is deserved to the dedicated Japanese optical engineers whose labor of love created this here lens. Besides being a work of art itself the quality of photos this lens produces are simply breathtaking (if you know how to take photos that is). I've read complaints about this lens not focusing super quick and sometimes producing blurry photos. I will disagree on both fronts because this lens focuses very fast and in my experience photos will only get blurry if you are shooting wide open due to the narrow band of focus you get with such a shallow depth of field. Anyways, if there ... MoreIt took Nikon over 90 years to finally release a prime fixed-focal length lens at f/ 1.4. For years I've been waiting for a low-light, sharp, well-constructed lens from Nikon. So much credit is deserved to the dedicated Japanese optical engineers whose labor of love created this here lens. Besides being a work of art itself the quality of photos this lens produces are simply breathtaking (if you know how to take photos that is). I've read complaints about this lens not focusing super quick and sometimes producing blurry photos. I will disagree on both fronts because this lens focuses very fast and in my experience photos will only get blurry if you are shooting wide open due to the narrow band of focus you get with such a shallow depth of field. Anyways, if there are problems with your lens Nikon will always fix it for free if it's under warranty and if you're having AF issues that require some calibration there are articles online that teach you how to tweak your camera to get it in perfect flux with your lens. This is not an unusual thing for people to have to do either...I personally do not have many AF problems (maybe its because I'm getting a boost from the SU-800 I'm using on my camera body, which has an AF assist function?). I have a very specific application for this lens that demands that I shoot at f/ 1.4 at a low ISO (I use a flash of course) so owning this lens is actually a real requirement for me. If I was not going to shot at 1.4 a majority of the time with this lens I could not justify the extra expense of buying this state-of-the-art glass, however, that's just me speaking as a businessperson. Although how much I spent I this lens may bias me towards giving it a positive review I really reflected deeply and took a lot of test photos to verify that this lens was necessary for me. ... I don't know many people (even richer types) who just throw around $ like that on a whim. This is a very serious lens for a very serious photographer. Of course I would have liked to spend less on this lens (duh, who wouldn't?), but they say you get what you pay for in life. If 1.4 works for you then GO FOR IT!
originally posted on bhphotovideo.com
I am a wide angle fanatic. I love to layer my photos and frame subjects through busy foreground elements. So when I was looking for a new wide lens, it was between this one or the 14-24mm 2.8. It took me a while to decide, but I finally pulled the trigger on this one and do not regret it a single bit (then again I might have said the same thing about the 14-24 if I had went with it). Either way, this lens is incredible. It is sharp wide open, handles back lit situations very well and the bokeh is outstanding (if you are standing close to your subject). Because it is such a wide lens, the large 1.4 aperture is more useful for shooting in low light situations than it is for bokeh. But when you are standing close enough to your subject and shooting wide open, the bokeh ... MoreI am a wide angle fanatic. I love to layer my photos and frame subjects through busy foreground elements. So when I was looking for a new wide lens, it was between this one or the 14-24mm 2.8. It took me a while to decide, but I finally pulled the trigger on this one and do not regret it a single bit (then again I might have said the same thing about the 14-24 if I had went with it). Either way, this lens is incredible. It is sharp wide open, handles back lit situations very well and the bokeh is outstanding (if you are standing close to your subject). Because it is such a wide lens, the large 1.4 aperture is more useful for shooting in low light situations than it is for bokeh. But when you are standing close enough to your subject and shooting wide open, the bokeh is incredibly smooth and creamy. I started out shooting documentary and photojournalism work, which is why I became hooked on wide angle lenses. However, I am currently in the middle of starting a wedding photography business, so I wanted to switch from a wide-angle 2.8 zoom to a wide-angle 1.4 prime lens. This was a big factor in me choosing this 24mm over the 14-24. Anyways, this is an incredible lens, and if you love wide angle photos and want a prime lens (and if you shoot Nikon, obviously) then this is pretty much the only option you should consider. Sigma will probably release a 24mm 1.4 Art lens sometime in the near-ish future, and it will probably be a pretty awesome lens too. But Sigma will never be Nikon. So, to end this rambling, if you love shooting wide angles, get it. I promise you will love it and will not have buyer's remorse. If you think you might like wide angles but aren't sure, try renting this lens first before dropping so much money. And if you prefer shooting a longer focal length but need a wide lens primarily for scene setters, invest the money into a lens of your prefered focal length and purchase a cheaper wide, such as the 20mm 2.8.
originally posted on wexphotographic.com
I was given the opportunity to test this lens, using my Nikon D750 I had a couple of events to put it to practice and see how it performed. Covering this year's Oxjam Norwich Music Festival 2017, I covered 2 venues. The lens was a good feel and weight in the hand, nicely balanced against the bodies' weight.The lens was great in low light/changeable lighting and with moving objects, captures focus very well, lovely bokeh and the clarity of the out of focus was brilliant and minimal distortion for the wide shots. Lovely weight and feel to the lens. Very impressed with the results and the lens fitted like a glove into how I work and capture events. One for the lens bucket list for sure.
| Mount Type | Nikon F-Bayonet |
| Focal Length | 24 mm |
| Maximum Aperture | f/ 1.4 |
| Minimum Aperture | f/ 16 |
| Maximum Angle of View (DX-format) | 61° |
Nikon NIKKOR AF-S 24mm f/1.4G ED Lens
Affiliate Disclosure: We may receive a small commission for purchases made through this link at no extra cost to you. This helps support our site. Thank you!
Used Nikon AF-S Nikkor 24mm f/1.4G ED - Fair
Delivery $43.34
Used Nikon AF-S 24mm f/1.4G ED - Good
Delivery $43.34
Used Nikon AF-S Nikkor 24mm f/1.4G ED - Excellent
Delivery $43.34
Nikon AF-S Nikkor 24mm f/1.4G ED Wide Angle Prime Lens - Black
Delivery $36.11
It took Nikon over 90 years to finally release a prime fixed-focal length lens at f/ 1.4. For years I've been waiting for a low-light, sharp, well-constructed lens from Nikon. So much credit is deserved to the dedicated Japanese optical engineers whose labor of love created this here lens. Besides being a work of art itself the quality of photos this lens produces are simply breathtaking (if you know how to take photos that is). I've read complaints about this lens not focusing super quick and sometimes producing blurry photos. I will disagree on both fronts because this lens focuses very fast and in my experience photos will only get blurry if you are shooting wide open due to the narrow band of focus you get with such a shallow depth of field. Anyways, if there ... MoreIt took Nikon over 90 years to finally release a prime fixed-focal length lens at f/ 1.4. For years I've been waiting for a low-light, sharp, well-constructed lens from Nikon. So much credit is deserved to the dedicated Japanese optical engineers whose labor of love created this here lens. Besides being a work of art itself the quality of photos this lens produces are simply breathtaking (if you know how to take photos that is). I've read complaints about this lens not focusing super quick and sometimes producing blurry photos. I will disagree on both fronts because this lens focuses very fast and in my experience photos will only get blurry if you are shooting wide open due to the narrow band of focus you get with such a shallow depth of field. Anyways, if there are problems with your lens Nikon will always fix it for free if it's under warranty and if you're having AF issues that require some calibration there are articles online that teach you how to tweak your camera to get it in perfect flux with your lens. This is not an unusual thing for people to have to do either...I personally do not have many AF problems (maybe its because I'm getting a boost from the SU-800 I'm using on my camera body, which has an AF assist function?). I have a very specific application for this lens that demands that I shoot at f/ 1.4 at a low ISO (I use a flash of course) so owning this lens is actually a real requirement for me. If I was not going to shot at 1.4 a majority of the time with this lens I could not justify the extra expense of buying this state-of-the-art glass, however, that's just me speaking as a businessperson. Although how much I spent I this lens may bias me towards giving it a positive review I really reflected deeply and took a lot of test photos to verify that this lens was necessary for me. ... I don't know many people (even richer types) who just throw around $ like that on a whim. This is a very serious lens for a very serious photographer. Of course I would have liked to spend less on this lens (duh, who wouldn't?), but they say you get what you pay for in life. If 1.4 works for you then GO FOR IT!
I am a wide angle fanatic. I love to layer my photos and frame subjects through busy foreground elements. So when I was looking for a new wide lens, it was between this one or the 14-24mm 2.8. It took me a while to decide, but I finally pulled the trigger on this one and do not regret it a single bit (then again I might have said the same thing about the 14-24 if I had went with it). Either way, this lens is incredible. It is sharp wide open, handles back lit situations very well and the bokeh is outstanding (if you are standing close to your subject). Because it is such a wide lens, the large 1.4 aperture is more useful for shooting in low light situations than it is for bokeh. But when you are standing close enough to your subject and shooting wide open, the bokeh ... MoreI am a wide angle fanatic. I love to layer my photos and frame subjects through busy foreground elements. So when I was looking for a new wide lens, it was between this one or the 14-24mm 2.8. It took me a while to decide, but I finally pulled the trigger on this one and do not regret it a single bit (then again I might have said the same thing about the 14-24 if I had went with it). Either way, this lens is incredible. It is sharp wide open, handles back lit situations very well and the bokeh is outstanding (if you are standing close to your subject). Because it is such a wide lens, the large 1.4 aperture is more useful for shooting in low light situations than it is for bokeh. But when you are standing close enough to your subject and shooting wide open, the bokeh is incredibly smooth and creamy. I started out shooting documentary and photojournalism work, which is why I became hooked on wide angle lenses. However, I am currently in the middle of starting a wedding photography business, so I wanted to switch from a wide-angle 2.8 zoom to a wide-angle 1.4 prime lens. This was a big factor in me choosing this 24mm over the 14-24. Anyways, this is an incredible lens, and if you love wide angle photos and want a prime lens (and if you shoot Nikon, obviously) then this is pretty much the only option you should consider. Sigma will probably release a 24mm 1.4 Art lens sometime in the near-ish future, and it will probably be a pretty awesome lens too. But Sigma will never be Nikon. So, to end this rambling, if you love shooting wide angles, get it. I promise you will love it and will not have buyer's remorse. If you think you might like wide angles but aren't sure, try renting this lens first before dropping so much money. And if you prefer shooting a longer focal length but need a wide lens primarily for scene setters, invest the money into a lens of your prefered focal length and purchase a cheaper wide, such as the 20mm 2.8.
I was given the opportunity to test this lens, using my Nikon D750 I had a couple of events to put it to practice and see how it performed. Covering this year's Oxjam Norwich Music Festival 2017, I covered 2 venues. The lens was a good feel and weight in the hand, nicely balanced against the bodies' weight.The lens was great in low light/changeable lighting and with moving objects, captures focus very well, lovely bokeh and the clarity of the out of focus was brilliant and minimal distortion for the wide shots. Lovely weight and feel to the lens. Very impressed with the results and the lens fitted like a glove into how I work and capture events. One for the lens bucket list for sure.
As expected, it's a fantastic piece of glass (actually 12 pieces of glass). Any distortion has more to do with the nature of wide angle subjects rather than any imperfection in lens design. The Nikon pro lenses have noticeably higher contrast and this one's no exception. You can take sharp pictures with any Nikon lens but the true test is how the images hold up when cropped. Although the below comparison is a huge crop and compares lenses of vastly different cost as well as prime vs fixed focal length, it still shows how different lenses can perform. It also shows how a heavy pro lens allows for hand held shooting sans VR.Top was hand held with D4s and the 24mm f1.4. Bottom was taken with the 24-85 f3.5-4.5 VR with the same settings but with a D3 so there's a tad ... MoreAs expected, it's a fantastic piece of glass (actually 12 pieces of glass). Any distortion has more to do with the nature of wide angle subjects rather than any imperfection in lens design. The Nikon pro lenses have noticeably higher contrast and this one's no exception. You can take sharp pictures with any Nikon lens but the true test is how the images hold up when cropped. Although the below comparison is a huge crop and compares lenses of vastly different cost as well as prime vs fixed focal length, it still shows how different lenses can perform. It also shows how a heavy pro lens allows for hand held shooting sans VR.Top was hand held with D4s and the 24mm f1.4. Bottom was taken with the 24-85 f3.5-4.5 VR with the same settings but with a D3 so there's a tad more noise. Astonishing difference in lens distortion at this magnification. Lighter blue sky after sunset in the top image is probably attributable to the shot being taken a few minutes earlier in the evening. This wasn't a controlled scientific test :)Of course other, more expensive 24mm Nikon lenses or mid zooms set to a 24mm focal length would look better but remember - both these full frame shots may look good to the casual eye (see below - bottom shot taken with the 24-85 VR has heinous distortion if you really examine it).
I bought the lens as a lighter, smaller, faster, dayhiking, backpacking and travel alternative for my 14-24mm AF-S zoom. The lens feels really good on my D700 without being particularly front-heavy - and the combo sits perfectly level on a flat surface (with hood on). The hood does get in the way when you need to rotate a C-PL filter - it's doable, but your fingernails will scuff up the inside of the hood. Use of the C-PL filter seems to provide an additional advantage - not only do you reduce reflections and darken skies, but I could swear I get more shadow detail (kind of counter-intuitive) - possibly because darkening of bright skies and elimination of bright reflections have the effect of reducing contrast in scenes. The 24 f/1.4 takes 77mm filters - handy ... MoreI bought the lens as a lighter, smaller, faster, dayhiking, backpacking and travel alternative for my 14-24mm AF-S zoom. The lens feels really good on my D700 without being particularly front-heavy - and the combo sits perfectly level on a flat surface (with hood on). The hood does get in the way when you need to rotate a C-PL filter - it's doable, but your fingernails will scuff up the inside of the hood. Use of the C-PL filter seems to provide an additional advantage - not only do you reduce reflections and darken skies, but I could swear I get more shadow detail (kind of counter-intuitive) - possibly because darkening of bright skies and elimination of bright reflections have the effect of reducing contrast in scenes. The 24 f/1.4 takes 77mm filters - handy because trails get dusty - much easier to clean under field conditions. The f/1.4 allows me to use a decent shutter speed without boosting ISO under heavy canopy or in shade - this is important to me because there's at least a 7 f-stop range in brightness on trails. The push-on lens cap for the 14-24 kept falling off - not likely with the standard 77mm pinch cap. Although the front element of the 24mm is much smaller than the 14-24, the maximum diameters of both lens hoods are exactly the same. The petals of the 24 f/1.4 hood are flat, so you can safely rest lens vertically on its hood - and yes, the hood can be reversed. If you're comparing physical dimensions of the 24 f/1.4 vs. 14-24 zoom, note that published specs can be deceiving: with hood on, the f/1.4 is only 3/16 shorter - and as mentioned earlier, the maximum diameters of both hoods are the same (3-13/16). I don't know why anybody would do this, but...no - the 24 f/1.4 will not take either TC-14EII or TC-20EIII teleconverters. Initial testing indicates that my f/1.4 back-focuses ever so slightly at close range (3 ft) - correctable with AF fine-tuning. I won't turn on AF fine-tune because I don't normally shoot that close with a WA lens - at farther distances, I can't see any issues. At f/2.8 the 24mm f/1.4 seems to be slightly sharper at the extreme edges, but at smaller apertures the difference disappears. Will the 24 f/1.4 replace the 14-24 zoom for my use? I haven't decided, yet. The real strength of the f/1.4 is that it's 2 stops faster with corresponding shallower depth of field - and it's an awesome feeling to be able to crank the aperture open below f/2.8 to keep shutter speeds decently high without fiddling with ISO settings!
Every time I treat myself to some top quality Nikon glass, I am astonished at how expensive it is - and every time I look through it, I am really happy that I spent the money. This lens lets you do things you thought were impossible and, amazingly, actually seems like good value!I bought this lens to take on a trip to see the Northern Lights, mounting it on a D700. It performed superbly. There is no colour fringing and the focus ring is smooth and nicely 'geared' - so getting precise focus on a bright star with zoomed live view was easy - and the lens held focus all night without creeping. Wide open, there is vignetting and some coma distortion in the corners (bright stars look a bit like small seagulls flying towards the centre). This is pretty much gone by f/2, ... MoreEvery time I treat myself to some top quality Nikon glass, I am astonished at how expensive it is - and every time I look through it, I am really happy that I spent the money. This lens lets you do things you thought were impossible and, amazingly, actually seems like good value!I bought this lens to take on a trip to see the Northern Lights, mounting it on a D700. It performed superbly. There is no colour fringing and the focus ring is smooth and nicely 'geared' - so getting precise focus on a bright star with zoomed live view was easy - and the lens held focus all night without creeping. Wide open, there is vignetting and some coma distortion in the corners (bright stars look a bit like small seagulls flying towards the centre). This is pretty much gone by f/2, but I was willing to put up with it, staying wide to get sharp and colourful images with shutter speeds of only a few seconds - useful when the subject isn't static.Of course, I bought the lens expecting it to do a good job in very low light landscape situations. What I didn't expect was how it can perform as a portrait lens - particularly in 3/4 or full length shots where the environment and context play an important role. Being able to include so much of the surroundings, and yet still have the aperture to blow it elegantly out of focus, is a great trick.
Reviewers all over have been praising this lens as being one of the sharpest lenses that one can own, and I most certainly support those sentiments. Even wide open, the definition of this lens is absolutely ridiculous and unmatched by any of the other Nikkors that I've shot. Despite this, you can still get some very creamy bokeh. Stop it down and the resolution that you can get out of this lens is essentially unmatched by anything in its price range.I find this lens to be VERY useful in no-light situations because, though you still get a relatively narrow depth of field, you can get a lot in focus and the short focal length allows you to handhold at slower speed than any of the other 1.4 primes in the Nikon lineup. Use it for nights out on the street or for group ... MoreReviewers all over have been praising this lens as being one of the sharpest lenses that one can own, and I most certainly support those sentiments. Even wide open, the definition of this lens is absolutely ridiculous and unmatched by any of the other Nikkors that I've shot. Despite this, you can still get some very creamy bokeh. Stop it down and the resolution that you can get out of this lens is essentially unmatched by anything in its price range.I find this lens to be VERY useful in no-light situations because, though you still get a relatively narrow depth of field, you can get a lot in focus and the short focal length allows you to handhold at slower speed than any of the other 1.4 primes in the Nikon lineup. Use it for nights out on the street or for group shots at events or if you're out taking landscapes: there are so many situations where you can just take this one lens and rock with it.Of course, this lens is not without its flaws (like every other piece of engineering out there). This is the priciest of all Nikkor primes short of the tele series (200 f/2, 300 f/2.8, etc.), so I do definitely recommend you go rent one and try it out before you buy it. Also, this may be a personal thing, but I actually prefer the punchy colors and contrast of my 35 slightly more than the 24...but that's all tiny tots. If you do find the lens to suit your needs and decide to take the plunge, rest assured that you will not regret the decision. The 24mm is a very versatile lens that will come in handy in a wide variety of your photographic situations.
I bought both the AF-S Nikkor 24mm f/1.4G ED and the AF-S Nikkor 28mm f/1.4E ED last week from B&H. Both are really great! Images captured by my Nikon D850 with this 24mm are slightly soft at f/1.4 when viewed fully zoomed in to 100% (1 to 1) on my 27” iMac. Zoomed out slightly from 100%, the f/1.4 images look great. Applying a little sharpening in Capture One Pro on images taken at f/1.4 results in final images being indistinguishable when viewed at 100% from those captured at f/4 to f/8 without sharpening. Very slight softening starts coming in again at f/11 when viewed at 100%. However, the AF-S Nikkor 28mm f/1.4E ED is razor sharp even wide open at f/1.4 - this 28mm lens is absolutely outstanding!
I have a few other Nikon lenses, including the 35mm f/1.4G, which I love. I love the colors and the high contrast it gives. Also super sharp. Probably not a fair comparison, but definitely one level higher than the 35mm f/1.4. Don't take me wrong, both are really good lenses. It's just this that one pushes it further! I recommend it without hesitation.
I've not yet had the chance to make extensive tests with this lens, but I have included it in shooting a wedding. The angle of view is perfect for capturing groups talking while the finger food circulates or photographing the entire, long table in a single shot. I have the 85mm 1.8 and the 50mm 1.8 and was expecting this to be similar in size. However, it is a good bit bigger. Not only is it as large in diameter (approximately) as the 85, it is just as long and perhaps a bit heavier. It is good lens, but not a stealth lens. If you are looking for unobtrusive, try the 50mm. It is just the thing, however, for shooting indoors. The wide angle of view and the large aperture are a good combination. The short focal length means a good depth of field once you stop down ... MoreI've not yet had the chance to make extensive tests with this lens, but I have included it in shooting a wedding. The angle of view is perfect for capturing groups talking while the finger food circulates or photographing the entire, long table in a single shot. I have the 85mm 1.8 and the 50mm 1.8 and was expecting this to be similar in size. However, it is a good bit bigger. Not only is it as large in diameter (approximately) as the 85, it is just as long and perhaps a bit heavier. It is good lens, but not a stealth lens. If you are looking for unobtrusive, try the 50mm. It is just the thing, however, for shooting indoors. The wide angle of view and the large aperture are a good combination. The short focal length means a good depth of field once you stop down even a little. It is sharp no doubt. If focuses quite fast and is silent. All good for a wedding. I look forward to spending a little time on the street with this lens. It is little wider than I normally use for street photography, but I think the challenge will be fun. It should make some exceptionally sharp shots and being able to full advantage of the depth of field will be a big advantage.
| Mount Type | Nikon F-Bayonet |
| Focal Length | 24 mm |
| Maximum Aperture | f/ 1.4 |
| Minimum Aperture | f/ 16 |
| Maximum Angle of View (DX-format) | 61° |
