Nikon AF-S NIKKOR 35mm f/1.8G Ed Lens
The Nikon AF-S NIKKOR 35 mm f1.8G ED is a prime lens that is ideally suited for use with Nikons F-mount HDSLR cameras. A maximum aperture of f1.8 provides you with excellent depth of field when shooting images and also enables you to shoot clear photos in low lighting conditions. The Silent Wave motor integrated into the optical mechanism of this kens helps deliver a fast and accurate autofocus performance. Moreover it does not make any sound when focusing the lens which avoids unwanted noise that can interfere with the audio recording of your camera. Thanks to the extra-low dispersion glass element used in its construction this lens offers high contrast and sharpness through the image. The seven rounded blades on the diaphragm of this camera enable you to create a creamy bokeh effect by rendering smooth and uniform out of focus regions in the background. In addition this lens also prevents ghosting and flaring with the Super Integrated Coating on its surface. It has a filter size of 58 mm and features an optical construction of 11 elements in 8 groups.
The Nikon AF-S NIKKOR 35 mm f1.8G ED is a prime lens that is ideally suited for use with Nikons F-mount HDSLR cameras. A maximum aperture of f1.8 provides you with excellent depth of field when shooting images and also enables you to shoot clear photos in low lighting conditions. The Silent Wave motor integrated into the optical mechanism of this kens helps deliver a fast and accurate autofocus performance. Moreover it does not make any sound when focusing the lens which avoids unwanted noise that can interfere with the audio recording of your camera. Thanks to the extra-low dispersion glass element used in its construction this lens offers high contrast and sharpness through the image. The seven rounded blades on the diaphragm of this camera enable you to create a creamy bokeh effect by rendering smooth and uniform out of focus regions in the background. In addition this lens also prevents ghosting and flaring with the Super Integrated Coating on its surface. It has a filter size of 58 mm and features an optical construction of 11 elements in 8 groups.
The Nikon AF-S NIKKOR 35 mm f1.8G ED is a prime lens that is ideally suited for use with Nikons F-mount HDSLR cameras. A maximum aperture of f1.8 provides you with excellent depth of field when shooting images and also enables you to shoot clear photos in low lighting conditions. The Silent Wave motor integrated into the optical mechanism of this kens helps deliver a fast and accurate autofocus performance. Moreover it does not make any sound when focusing the lens which avoids unwanted noise that can interfere with the audio recording of your camera. Thanks to the extra-low dispersion glass element used in its construction this lens offers high contrast and sharpness through the image. The seven rounded blades on the diaphragm of this camera enable you to create a creamy bokeh effect by rendering smooth and uniform out of focus regions in the background. In addition this lens also prevents ghosting and flaring with the Super Integrated Coating on its surface. It has a filter size of 58 mm and features an optical construction of 11 elements in 8 groups.
The Nikon AF-S NIKKOR 35 mm f1.8G ED is a prime lens that is ideally suited for use with Nikons F-mount HDSLR cameras. A maximum aperture of f1.8 provides you with excellent depth of field when shooting images and also enables you to shoot clear photos in low lighting conditions. The Silent Wave motor integrated into the optical mechanism of this kens helps deliver a fast and accurate autofocus performance. Moreover it does not make any sound when focusing the lens which avoids unwanted noise that can interfere with the audio recording of your camera. Thanks to the extra-low dispersion glass element used in its construction this lens offers high contrast and sharpness through the image. The seven rounded blades on the diaphragm of this camera enable you to create a creamy bokeh effect by rendering smooth and uniform out of focus regions in the background. In addition this lens also prevents ghosting and flaring with the Super Integrated Coating on its surface. It has a filter size of 58 mm and features an optical construction of 11 elements in 8 groups.
in 22 offers
The lowest price for Nikon AF-S NIKKOR 35mm f/1.8G Ed Lens right now is $228.62 at eBay.com.au, compared across 16 retailers.
The all-time low was $210.62 on 10 Mar 2026 — today's price is 9% above the lowest ever. That's a little above the best price we've seen.
Prices last updated 1 Sept 2026.
Last updated at 01/09/2026 18:32:35
Nikon NIKKOR AF-S 35 mm F/1.8 G ED Lens
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Nikon AF-S DX NIKKOR 35mm f/1.8G Lens with Auto Focus for Nikon DSLR Cameras
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Nikon 35mm f1.8 AF-S Nikkor G ED
Delivery between 8–16 Sept $59
Nikon AF-S 35mm f1.8G ED Lens F Mount Fixed Prime Lens Compact Design
Delivery $9.95
Nikon AF-S NIKKOR 35mm f/1.8G ED Lens
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Nikon Nikkor AF-S FX 35mm f/1.8G ED Lens
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Nikon AF-S NIKKOR 35mm f/1.8G ED Lens
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Nikon AF-S 35mm F/1.8G Lens
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Nikon AF-S 35mm F1.8G ED Lens (New)
Nikon Nikkor AF-S 35mm f/1.8G ED Lens
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originally posted on bhphotovideo.com
This lens was a long time coming, but worth waiting for. I do documentary work but that also involves some landscape work, so I like lenses that are sharp wide open and really sharp right to the edges stopped down a bit. This lens definitely fits the bill.The 35mm focal length has always been one of my favorites. Until now there were few good options--the old 35/2 was very soft in the corners, the 35/1.4G, which I think is an often underrated lens, is actually quite good but it is huge and expensive. I found the Sigma very sharp but the color and contrast never thrilled me. And the quality control is lacking, I tried three different lenses and all of them were soft in a different corner.The Zeiss 35/2 was great but heavy and MF only. The Zeiss was my choice until ... MoreThis lens was a long time coming, but worth waiting for. I do documentary work but that also involves some landscape work, so I like lenses that are sharp wide open and really sharp right to the edges stopped down a bit. This lens definitely fits the bill.The 35mm focal length has always been one of my favorites. Until now there were few good options--the old 35/2 was very soft in the corners, the 35/1.4G, which I think is an often underrated lens, is actually quite good but it is huge and expensive. I found the Sigma very sharp but the color and contrast never thrilled me. And the quality control is lacking, I tried three different lenses and all of them were soft in a different corner.The Zeiss 35/2 was great but heavy and MF only. The Zeiss was my choice until recently.This new Nikkor 35/1.8G is very sharp in the center, even wide open. The edges might have a bit less sharpness wide open, but at f/1.8 they probably won't be in focus anyway unless you're shooting brick walls. By f/2.8 the corners are extremely sharp and at f/5.6 it's extremely sharp right into the extreme corners.It's better than the Zeiss 35/2 at pretty much all apertures. I don't have the Sigma to compare it to side-by-side, but I'd say it compares favorably. The Nikon has a bit of color fringing, but not too much and it's better in this regard than the zeiss 35/2 (and similar or better than the Nikon 35/1.4).The distortion is not too bad either, normal for this kind of lens. Flare is very minimal, though I have managed to get some minor ghosting during torture tests, it actually has less flare than my zeiss 25/2.The AF is fast and accurate on my D800E bodies.This is a great lens for both documentary work/event work and also for landscapes. I won't hesitate to shoot it wide open when needed, but it sharpens up fast when you stop down.One note on the feel of the lens--this lens is plasticy like most of the recent G lenses. Frankly, I find even the expensive f/1.4 versions to feel a bit cheap and plasticy. Unless you want to shell out thousands for Leica glass, the days of the precision metal lenses seems to be over. I'd say this lens is better than the 28/1.8G. The 35 is a bit denser so it feels more solid, and the focus ring on the 35 is better, it doesn't have as much slop or play in the mechanism. The 35 doesn't feel quite as nice as my 85/1.8G.I'd hate to confuse the feel of a lens for build quality. Sure, the Sigma feels more solid, but I've heard lots of stories (and personally experienced) focus problems, decentering, etc. The Nikkors are light and they don't feel like precision optical instruments, but I've been using my 28G heavily for a while now and it has held up just fine. Also, when you travel and shoot for 12-hour days, a lightweight but high-quality lens is very much appreciated.
originally posted on bhphotovideo.com
I love the 35mm focal length, it's very versatile and I have used that focal length with many different systems such as Nikon, Canon, Mamiya, Leica, etc. I'm currently using a Nikon D800 and have tried four different 35mm's with this camera: the Nikon 35mm f/2d, the Zeiss 35mm f/2 ZF.2, the Sigma 35mm f1.4 and now the Nikon 35mm f/1.8 G. Each of these 35mm lenses offers a unique trait/traits that the other one does not. The f/2 D older lens, is a great size, light, fits well with the camera and has relatively quick/accurate but noisy focusing. It's not the sharpest of the bunch but is good in the center and you feel like your getting a lot of bang for your buck. The Zeiss has a wonderful construction, solid, all metal feel, sharper than the D lens, but not as sharp ... MoreI love the 35mm focal length, it's very versatile and I have used that focal length with many different systems such as Nikon, Canon, Mamiya, Leica, etc. I'm currently using a Nikon D800 and have tried four different 35mm's with this camera: the Nikon 35mm f/2d, the Zeiss 35mm f/2 ZF.2, the Sigma 35mm f1.4 and now the Nikon 35mm f/1.8 G. Each of these 35mm lenses offers a unique trait/traits that the other one does not. The f/2 D older lens, is a great size, light, fits well with the camera and has relatively quick/accurate but noisy focusing. It's not the sharpest of the bunch but is good in the center and you feel like your getting a lot of bang for your buck. The Zeiss has a wonderful construction, solid, all metal feel, sharper than the D lens, but not as sharp as the others. It has very smooth focusing, fantastic contrast and tonality and of course has no af. The Sigma is big, heavy, the fastest at f/1.4, almost as close in contrast/tonality to the Zeiss, but it's the sharpest of them all with af and that's pretty good. That said, the Nikon 35mm f1.8 G doesn't have one or two unique stand out traits like the other 35mm's mentioned above, where the lens offers something that your not able to get in another 35mm lens. But what it does offer is it does pretty well at all the features one would like in a lens. It is relatively light, still has some weather proofing and pretty sharp (not the absolute sharpest, but close). It also has a good contrast and tonality (but not as good as what Zeiss offers) and overall has pretty quick, accurate and quiet af. It's an all around good lens. It doesn't beat any other 35mm lens in a particular trait but it comes close and does pretty good, just not the best. And for me that made it my lens of choice. It's a funny little guy!
originally posted on bhphotovideo.com
Usually I prefer working with Nikon's DX bodies for a variety of reasons. And this lens is a case in point. I purchased this lens to go with a D810. The deal with the D810 did not work out and unfortunately I ended up returning it and this 35 1.8G. However I did test it. Firstly, I tested it, tripod , mirror up etc, with a D500 DX body. F4, F5.6 even 3.5 very very good. Then on the D810. Center very very good. outer third VERY POOR. So on a DX body the cheap Nikon 35 1.8 DX is great beyond what one could expect and this lens is no better if as good. On FX bodies IMHI this lens is inadequate yet fine on DX bodies, but no better the the smaller lighter much less expensive 35 1.8 DX. So Where does it fit? For those of us continuing, for the time being, to work in ... MoreUsually I prefer working with Nikon's DX bodies for a variety of reasons. And this lens is a case in point. I purchased this lens to go with a D810. The deal with the D810 did not work out and unfortunately I ended up returning it and this 35 1.8G. However I did test it. Firstly, I tested it, tripod , mirror up etc, with a D500 DX body. F4, F5.6 even 3.5 very very good. Then on the D810. Center very very good. outer third VERY POOR. So on a DX body the cheap Nikon 35 1.8 DX is great beyond what one could expect and this lens is no better if as good. On FX bodies IMHI this lens is inadequate yet fine on DX bodies, but no better the the smaller lighter much less expensive 35 1.8 DX. So Where does it fit? For those of us continuing, for the time being, to work in Nikon's F-Mount system I would suggest for DX stay with the 35 1.8 DX and for FX look elsewhere, perhaps Sigma or Tamron. I hate to give plugs to companies but, B&H had my back, as they always do, on this unfortunate deal with the D810. I try to be responsible in my purchases and avoid gratuitous returns, but the D810 did not work out for me and B&H took the returns with total courtesy, respectfulness and promptness. I have been around the block a few times and in the photo video computer tech world there is no company as good to do business with as B&H. I hate giving plugs but they deserve it.
| Mount Type | Nikon F-Bayonet |
| Focal Length | 35mm |
| Maximum Aperture | f/1.8 |
| Minimum Aperture | f/16 |
| Maximum Angle of View (DX-format) | 44 |
Nikon NIKKOR AF-S 35 mm F/1.8 G ED Lens
Affiliate Disclosure: We may receive a small commission for purchases made through this link at no extra cost to you. This helps support our site. Thank you!
Nikon AF-S DX NIKKOR 35mm f/1.8G Lens with Auto Focus for Nikon DSLR Cameras
Delivery $25.33
Nikon 35mm f1.8 AF-S Nikkor G ED
Delivery between 8–16 Sept $59
Nikon AF-S 35mm f1.8G ED Lens F Mount Fixed Prime Lens Compact Design
Delivery $9.95
Nikon AF-S NIKKOR 35mm f/1.8G ED Lens
Delivery between 8–16 Sept $9.90
This lens was a long time coming, but worth waiting for. I do documentary work but that also involves some landscape work, so I like lenses that are sharp wide open and really sharp right to the edges stopped down a bit. This lens definitely fits the bill.The 35mm focal length has always been one of my favorites. Until now there were few good options--the old 35/2 was very soft in the corners, the 35/1.4G, which I think is an often underrated lens, is actually quite good but it is huge and expensive. I found the Sigma very sharp but the color and contrast never thrilled me. And the quality control is lacking, I tried three different lenses and all of them were soft in a different corner.The Zeiss 35/2 was great but heavy and MF only. The Zeiss was my choice until ... MoreThis lens was a long time coming, but worth waiting for. I do documentary work but that also involves some landscape work, so I like lenses that are sharp wide open and really sharp right to the edges stopped down a bit. This lens definitely fits the bill.The 35mm focal length has always been one of my favorites. Until now there were few good options--the old 35/2 was very soft in the corners, the 35/1.4G, which I think is an often underrated lens, is actually quite good but it is huge and expensive. I found the Sigma very sharp but the color and contrast never thrilled me. And the quality control is lacking, I tried three different lenses and all of them were soft in a different corner.The Zeiss 35/2 was great but heavy and MF only. The Zeiss was my choice until recently.This new Nikkor 35/1.8G is very sharp in the center, even wide open. The edges might have a bit less sharpness wide open, but at f/1.8 they probably won't be in focus anyway unless you're shooting brick walls. By f/2.8 the corners are extremely sharp and at f/5.6 it's extremely sharp right into the extreme corners.It's better than the Zeiss 35/2 at pretty much all apertures. I don't have the Sigma to compare it to side-by-side, but I'd say it compares favorably. The Nikon has a bit of color fringing, but not too much and it's better in this regard than the zeiss 35/2 (and similar or better than the Nikon 35/1.4).The distortion is not too bad either, normal for this kind of lens. Flare is very minimal, though I have managed to get some minor ghosting during torture tests, it actually has less flare than my zeiss 25/2.The AF is fast and accurate on my D800E bodies.This is a great lens for both documentary work/event work and also for landscapes. I won't hesitate to shoot it wide open when needed, but it sharpens up fast when you stop down.One note on the feel of the lens--this lens is plasticy like most of the recent G lenses. Frankly, I find even the expensive f/1.4 versions to feel a bit cheap and plasticy. Unless you want to shell out thousands for Leica glass, the days of the precision metal lenses seems to be over. I'd say this lens is better than the 28/1.8G. The 35 is a bit denser so it feels more solid, and the focus ring on the 35 is better, it doesn't have as much slop or play in the mechanism. The 35 doesn't feel quite as nice as my 85/1.8G.I'd hate to confuse the feel of a lens for build quality. Sure, the Sigma feels more solid, but I've heard lots of stories (and personally experienced) focus problems, decentering, etc. The Nikkors are light and they don't feel like precision optical instruments, but I've been using my 28G heavily for a while now and it has held up just fine. Also, when you travel and shoot for 12-hour days, a lightweight but high-quality lens is very much appreciated.
I love the 35mm focal length, it's very versatile and I have used that focal length with many different systems such as Nikon, Canon, Mamiya, Leica, etc. I'm currently using a Nikon D800 and have tried four different 35mm's with this camera: the Nikon 35mm f/2d, the Zeiss 35mm f/2 ZF.2, the Sigma 35mm f1.4 and now the Nikon 35mm f/1.8 G. Each of these 35mm lenses offers a unique trait/traits that the other one does not. The f/2 D older lens, is a great size, light, fits well with the camera and has relatively quick/accurate but noisy focusing. It's not the sharpest of the bunch but is good in the center and you feel like your getting a lot of bang for your buck. The Zeiss has a wonderful construction, solid, all metal feel, sharper than the D lens, but not as sharp ... MoreI love the 35mm focal length, it's very versatile and I have used that focal length with many different systems such as Nikon, Canon, Mamiya, Leica, etc. I'm currently using a Nikon D800 and have tried four different 35mm's with this camera: the Nikon 35mm f/2d, the Zeiss 35mm f/2 ZF.2, the Sigma 35mm f1.4 and now the Nikon 35mm f/1.8 G. Each of these 35mm lenses offers a unique trait/traits that the other one does not. The f/2 D older lens, is a great size, light, fits well with the camera and has relatively quick/accurate but noisy focusing. It's not the sharpest of the bunch but is good in the center and you feel like your getting a lot of bang for your buck. The Zeiss has a wonderful construction, solid, all metal feel, sharper than the D lens, but not as sharp as the others. It has very smooth focusing, fantastic contrast and tonality and of course has no af. The Sigma is big, heavy, the fastest at f/1.4, almost as close in contrast/tonality to the Zeiss, but it's the sharpest of them all with af and that's pretty good. That said, the Nikon 35mm f1.8 G doesn't have one or two unique stand out traits like the other 35mm's mentioned above, where the lens offers something that your not able to get in another 35mm lens. But what it does offer is it does pretty well at all the features one would like in a lens. It is relatively light, still has some weather proofing and pretty sharp (not the absolute sharpest, but close). It also has a good contrast and tonality (but not as good as what Zeiss offers) and overall has pretty quick, accurate and quiet af. It's an all around good lens. It doesn't beat any other 35mm lens in a particular trait but it comes close and does pretty good, just not the best. And for me that made it my lens of choice. It's a funny little guy!
Usually I prefer working with Nikon's DX bodies for a variety of reasons. And this lens is a case in point. I purchased this lens to go with a D810. The deal with the D810 did not work out and unfortunately I ended up returning it and this 35 1.8G. However I did test it. Firstly, I tested it, tripod , mirror up etc, with a D500 DX body. F4, F5.6 even 3.5 very very good. Then on the D810. Center very very good. outer third VERY POOR. So on a DX body the cheap Nikon 35 1.8 DX is great beyond what one could expect and this lens is no better if as good. On FX bodies IMHI this lens is inadequate yet fine on DX bodies, but no better the the smaller lighter much less expensive 35 1.8 DX. So Where does it fit? For those of us continuing, for the time being, to work in ... MoreUsually I prefer working with Nikon's DX bodies for a variety of reasons. And this lens is a case in point. I purchased this lens to go with a D810. The deal with the D810 did not work out and unfortunately I ended up returning it and this 35 1.8G. However I did test it. Firstly, I tested it, tripod , mirror up etc, with a D500 DX body. F4, F5.6 even 3.5 very very good. Then on the D810. Center very very good. outer third VERY POOR. So on a DX body the cheap Nikon 35 1.8 DX is great beyond what one could expect and this lens is no better if as good. On FX bodies IMHI this lens is inadequate yet fine on DX bodies, but no better the the smaller lighter much less expensive 35 1.8 DX. So Where does it fit? For those of us continuing, for the time being, to work in Nikon's F-Mount system I would suggest for DX stay with the 35 1.8 DX and for FX look elsewhere, perhaps Sigma or Tamron. I hate to give plugs to companies but, B&H had my back, as they always do, on this unfortunate deal with the D810. I try to be responsible in my purchases and avoid gratuitous returns, but the D810 did not work out for me and B&H took the returns with total courtesy, respectfulness and promptness. I have been around the block a few times and in the photo video computer tech world there is no company as good to do business with as B&H. I hate giving plugs but they deserve it.
I bought this lens to fit between my Nikkor 20mm 1.8G, and my Nikkor 50mm 1.8G lenses for when I want something wider than a 50, and not as wide as a 20. It fits right in there where I thought it would. I use a full frame Camera (Nikon D750). The 35mm is light, small, very sharp, fast focusing and accurate in my opinion. It is light weight, plasticy like the other G lenses are, but that's not a problem for me since I don't abuse my lenses. They feel solid, not toyish at all, and they work great! The price is not that bad either considering how well they work, the 35mm included. It is weather sealed, has a metal mount, a nice lens shade and a decent focusing ring which I only use now and then because the autofocus is very good. I like that this lens is wider than a ... MoreI bought this lens to fit between my Nikkor 20mm 1.8G, and my Nikkor 50mm 1.8G lenses for when I want something wider than a 50, and not as wide as a 20. It fits right in there where I thought it would. I use a full frame Camera (Nikon D750). The 35mm is light, small, very sharp, fast focusing and accurate in my opinion. It is light weight, plasticy like the other G lenses are, but that's not a problem for me since I don't abuse my lenses. They feel solid, not toyish at all, and they work great! The price is not that bad either considering how well they work, the 35mm included. It is weather sealed, has a metal mount, a nice lens shade and a decent focusing ring which I only use now and then because the autofocus is very good. I like that this lens is wider than a 50mm yet doesn't bend lines as much as the 20mm. I had bought one of these lenses refurbished from Nikon's online store to save some money but when I got it I found out it only has a 90 day warranty on it instead of Nikon's usual 5 year warranty, so for the small savings the warranty trade off was not worth it to me. So I returned it and went over to B&H and bought this lens. I have shopped at B&H both online and in their store and have never come away with anyhing but a feeling of satisfaction. They're great! I'm sure this lens will be with me on my walks around NYC for many years to come. I recommend this lens to anyone that wants a wide, but not super wide angle lens.
Overall this lens exceeded my expectations. My assessments are all done on a focus calibrated D810. Wide open contrast is above average and sharpness is high. It's one of those lenses where you don't need to tweak much in editing to get nice looking images. Focus is very fast and accurate. Bokeh is a little nervous at further distances, if your priority is bokeh at 35mm then you have expensive tastes and should check out the f/1.4 version. This is a reasonably priced sharp all-around lens to take anywhere.
I needed an FX 35mm lens. I have a 35mm lens in a DX format and I obviously cannot use it on an FX body. I went back and forth between getting the 24mm lens and the 35mm. But I ended up purchasing this 35mm lens because with my experience with the 35mm DX lens — this was my to go to lens for my Nikon 3200 and my 7200. The reason why is because I loved the beautiful bokeh in the 35mm lens and it also produces some really nice, crisp photos. This lens is not a super wide lens but it's just wide enough for me. This lens is very fast and creates some beautiful colors. Super light to travel with. The price for the lens is also a steal. The body of the lens is a little plastic-ky but I didn't mind that because I just love how it produces photos! The lens came pretty ... MoreI needed an FX 35mm lens. I have a 35mm lens in a DX format and I obviously cannot use it on an FX body. I went back and forth between getting the 24mm lens and the 35mm. But I ended up purchasing this 35mm lens because with my experience with the 35mm DX lens — this was my to go to lens for my Nikon 3200 and my 7200. The reason why is because I loved the beautiful bokeh in the 35mm lens and it also produces some really nice, crisp photos. This lens is not a super wide lens but it's just wide enough for me. This lens is very fast and creates some beautiful colors. Super light to travel with. The price for the lens is also a steal. The body of the lens is a little plastic-ky but I didn't mind that because I just love how it produces photos! The lens came pretty quick, packaged safely and I have had no issues since I've bought it.
This lens is fast, light, very sharp and has great color. A good lens for anyone who wants to travel light and wants great IQ. I tested thislens on my D750 and D850. When bolted on the D750 it shines. On the D850, not so much. The higher resolution sensor on the D850 exposes some weaknesses in the form of CA’s in the far corners. In addition, I am not sure this lens can resolve the level of detail that 45MP sensor is capable of. On the upside, I found the brokeh pleasing, and in some images, it produced an artsy look that I found surprising, in a good way. Overall a very nice and capable 35mm FX lens.
In reviewing a large number of photos taken during the last five years, I noticed that the ones I liked best in terms of color, contrast, and clarity of detail were all taken with ED lenses. On that highly subjective and unscientific basis I opted for the 35mm f/1.8 ED instead of the much less expensive non-ED version. I am very pleased with the quality of the images I have gotten so far, although I am not sure they are uniformly better than those I have taken with my various D and G series non-ED lenses. Bottom line: this lens produces very high quality images; I'm glad I bought it; and I recommend it without qualification--but whether it is worth the difference in price is something each photographer will have to decide for him/her self.I would be remiss not to ... MoreIn reviewing a large number of photos taken during the last five years, I noticed that the ones I liked best in terms of color, contrast, and clarity of detail were all taken with ED lenses. On that highly subjective and unscientific basis I opted for the 35mm f/1.8 ED instead of the much less expensive non-ED version. I am very pleased with the quality of the images I have gotten so far, although I am not sure they are uniformly better than those I have taken with my various D and G series non-ED lenses. Bottom line: this lens produces very high quality images; I'm glad I bought it; and I recommend it without qualification--but whether it is worth the difference in price is something each photographer will have to decide for him/her self.I would be remiss not to mention the terrific B&H service: the lens was delivered to my door in Philadelphia less than 24 hours after I placed my order--and in the month of December!
So far, this lens has worked well for me. For the price, it's a solid performer that, I'll venture to say, will work for probably 90% of photographers. Unless you are working in a war-zone and need a tank of a lens, this lens will work for you. Don't buy into the hype that expensive glass will make you a better photographer. There are plenty of examples of photographers using basic kit gear producing stunning results. Be one of those photographers who truly understands and is knowledgeable about the basics of photography and how to create solid results - your wallet will thank you.
The Good-Sharp(Sharpness is relative; but it does look sharper than the 18-55mm, and also the sigma DG 70-300mm; lenses that are popular with beginner photographers. You can even look up its MFT chart at: https://www.dpreview.com/reviews/nikon-af-s-35mm-f1-8g-Fast focusing.(I hear creaky sounds when I focus. Sounds that get into your video when you record; I didn't use external mic. I use Nikon D3200. Which photographers don't recommend for video work anyway. )-Small Size, Small Face, but f1.8(Diametre 52mm, means you can fit all your filters and Macro Extensions on the lens that you used to use with 18-55mm)(Shorter than the 18-55mm. Keep in mind this is not a pancake lens.)-Manual-Focus Over-ride.(This means even in Autofocus mode you can turn the ... MoreThe Good-Sharp(Sharpness is relative; but it does look sharper than the 18-55mm, and also the sigma DG 70-300mm; lenses that are popular with beginner photographers. You can even look up its MFT chart at: https://www.dpreview.com/reviews/nikon-af-s-35mm-f1-8g-Fast focusing.(I hear creaky sounds when I focus. Sounds that get into your video when you record; I didn't use external mic. I use Nikon D3200. Which photographers don't recommend for video work anyway. )-Small Size, Small Face, but f1.8(Diametre 52mm, means you can fit all your filters and Macro Extensions on the lens that you used to use with 18-55mm)(Shorter than the 18-55mm. Keep in mind this is not a pancake lens.)-Manual-Focus Over-ride.(This means even in Autofocus mode you can turn the ring and use it as Manual Focus. Compare that to 18-55mm which tries to block you from doing so--as if it wants to break if you do that.)The Bad-Distortion(Right now as I think of this lens that is one major Put-Off. The distortion. Try not to get too close to the subject. Mind your verticals.)-Low-light performance.(I'd rather switch to Manual Focus (which comes with quite a lot of complications) in situations of low-light, where despite it tells you the focusing is complete, *it does not shoot!* Waste of photos.)
| Mount Type | Nikon F-Bayonet |
| Focal Length | 35mm |
| Maximum Aperture | f/1.8 |
| Minimum Aperture | f/16 |
| Maximum Angle of View (DX-format) | 44 |