Sony FE 70-200 mm F4 G OSS Lens
This compact, lightweight telephoto zoom lens is ideal for full-frame E-mount bodies, delivering superb G Lens image quality throughout the zoom range. AA (advanced aspherical) elements, Super ED and ED glass elements, the Sony Nano AR Coating, and a 9-blade circular aperture add up to refined rendering with smooth bokeh where desired. Maximum aperture is a constant F4, and the physical length of the lens does not change when zooming or focusing. Dual linear motors ensure fast, precise focusing. Focus hold, range limiter and other controls are located on the barrel for easy access. Optical SteadyShot image stabilization is built in. For optical quality, the lens features numerous specialized elements, including Super ED and Advanced aspherical elements. These elements reduce the impact of aberrations and distortion for high resolution imaging. The lens is also benefited by the use of Nano AR coatings that reduce the effects of flaring. It even has dust- and moisture-resistant construction for use in less than ideal weather conditions.
This compact, lightweight telephoto zoom lens is ideal for full-frame E-mount bodies, delivering superb G Lens image quality throughout the zoom range. AA (advanced aspherical) elements, Super ED and ED glass elements, the Sony Nano AR Coating, and a 9-blade circular aperture add up to refined rendering with smooth bokeh where desired. Maximum aperture is a constant F4, and the physical length of the lens does not change when zooming or focusing. Dual linear motors ensure fast, precise focusing. Focus hold, range limiter and other controls are located on the barrel for easy access. Optical SteadyShot image stabilization is built in. For optical quality, the lens features numerous specialized elements, including Super ED and Advanced aspherical elements. These elements reduce the impact of aberrations and distortion for high resolution imaging. The lens is also benefited by the use of Nano AR coatings that reduce the effects of flaring. It even has dust- and moisture-resistant construction for use in less than ideal weather conditions.
This compact, lightweight telephoto zoom lens is ideal for full-frame E-mount bodies, delivering superb G Lens image quality throughout the zoom range. AA (advanced aspherical) elements, Super ED and ED glass elements, the Sony Nano AR Coating, and a 9-blade circular aperture add up to refined rendering with smooth bokeh where desired. Maximum aperture is a constant F4, and the physical length of the lens does not change when zooming or focusing. Dual linear motors ensure fast, precise focusing. Focus hold, range limiter and other controls are located on the barrel for easy access. Optical SteadyShot image stabilization is built in. For optical quality, the lens features numerous specialized elements, including Super ED and Advanced aspherical elements. These elements reduce the impact of aberrations and distortion for high resolution imaging. The lens is also benefited by the use of Nano AR coatings that reduce the effects of flaring. It even has dust- and moisture-resistant construction for use in less than ideal weather conditions.
This compact, lightweight telephoto zoom lens is ideal for full-frame E-mount bodies, delivering superb G Lens image quality throughout the zoom range. AA (advanced aspherical) elements, Super ED and ED glass elements, the Sony Nano AR Coating, and a 9-blade circular aperture add up to refined rendering with smooth bokeh where desired. Maximum aperture is a constant F4, and the physical length of the lens does not change when zooming or focusing. Dual linear motors ensure fast, precise focusing. Focus hold, range limiter and other controls are located on the barrel for easy access. Optical SteadyShot image stabilization is built in. For optical quality, the lens features numerous specialized elements, including Super ED and Advanced aspherical elements. These elements reduce the impact of aberrations and distortion for high resolution imaging. The lens is also benefited by the use of Nano AR coatings that reduce the effects of flaring. It even has dust- and moisture-resistant construction for use in less than ideal weather conditions.
in 29 offers
The lowest price for Sony FE 70-200 mm F4 G OSS Lens right now is $1,095.00 at PhotoCo Camera, compared across 20 retailers.
The all-time low was $19.99 on 3 June 2026 — today's price is 5378% above the lowest ever. It has been notably cheaper before — worth setting a price alert.
Prices last updated 8 June 2026.
Last updated at 08/06/2026 14:09:18
Sony FE 70-200mm F4 G OSS Interchangeable Lens for Sony Alpha Cameras
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Sony FE 70-200mm F4G OSS Lens
Delivery between 12–16 June $70
Sony Telephoto Zoom Lens Fe 70-200mm F4 Oss Full Size Compatible
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Sony Sel70200g Fe 70-200mm F4 Oss E-mount Lens Japan Domestic
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Sony Fe 70-200mm F4.0 F4 Oss E-mount Full Frame Lens 1 Year Au Wty
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Sony FE 70–200 mm F4 G OSS new + invoice + warranty 3-year warranty
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Sony FE 70-200mm f/4 G OSS Lens Full Frame E Mount SEL70200G
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Sony FE 70-200mm f/4 G OSS SEL70200G at Etoren
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Sony FE 70-200mm f/4 G OSS Lens - Brand New
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Sony FE 70-200mm f/4 G OSS Lens
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originally posted on sony.co.uk
I have the existing Sony 70-200 F4 G lens that I love for landscape photography. I decided to buy the version 2 lens for the macro capability, the fact that it is compatible with the teleconvertors and for the fast autofocus with the linear focus motors. When used with my Sony A7RV with insect subjectcdetect I capture beautiful macro shots. With the teleconvertor or punch in 1.5 crop I get some nice birds in flight photos with good reach with this very light lens. The shorter length when packed away means I can leave it attached to my camera and it still fits in my messenger bag for compact light carry. It really is like having three lenses in one. I really love this versatile lens & the shots render beautifully straight out of camera & I don’t feel like they need ... MoreI have the existing Sony 70-200 F4 G lens that I love for landscape photography. I decided to buy the version 2 lens for the macro capability, the fact that it is compatible with the teleconvertors and for the fast autofocus with the linear focus motors. When used with my Sony A7RV with insect subjectcdetect I capture beautiful macro shots. With the teleconvertor or punch in 1.5 crop I get some nice birds in flight photos with good reach with this very light lens. The shorter length when packed away means I can leave it attached to my camera and it still fits in my messenger bag for compact light carry. It really is like having three lenses in one. I really love this versatile lens & the shots render beautifully straight out of camera & I don’t feel like they need very much editing! Highly recommend - you won’t be disappointed!
originally posted on bhphotovideo.com
The gear that is lighter is the gear that gets carried, and the gear carried is the gear used. And the BEST camera is the one you have with you.As a longtime user of the 70-200 f2.8, this new f4 has completely replaced that lens for me. This lens gives up one stop of light, but gains an advantage in size, weight, and flexibility since it can shoot almost true macro. The close-focusing is incredibly fun to use, it's like having 2 lenses in one.I recently made a weeklong trip to Montana, and took nothing but this lens and a 24mm 1.4, and this lens LIVED on my camera. It fit in my bag easily, was tucked under a jacket during rainstorms, and was so light you could easily carry it without fatigue. Most of my landscapes are shot at f8 anyways, so I was not restricted ... MoreThe gear that is lighter is the gear that gets carried, and the gear carried is the gear used. And the BEST camera is the one you have with you.As a longtime user of the 70-200 f2.8, this new f4 has completely replaced that lens for me. This lens gives up one stop of light, but gains an advantage in size, weight, and flexibility since it can shoot almost true macro. The close-focusing is incredibly fun to use, it's like having 2 lenses in one.I recently made a weeklong trip to Montana, and took nothing but this lens and a 24mm 1.4, and this lens LIVED on my camera. It fit in my bag easily, was tucked under a jacket during rainstorms, and was so light you could easily carry it without fatigue. Most of my landscapes are shot at f8 anyways, so I was not restricted by the slower aperture. Being able to handhold at lower shutter speeds was also possible since it's SO light. This has been THE best telephoto lens I've ever travelled with.With a couple medical issues in my hands, and additionally being a parent, I'm not always able to comfortably carry around a large setup, and this lens feels wonderfully weighted on my cameras (a7rv and a7rii) and was comfortably carried for days without issue.I absolutely love this lens, and it has effectively replaced my 70-200 f2.8. If I really need more light, then I use a prime like the 135 f1.8, which you can afford since this is so much cheaper than the 2.8.5/5 stars, absolutely brilliant lens. If you've ever wanted to have your telephoto, but not want to lug it around, this is the lens for you.
originally posted on bhphotovideo.com
I have the Sony 70-200 2.8 II and I had owned the 70-200/4 version 1. I was a bit disappointed in version 1 because while the center portion of the image was sharp- was not really impressed with the edges and corners. The 2.8 II version is absolutely stellar. The 70-200/4II is not quite as good as the 2.8II in terms of image across the frame, it is much improved over the version 1 lens. The ability to get close up is also quite impressive. I bought this lens only because during travel, I really need to minimize weight and size. I was concerned the difference would not be that significant but when packing into various camera bags, I was able to get everything I needed to take into a bag which was not possible with the 2.8II version. The slightly lesser IQ and bokeh ... MoreI have the Sony 70-200 2.8 II and I had owned the 70-200/4 version 1. I was a bit disappointed in version 1 because while the center portion of the image was sharp- was not really impressed with the edges and corners. The 2.8 II version is absolutely stellar. The 70-200/4II is not quite as good as the 2.8II in terms of image across the frame, it is much improved over the version 1 lens. The ability to get close up is also quite impressive. I bought this lens only because during travel, I really need to minimize weight and size. I was concerned the difference would not be that significant but when packing into various camera bags, I was able to get everything I needed to take into a bag which was not possible with the 2.8II version. The slightly lesser IQ and bokeh with f4 vs f2.8 is mitigated by the size/weight and macro function. So my initial hesitation in purchasing this lens is no more!
| Lens system | |
| Maximum aperture number | 22 |
| Lens mount interface | Sony A |
| Number of diaphragm blades | 9 |
| Diagonal angle of view (min) | 8° |
Sony FE 70-200mm F4 G OSS Interchangeable Lens for Sony Alpha Cameras
Affiliate Disclosure: We may receive a small commission for purchases made through this link at no extra cost to you. This helps support our site. Thank you!
Sony FE 70-200mm F4G OSS Lens
Delivery between 12–16 June $70
Sony Telephoto Zoom Lens Fe 70-200mm F4 Oss Full Size Compatible
Free delivery
Affiliate Disclosure: We may receive a small commission for purchases made through this link at no extra cost to you. This helps support our site. Thank you!
Sony Sel70200g Fe 70-200mm F4 Oss E-mount Lens Japan Domestic
Free delivery
Affiliate Disclosure: We may receive a small commission for purchases made through this link at no extra cost to you. This helps support our site. Thank you!
Sony Fe 70-200mm F4.0 F4 Oss E-mount Full Frame Lens 1 Year Au Wty
Free delivery
Affiliate Disclosure: We may receive a small commission for purchases made through this link at no extra cost to you. This helps support our site. Thank you!
I have the existing Sony 70-200 F4 G lens that I love for landscape photography. I decided to buy the version 2 lens for the macro capability, the fact that it is compatible with the teleconvertors and for the fast autofocus with the linear focus motors. When used with my Sony A7RV with insect subjectcdetect I capture beautiful macro shots. With the teleconvertor or punch in 1.5 crop I get some nice birds in flight photos with good reach with this very light lens. The shorter length when packed away means I can leave it attached to my camera and it still fits in my messenger bag for compact light carry. It really is like having three lenses in one. I really love this versatile lens & the shots render beautifully straight out of camera & I don’t feel like they need ... MoreI have the existing Sony 70-200 F4 G lens that I love for landscape photography. I decided to buy the version 2 lens for the macro capability, the fact that it is compatible with the teleconvertors and for the fast autofocus with the linear focus motors. When used with my Sony A7RV with insect subjectcdetect I capture beautiful macro shots. With the teleconvertor or punch in 1.5 crop I get some nice birds in flight photos with good reach with this very light lens. The shorter length when packed away means I can leave it attached to my camera and it still fits in my messenger bag for compact light carry. It really is like having three lenses in one. I really love this versatile lens & the shots render beautifully straight out of camera & I don’t feel like they need very much editing! Highly recommend - you won’t be disappointed!
The gear that is lighter is the gear that gets carried, and the gear carried is the gear used. And the BEST camera is the one you have with you.As a longtime user of the 70-200 f2.8, this new f4 has completely replaced that lens for me. This lens gives up one stop of light, but gains an advantage in size, weight, and flexibility since it can shoot almost true macro. The close-focusing is incredibly fun to use, it's like having 2 lenses in one.I recently made a weeklong trip to Montana, and took nothing but this lens and a 24mm 1.4, and this lens LIVED on my camera. It fit in my bag easily, was tucked under a jacket during rainstorms, and was so light you could easily carry it without fatigue. Most of my landscapes are shot at f8 anyways, so I was not restricted ... MoreThe gear that is lighter is the gear that gets carried, and the gear carried is the gear used. And the BEST camera is the one you have with you.As a longtime user of the 70-200 f2.8, this new f4 has completely replaced that lens for me. This lens gives up one stop of light, but gains an advantage in size, weight, and flexibility since it can shoot almost true macro. The close-focusing is incredibly fun to use, it's like having 2 lenses in one.I recently made a weeklong trip to Montana, and took nothing but this lens and a 24mm 1.4, and this lens LIVED on my camera. It fit in my bag easily, was tucked under a jacket during rainstorms, and was so light you could easily carry it without fatigue. Most of my landscapes are shot at f8 anyways, so I was not restricted by the slower aperture. Being able to handhold at lower shutter speeds was also possible since it's SO light. This has been THE best telephoto lens I've ever travelled with.With a couple medical issues in my hands, and additionally being a parent, I'm not always able to comfortably carry around a large setup, and this lens feels wonderfully weighted on my cameras (a7rv and a7rii) and was comfortably carried for days without issue.I absolutely love this lens, and it has effectively replaced my 70-200 f2.8. If I really need more light, then I use a prime like the 135 f1.8, which you can afford since this is so much cheaper than the 2.8.5/5 stars, absolutely brilliant lens. If you've ever wanted to have your telephoto, but not want to lug it around, this is the lens for you.
I have the Sony 70-200 2.8 II and I had owned the 70-200/4 version 1. I was a bit disappointed in version 1 because while the center portion of the image was sharp- was not really impressed with the edges and corners. The 2.8 II version is absolutely stellar. The 70-200/4II is not quite as good as the 2.8II in terms of image across the frame, it is much improved over the version 1 lens. The ability to get close up is also quite impressive. I bought this lens only because during travel, I really need to minimize weight and size. I was concerned the difference would not be that significant but when packing into various camera bags, I was able to get everything I needed to take into a bag which was not possible with the 2.8II version. The slightly lesser IQ and bokeh ... MoreI have the Sony 70-200 2.8 II and I had owned the 70-200/4 version 1. I was a bit disappointed in version 1 because while the center portion of the image was sharp- was not really impressed with the edges and corners. The 2.8 II version is absolutely stellar. The 70-200/4II is not quite as good as the 2.8II in terms of image across the frame, it is much improved over the version 1 lens. The ability to get close up is also quite impressive. I bought this lens only because during travel, I really need to minimize weight and size. I was concerned the difference would not be that significant but when packing into various camera bags, I was able to get everything I needed to take into a bag which was not possible with the 2.8II version. The slightly lesser IQ and bokeh with f4 vs f2.8 is mitigated by the size/weight and macro function. So my initial hesitation in purchasing this lens is no more!
I rented this lens for a weeks to test shooting football highlights and it did not disappoint. Also took the opportunity to shoot a few events and it was a great lens. Don’t expect G Master sharpness but it’s no slouch. I will likely buy this lens for video in the near future as its light weight and small form factor make it perfect for run and gun. My only complaint with Lens Rentals is the absurdity of their keeper price. Right now the lens is on sale for $1299 brand new. After spending $300 on rentals they offer me the lens at the same price I can get it new. I would have considered a keeper if the price truly reflected my rental plus actual used value. In like new condition this lens in barely $1000. I digress, other than that I absolutely love Lens Rentals.
Compared to the previous 70-200 f4, this lens is sharper, lighter and faster focusing.More importantly the macro design of this lens reduces min focus distances, enabling close up shoots, that the old lens could not. When used with the 1.4 x and 2 x tele-converters image quality does not decrease to any degree I can notice in post.Making this lens with the 2.0 x tele suitable for short range bird in flight photography.The biggest benefit of this lens is having a short min focus distance macro lens that works with the Focus Bracketing function of the A7R V. As a nature photographer I was disappointed that none of the A mount macro lens would work with the focus bracketing function when attached to my A7R V with the LAEA 5 adapter. This lens solves that issue ... MoreCompared to the previous 70-200 f4, this lens is sharper, lighter and faster focusing.More importantly the macro design of this lens reduces min focus distances, enabling close up shoots, that the old lens could not. When used with the 1.4 x and 2 x tele-converters image quality does not decrease to any degree I can notice in post.Making this lens with the 2.0 x tele suitable for short range bird in flight photography.The biggest benefit of this lens is having a short min focus distance macro lens that works with the Focus Bracketing function of the A7R V. As a nature photographer I was disappointed that none of the A mount macro lens would work with the focus bracketing function when attached to my A7R V with the LAEA 5 adapter. This lens solves that issue and makes it redundant to carry 50 mm and 90 mm FE macro lens. And the Tamron 180 mm macro, Minolta 200 mm macro A mount lens I have previously used with the LAEA 5 for single shot macro. Overall a big improvement on the previous version of this lens, but more importantly adding macro at focal lengths not previously available in E mount. Plus the ability to macro Focus Bracket with the A7R V.
Hello. Love this lens so far. I haven't had an opportunity to take it hiking just yet, but I did shoot a few semi-macro and architectural shots. Very sharp, great color, easy to use, not too heavy. It seems to pair well with my A7RIVA camera. I thought long-and-hard about purchasing the 70-200 GM f2.8 II, but just couldn't justify the cost. This f4 lens will be fine for travel and hiking photography. And, I like the almost-macro feature, as I mainly shoot macro when we're not traveling. Not having f/2.8 doesn't seem to be a big deal, although I'm not into shooting portraits.
How many 70-200mm zoom lenses can accept a 1.4 or 2.0 teleconverter and do it well? How many 70-200mm zoom lenses can shoot half-macro throughout the whole zoom range and 3/4 macro with the 1.4 teleconverter and 1:1 macro with the 2.0 teleconverter? How many 70-200mm zoom lenses can shoot macro and then a bird in flight within seconds of each other?Pop your A7Riv/a7Rv/a1 into crop mode and enjoy an effective 600mm focal length?Well only one 70-200mm that I know of and it is this Sony. Just amazing to me.Will it replace a dedicated Sony 90mm macro? Well in cases where you probably won't have macro opportunities but want something just in case this lense should be considered but truthfully the macro output is fine.Will it replace the 100-400, the 200-600? ... MoreHow many 70-200mm zoom lenses can accept a 1.4 or 2.0 teleconverter and do it well? How many 70-200mm zoom lenses can shoot half-macro throughout the whole zoom range and 3/4 macro with the 1.4 teleconverter and 1:1 macro with the 2.0 teleconverter? How many 70-200mm zoom lenses can shoot macro and then a bird in flight within seconds of each other?Pop your A7Riv/a7Rv/a1 into crop mode and enjoy an effective 600mm focal length?Well only one 70-200mm that I know of and it is this Sony. Just amazing to me.Will it replace a dedicated Sony 90mm macro? Well in cases where you probably won't have macro opportunities but want something just in case this lense should be considered but truthfully the macro output is fine.Will it replace the 100-400, the 200-600? Maybe, but if you know the walk is long and you have plenty of light I would definitely considering carrying it and the 2.0 teleconverter.I bought this lens for the wife, she uses an A7Riv. I 'played' with this lens on a Sony A7C, an A7iv and the A1. I can only give it 5 stars but would give it 6 if possible.Now image quality. With the 2.0 on and shooting in crop mode it does not present as well as the 100-400 or 200-600. Of course there is no comparison with the 600/4 but your back, knees and wallet will love it IF you have the light for F8. The fact that this Sony lens can take either TC well tells you up front the lens alone is sharp sharp sharp.Images attached to give an idea of what can be done.For those scheming a travel system imagine having the Sony 20-70F4, the 70-200 II, and the 200-600mm. Pack a 1.4 or a 2.0 and you even have macro covered.Kinda hate to hand it over to the wife, she's already claimed my 200-600 haha!
I am very impressed with the images from this lens. Sharpness and clarity is really good at all focal lengths on my 61 Megapixel Sony A7RIV. I love the full-time manual override which works even in continuous focusing mode. Focusing manually using the viewfinder is very easy with the lens's linear-focusing system.One unexpected, and unusual, bonus, is that the lens does not change magnification at all when changing the focus distance (it does not 'breathe'). This is true at all focal lengths too. I think this would be welcomed by videographers - I think lenses for cinemaphotography are built that way and rather expensive.
The Sony FE 70-200mm F4 Macro G OSS II is truly a marvel of engineering.As soon as I heard that Sony was releasing this second iteration of the 70-200mm focal length, I immediately put my name on the waiting list with B&H to purchase. I was not disappointed.First of all, I am amazed at how small and lightweight this lens is yet beautifully designed and constructed. It feels and performs like a GM series even though it is a G series.It is razor sharp throughout the entire zoom range. The autofocus is instantaneous due to its four linear motors. There is very little to no chromatic aberration.Although some people may dislike that it does not have an internal zoom, it has a short throw and provides a small footprint in my camera bag. The benefits of having such ... MoreThe Sony FE 70-200mm F4 Macro G OSS II is truly a marvel of engineering.As soon as I heard that Sony was releasing this second iteration of the 70-200mm focal length, I immediately put my name on the waiting list with B&H to purchase. I was not disappointed.First of all, I am amazed at how small and lightweight this lens is yet beautifully designed and constructed. It feels and performs like a GM series even though it is a G series.It is razor sharp throughout the entire zoom range. The autofocus is instantaneous due to its four linear motors. There is very little to no chromatic aberration.Although some people may dislike that it does not have an internal zoom, it has a short throw and provides a small footprint in my camera bag. The benefits of having such a compact lens outweigh the internal zoom. By the way, I love that Sony has included a lock switch on the lens which does not allow the barrel to extend. Great job Sony!It comes with a tripod foot that is easily removable. My only gripe is that the foot is not arca Swiss compatible just like the 200mm-600mm. In my case, I have an arca Swiss L-bracket attached to my camera body thus not having to use the tripod foot.Great lens for travel and hiking. I have the 200-600mm which I love however, it is heavy and I will definitely be taking the 70-200 with me instead whenever I shoot landscape or go hiking or birding especially that this lens will utilize the 1.4x and 2.0x teleconverters with no degradation in image quality. Not to mention, the macro capabilities of this lens are truly amazing at 0.5x and it can achieve a 1:1 macro capability with the 2.0x teleconverter. Having the 2.0x teleconverter attached extends the focal range of this lens to 140mm-400mm.Having OSS and the ability to have on-demand manual focus on this lens is outstanding when shooting macro.Such a versatile lens, whether you're shooting portraits, landscape, wildlife, sports photography....it does it all extremely well.There may be certain folks that turn up their noses because this lens is a 4.0 instead of a 2.8. In this era of high performing cameras that handle low light extremely well, having a lens that is lighter and less costly yet performs as well as the 2.8 GM is a no brainer.The images coming out of this lens paired with my Sony A7IV are nothing short of spectacular.If you're a Sony shooter and in the market for a 70-200mm, I would give this lens serious consideration.With that said...I highly recommend that you buy your equipment from B&H. Their customer service is truly exceptional. I've always had a positive experience.Attached are some sample images.
Really impressed with this lens. 3 custom buttons, which can only be assigned to 1 menu item, af/mf switch, dmf switch, focus limiter switch, OSS switch, OSS 3 setting switch, macro capability of .5 at all focal lengths. The only thing I wished the Sony had was an aperture ring, painted it black, and an arca groove on tripod foot. The Sony is actually about a half ounce lighter than the Tamron 70-180mm f2.8 that has none of these things plus a much wonkier macro capability. Of course the Tamron is f2.8 so that explains the weight difference. Other than f2.8 the Tamron has nothing on this lens relative to image quality and the Sony is in particular so much easier to use for macro. I have found the image quality on this lens to be superb, birds in flight at f8/f11, ... MoreReally impressed with this lens. 3 custom buttons, which can only be assigned to 1 menu item, af/mf switch, dmf switch, focus limiter switch, OSS switch, OSS 3 setting switch, macro capability of .5 at all focal lengths. The only thing I wished the Sony had was an aperture ring, painted it black, and an arca groove on tripod foot. The Sony is actually about a half ounce lighter than the Tamron 70-180mm f2.8 that has none of these things plus a much wonkier macro capability. Of course the Tamron is f2.8 so that explains the weight difference. Other than f2.8 the Tamron has nothing on this lens relative to image quality and the Sony is in particular so much easier to use for macro. I have found the image quality on this lens to be superb, birds in flight at f8/f11, static subjects at f4 at any focal length, this is one heck of a lens from Sony and it’s lightweight and eminently hand holdable and packable. I know it costs a third more than the Tamron but when you consider what you are getting, including 20mm more reach, this lens is a no brainer over the Tamron. The reason I’m comparing this to the Tamron is because I owned it before replacing it with this. And, don’t get me wrong, the Tamron is a very sharp lens that will do better in low light than the Sony but, overall, I am enjoying this Sony lens so much more than the Tamron. And, of course, if money is no object, get the new Sony GM 70-200mm f2.8 II. Sony is killing it with these ”update” lenses and, yeh, expensive but SO GOOD!! Highly recommended!
| Lens system | |
| Maximum aperture number | 22 |
| Lens mount interface | Sony A |
| Number of diaphragm blades | 9 |
| Diagonal angle of view (min) | 8° |
