Firmware: PXW-FX9 V4.02 / XDCA-FX9 V2.20
Firmware: PXW-FX9 V4.02 / XDCA-FX9 V2.20
in 3 offers
The lowest price for Sony PXW-FX9 XDCAM 6K Full-Frame Camera System (Body Only) right now is $17,495.00 at proavexpress.com.au, compared across 3 retailers.
The all-time low was $6,981.96 on 23 Feb 2026 — today's price is 151% above the lowest ever. It has been notably cheaper before — worth setting a price alert.
Prices last updated 24 June 2026.
Sony PXW-FX9 XDCAM 6K Full-Frame Camera System (Body Only)
Firmware: PXW-FX9 V4.02 / XDCA-FX9 V2.20
Firmware: PXW-FX9 V4.02 / XDCA-FX9 V2.20
Last updated at 24/06/2026 19:01:41
Sony XDCAM PXWFX9 6K Full-Frame Camera System (Body Only)
Delivery between 29 June – 2 July $12
Sony FX9 Cinema Camera Full Frame E-Mount
Delivery between 29 June – 2 July $12.90
Sony PXW-FX9 XDCAM 6K Full-Frame Camera System (Body Only) - Videoguys
7-day returns
originally posted on bhphotovideo.com
I have been using this camera for the past 2 years almost every day. You can shoot this camera with almost anything: YouTube content, short films, documentaries. It delivers rich blacks, a good highlight roll-off (for its price) , a wide dynamic range, auto VND, good autofocus (although sometimes need to turn on and off to find its focus), good jelly handling (panning fast left and right; almost like a global shutter) constant FX9 software updates, and more. The downside of the camera is that there is once while I was shooting a shortfilm with a super 35 lens with s35 mode, yet when recording it shows crop width just fine but when the footage gets imported to a pc is actually gets a little wider than what was shot. I am not sure why it does because it only happened ... MoreI have been using this camera for the past 2 years almost every day. You can shoot this camera with almost anything: YouTube content, short films, documentaries. It delivers rich blacks, a good highlight roll-off (for its price) , a wide dynamic range, auto VND, good autofocus (although sometimes need to turn on and off to find its focus), good jelly handling (panning fast left and right; almost like a global shutter) constant FX9 software updates, and more. The downside of the camera is that there is once while I was shooting a shortfilm with a super 35 lens with s35 mode, yet when recording it shows crop width just fine but when the footage gets imported to a pc is actually gets a little wider than what was shot. I am not sure why it does because it only happened once. Maybe it was a bug. Yet it still is a frustrating experience as the director and the producer may think twice about hiring you again. Just a little note.PS: The camera can almost mimic an Alexa Mini with good Color Grading after post. Just slightly sharper (digital looking)in the image. Not as Sharp as the RED cameras though.Sincerely,FX9 User
originally posted on bhphotovideo.com
This is the absolute most budget friendly swiss army knife of cameras I've ever shot with.I bought it two years ago and have had it in rain, snow, hurricanes, -18, 122 degree Fahrenheit... all over the world. It just keeps running and printing money and capturing gorgeous images seen by millions of people all over the world. Its adaptable to almost every environment and shines no matter what I've manage to put it through.The only negative I'd say is that if you buy this camera you won't want to buy another camera because it does everything you'll need it to do and then some... The proxy S&Q turning off is annoying but I think was fixed in a firmware update... And no.. I'm not being paid by Sony. With 3000+ hours on my FX9 in really harsh environments... It's the ... MoreThis is the absolute most budget friendly swiss army knife of cameras I've ever shot with.I bought it two years ago and have had it in rain, snow, hurricanes, -18, 122 degree Fahrenheit... all over the world. It just keeps running and printing money and capturing gorgeous images seen by millions of people all over the world. Its adaptable to almost every environment and shines no matter what I've manage to put it through.The only negative I'd say is that if you buy this camera you won't want to buy another camera because it does everything you'll need it to do and then some... The proxy S&Q turning off is annoying but I think was fixed in a firmware update... And no.. I'm not being paid by Sony. With 3000+ hours on my FX9 in really harsh environments... It's the real deal and will give any camera a run for it beauty and functionality and ROI.
originally posted on bhphotovideo.com
This camera has a very impressive auto-focus system–the strongest I've seen on the market right now. The S-Cinetone is gorgeous–not sure I need to leave that profile when filming, but the folks at Sony do give you the option for more color and picture control with Cine EI. I love the flexible recording settings from 6K full-frame to S35 4K. These recording formats are giving me more creative options with my glass and with motion. The camera is amazingly light for its size. The Digital ND gives me a lot of latitudes to work with. I haven't used it long enough to notice if there are any drawbacks to using digital ND–it does have built-in ND as well. I really like the flickering suppression feature when filming in uncontrolled lighting scenarios. The handle is greatly ... MoreThis camera has a very impressive auto-focus system–the strongest I've seen on the market right now. The S-Cinetone is gorgeous–not sure I need to leave that profile when filming, but the folks at Sony do give you the option for more color and picture control with Cine EI. I love the flexible recording settings from 6K full-frame to S35 4K. These recording formats are giving me more creative options with my glass and with motion. The camera is amazingly light for its size. The Digital ND gives me a lot of latitudes to work with. I haven't used it long enough to notice if there are any drawbacks to using digital ND–it does have built-in ND as well. I really like the flickering suppression feature when filming in uncontrolled lighting scenarios. The handle is greatly improved both ergonomically and functionally. The menu system is very easy to access and not very hard to learn. I really like the button/scroll to access the menu system and quickly change my settings. It's a versatile camera that can be used for documentary, commercial, and film–truly amazing. It appears to have some of the best qualities of both the Venice Cine Camera and the A9 photography camera. Pretty impressive. I can update again once I log more hours. FYI, the GM series work extremely well with this camera. They communicate so well with each other–it's incredible. Plus, you can easily get lens information on your monitor. The monitor is also really sharp and appears to be an upgrade from the FS7. Incredible camera, easy to use, beautiful images, a lot of creative control. It's a game-changer. I'm looking forward to the firmware update so I can record in RAW.
| Pixels | 20.5 Megapixel |
| Video Recording | Yes |
| Audio Recording | Yes |
| Focus Type | Auto and Manual Focus |
| Image Sensor Type / Format | 35mm Full Frame |
Sony XDCAM PXWFX9 6K Full-Frame Camera System (Body Only)
Delivery between 29 June – 2 July $12
Sony FX9 Cinema Camera Full Frame E-Mount
Delivery between 29 June – 2 July $12.90
Sony PXW-FX9 XDCAM 6K Full-Frame Camera System (Body Only) - Videoguys
7-day returns
I have been using this camera for the past 2 years almost every day. You can shoot this camera with almost anything: YouTube content, short films, documentaries. It delivers rich blacks, a good highlight roll-off (for its price) , a wide dynamic range, auto VND, good autofocus (although sometimes need to turn on and off to find its focus), good jelly handling (panning fast left and right; almost like a global shutter) constant FX9 software updates, and more. The downside of the camera is that there is once while I was shooting a shortfilm with a super 35 lens with s35 mode, yet when recording it shows crop width just fine but when the footage gets imported to a pc is actually gets a little wider than what was shot. I am not sure why it does because it only happened ... MoreI have been using this camera for the past 2 years almost every day. You can shoot this camera with almost anything: YouTube content, short films, documentaries. It delivers rich blacks, a good highlight roll-off (for its price) , a wide dynamic range, auto VND, good autofocus (although sometimes need to turn on and off to find its focus), good jelly handling (panning fast left and right; almost like a global shutter) constant FX9 software updates, and more. The downside of the camera is that there is once while I was shooting a shortfilm with a super 35 lens with s35 mode, yet when recording it shows crop width just fine but when the footage gets imported to a pc is actually gets a little wider than what was shot. I am not sure why it does because it only happened once. Maybe it was a bug. Yet it still is a frustrating experience as the director and the producer may think twice about hiring you again. Just a little note.PS: The camera can almost mimic an Alexa Mini with good Color Grading after post. Just slightly sharper (digital looking)in the image. Not as Sharp as the RED cameras though.Sincerely,FX9 User
This is the absolute most budget friendly swiss army knife of cameras I've ever shot with.I bought it two years ago and have had it in rain, snow, hurricanes, -18, 122 degree Fahrenheit... all over the world. It just keeps running and printing money and capturing gorgeous images seen by millions of people all over the world. Its adaptable to almost every environment and shines no matter what I've manage to put it through.The only negative I'd say is that if you buy this camera you won't want to buy another camera because it does everything you'll need it to do and then some... The proxy S&Q turning off is annoying but I think was fixed in a firmware update... And no.. I'm not being paid by Sony. With 3000+ hours on my FX9 in really harsh environments... It's the ... MoreThis is the absolute most budget friendly swiss army knife of cameras I've ever shot with.I bought it two years ago and have had it in rain, snow, hurricanes, -18, 122 degree Fahrenheit... all over the world. It just keeps running and printing money and capturing gorgeous images seen by millions of people all over the world. Its adaptable to almost every environment and shines no matter what I've manage to put it through.The only negative I'd say is that if you buy this camera you won't want to buy another camera because it does everything you'll need it to do and then some... The proxy S&Q turning off is annoying but I think was fixed in a firmware update... And no.. I'm not being paid by Sony. With 3000+ hours on my FX9 in really harsh environments... It's the real deal and will give any camera a run for it beauty and functionality and ROI.
This camera has a very impressive auto-focus system–the strongest I've seen on the market right now. The S-Cinetone is gorgeous–not sure I need to leave that profile when filming, but the folks at Sony do give you the option for more color and picture control with Cine EI. I love the flexible recording settings from 6K full-frame to S35 4K. These recording formats are giving me more creative options with my glass and with motion. The camera is amazingly light for its size. The Digital ND gives me a lot of latitudes to work with. I haven't used it long enough to notice if there are any drawbacks to using digital ND–it does have built-in ND as well. I really like the flickering suppression feature when filming in uncontrolled lighting scenarios. The handle is greatly ... MoreThis camera has a very impressive auto-focus system–the strongest I've seen on the market right now. The S-Cinetone is gorgeous–not sure I need to leave that profile when filming, but the folks at Sony do give you the option for more color and picture control with Cine EI. I love the flexible recording settings from 6K full-frame to S35 4K. These recording formats are giving me more creative options with my glass and with motion. The camera is amazingly light for its size. The Digital ND gives me a lot of latitudes to work with. I haven't used it long enough to notice if there are any drawbacks to using digital ND–it does have built-in ND as well. I really like the flickering suppression feature when filming in uncontrolled lighting scenarios. The handle is greatly improved both ergonomically and functionally. The menu system is very easy to access and not very hard to learn. I really like the button/scroll to access the menu system and quickly change my settings. It's a versatile camera that can be used for documentary, commercial, and film–truly amazing. It appears to have some of the best qualities of both the Venice Cine Camera and the A9 photography camera. Pretty impressive. I can update again once I log more hours. FYI, the GM series work extremely well with this camera. They communicate so well with each other–it's incredible. Plus, you can easily get lens information on your monitor. The monitor is also really sharp and appears to be an upgrade from the FS7. Incredible camera, easy to use, beautiful images, a lot of creative control. It's a game-changer. I'm looking forward to the firmware update so I can record in RAW.
I've had this cam for over a year. It's been basically flawless. The image is fantastic. The handling is really good. The menu could use a complete overhaul - but it's not something that you deal with during a shoot really.It has been reliable. The media is reliable. It's solid in low light. If you want to shoot wide open in the day you'll need to add some extra ND.We've used it for commercials, unscripted TV, corporate videos, brand films etc. and it's been great at all of it.If I could give 4.5 stars I would, simply because they could improve the menu and add some extra internal ND for daytime.
I would highly recommend this camera as a rental for specific jobs that aren't run and gun. The image is fantastic. The project I rented this for was a mix of interviews and docu-style run and gun shooting. I was a 1-man-band and would not recommend the FX9 for solo operator, one-man-band shooting/producing, especially if it's a fast paced, unknown environment. I was constantly hung up on trying to quickly change lenses with the new locking mount, though I do love how secure it feels and think it would be excellent for studio shoots on big PL lenses. Other struggles include the slow and fumbling task of switching to higher frame rates and the power consumption was surprisingly higher than I thought it might be. I had plenty of batts, so no big deal, but wow. Again, ... MoreI would highly recommend this camera as a rental for specific jobs that aren't run and gun. The image is fantastic. The project I rented this for was a mix of interviews and docu-style run and gun shooting. I was a 1-man-band and would not recommend the FX9 for solo operator, one-man-band shooting/producing, especially if it's a fast paced, unknown environment. I was constantly hung up on trying to quickly change lenses with the new locking mount, though I do love how secure it feels and think it would be excellent for studio shoots on big PL lenses. Other struggles include the slow and fumbling task of switching to higher frame rates and the power consumption was surprisingly higher than I thought it might be. I had plenty of batts, so no big deal, but wow. Again, there are perfect projects for this camera, just not the one I rented 2 FX9's for. In a more controlled environment, with some supplemental camera support or an assistant - it would probably be perfect. Last quick note, the auto-focus was pretty great. Better than I thought. Colors are fantastic. Plenty of dynamic range.
I got the FX9 in May as a major upgrade from the Pocket 4k and A7iii, and I've been loving this camera for both personal and professional work. All the features of this camera are wonderful. The variable ND, the autofocus, and dual native ISO (not to mention 15+ stops of dynamic range) make this camera a joy to use. I'm still tapping into and learning this camera, but I have very little to complain about. If you're a at a level of production where you need a proper video camera body with a beautiful image, this is a great option.There's only a couple reasons I am giving this camera 4, and not 5 stars. The first is that it can be clunky to navigate the menu, and it is quite slow to change your sensor readout size (FF or S35) and frame rate (camera has to restart ... MoreI got the FX9 in May as a major upgrade from the Pocket 4k and A7iii, and I've been loving this camera for both personal and professional work. All the features of this camera are wonderful. The variable ND, the autofocus, and dual native ISO (not to mention 15+ stops of dynamic range) make this camera a joy to use. I'm still tapping into and learning this camera, but I have very little to complain about. If you're a at a level of production where you need a proper video camera body with a beautiful image, this is a great option.There's only a couple reasons I am giving this camera 4, and not 5 stars. The first is that it can be clunky to navigate the menu, and it is quite slow to change your sensor readout size (FF or S35) and frame rate (camera has to restart any time you switch it). The second is that unfortunately on my model, and many other models, the camera really accentuates chromatic aberration into very harsh noticeable lines that are not easy to remove in post. 95% they're not an issue, but occasionally if you have to shoot a backlit subject you could be in a world of hurt. Sony is working on this issue allegedly, and if firmware fixes or makes less painful any of these issues I'll update my review.
Coming from the FS7, then the FS7mkii; the FX9 is a nice upgrade. Full frame image is beautiful, and even the s709 LUT is a nice addition. Having an additional base ISO of 4000 is wonderful for doc work; as f4 lenses become that much more useable for verite scenes. Having timecode built in saves me from buying the extension back, which is something that just added bulk (although I do like using larger batteries). Excellent AF is also a great addition. The menu system is about the same as the FS7, they've just moved things around to complicate things a little - the customizable user menu is your friend.The quirks so far: Both the multi-function wheel (I use for iris) and the ND wheel cannot be changed to operate in the reverse direction. Want to stop down? Dial the ... MoreComing from the FS7, then the FS7mkii; the FX9 is a nice upgrade. Full frame image is beautiful, and even the s709 LUT is a nice addition. Having an additional base ISO of 4000 is wonderful for doc work; as f4 lenses become that much more useable for verite scenes. Having timecode built in saves me from buying the extension back, which is something that just added bulk (although I do like using larger batteries). Excellent AF is also a great addition. The menu system is about the same as the FS7, they've just moved things around to complicate things a little - the customizable user menu is your friend.The quirks so far: Both the multi-function wheel (I use for iris) and the ND wheel cannot be changed to operate in the reverse direction. Want to stop down? Dial the wheel up. What to ND down? Well, dial the wheel up. This is opposite from how I had set my FS7, and I'm really hoping they add the ability to change this.Also, switching into S&Q mode is no longer 1 button touch like it once was. If you're on a higher scan rate, first you've got to drop to 5k crop, or S35. Then you've got to select which S&Q frame rate you'd like... instead of it just remembering you we're shooting 60p last time. Strange. Again, firmware update...?There's also an oddity when using LUTs. If you've got a LUT on the viewfinder, then you're stuck sending that LUT out via SDI1 and SDI2. So, if you turn the LUT off in the viewfinder, you can send a clean signal out (which I prefer, adding a LUT on my OLED external panel). Sony has figured this out and added 'gamma display assist,' a la Sony a7s, but I would prefer to look at an mLUT than 709 when run and gun exposing.The FX6 opens up another whole can of worms. How in the world is it able to do 4k/120, and Raw with no back but the considerably more expensive FX9 can't? I'd happily take a 4k/120 in body of the FX9, even if it was S35 only, or had some other quirk. In order not to cannibalize sales from the FX9, they've made the FX6 only shoot 4k in full frame, not in S35. Something fishy going on here.Anyway, love the camera so far. It's great that I've already got all the media from my past FS7s, and the image is brilliant. I'm looking forward to Sony replacing the F55; as there is a big gap between this camera and the Venice.
Ya, I know the FX9 isn't suppose to be a replacement for the FS7, but it is such a VAST improvement in just about every category.1. The baked-in picture is gorgeous, right out of the box.2. The low-light capability is stunning (dual ISO base of 800 & 4000).3. The new autofocus w/ facial recognition is ridiculously good.4. Camera ergonomics are vastly improved (holding down the multi-function wheel to instantly to chance almost all on-screen parameters).5. New viewfinder and handle grip - better and Better!6. More built-in monitor LUTs.7. Dual recording of low-res client review files to SD card.etc, etc.If you own an FS7, and don't have the wherewithal to buy an FX9, then DO NOT look at one, because it will make you angry how much better this camera is. ... MoreYa, I know the FX9 isn't suppose to be a replacement for the FS7, but it is such a VAST improvement in just about every category.1. The baked-in picture is gorgeous, right out of the box.2. The low-light capability is stunning (dual ISO base of 800 & 4000).3. The new autofocus w/ facial recognition is ridiculously good.4. Camera ergonomics are vastly improved (holding down the multi-function wheel to instantly to chance almost all on-screen parameters).5. New viewfinder and handle grip - better and Better!6. More built-in monitor LUTs.7. Dual recording of low-res client review files to SD card.etc, etc.If you own an FS7, and don't have the wherewithal to buy an FX9, then DO NOT look at one, because it will make you angry how much better this camera is. But if you're in the market for a new 4k cinema camera, look no further than this marvel. You will be impressed.I'm not getting paid a penny for this review. I'm just blown away by this camera's images, intelligence, and ability to be a bit future proof.AND, after two weeks with it, I did sell my FS7!
I purchased this camera as an upgrade to my Sony FS5. I do a ton of interviews, and I am particularly excited about the full frame, dual native base sensor on the FX9. As I mention in the title of this review, the FX9 can see in the dark. But what use is this for me? In real-world application, I am now going to be able to shoot interviews at smaller apertures if I like. This means people staying in focus when they lean forward or backward during conversation. Or, if I have an interview subject who is sensitive to bright lights, I can go to the high base of the sensor, turn down the key light, and keep my interview subject comfortable for longer. This will result in higher quality content for me and my clients.There's a lot to be excited about with this camera. The ... MoreI purchased this camera as an upgrade to my Sony FS5. I do a ton of interviews, and I am particularly excited about the full frame, dual native base sensor on the FX9. As I mention in the title of this review, the FX9 can see in the dark. But what use is this for me? In real-world application, I am now going to be able to shoot interviews at smaller apertures if I like. This means people staying in focus when they lean forward or backward during conversation. Or, if I have an interview subject who is sensitive to bright lights, I can go to the high base of the sensor, turn down the key light, and keep my interview subject comfortable for longer. This will result in higher quality content for me and my clients.There's a lot to be excited about with this camera. The new sensor means new color response. The idea that Sony is terrible for skin tones is old thinking now. The image out of the FX9 is beautiful.The build of the camera body is outstanding. It feels really solid. None of the buttons feel flimsy or cheap.The AF is pretty amazing. Even on my adapted glass with Sigma Art EF mount using the MC-11. While I don't believe it performs on the same level as native Sony glass, I like the look of Sigma Art and the AF is still outstanding.Having four channels of audio I can actually use it outstanding. I currently have a shotgun mic plugged into input 1 with a safety track from input 1 on channel 3. I've got the camera mic on channels 2 and 4 until I need to run some XLR cable for an interview.Constructive criticism:1) I think the squared off rod for the loupe could be a little longer. I need about a half inch more to be comfortable.2) The Sony handle screws into the Arri rosette, so if you want to put your FX9 down onto a flat surface you'd need to unscrew it to rotate the arm back up. I went ahead and purchased the new Shape extension arm for the FX9 so I could just push a button and rotate it up or down instead. Best accessory yet.3) Depends which camera you're coming from, I suppose, but it uses a lot more power than the FS5. 35-37 watts, if I recall correctly. So I'm looking into picking up some higher wh BP-U batteries or maybe even going the v-lock route. Probably the v-lock route long-term to counter-balance the lenses I'll be hanging on the front of this camera.See how nit picky my constructive criticism is? This camera is amazing. If you're thinking about upgrading, budget properly and make it happen.
Thought long and hard about spending money on a new camera during this down time. In the end we pulled the trigger and bought the FX-9 and we used it on our first shoot last week. We were using FS7s and I liked them. Mostly. We. did not love them. The FX9 we love.The Cinetone profile is great SOOC. That saved me countless hours in post trying to get color - especially skin tones - at least close to right. The new color science is outstanding. Much more “Canonesque” - even better. Color on the FS7 in post was a nightmare and we wanted to go back to Canon after out last documentary where our colorist was ready to quit.Autofocus is to die for. As is the dual native ISO feature. The new menu controls are a vast improvement. The viewfinder and eyepiece, not so much. ... MoreThought long and hard about spending money on a new camera during this down time. In the end we pulled the trigger and bought the FX-9 and we used it on our first shoot last week. We were using FS7s and I liked them. Mostly. We. did not love them. The FX9 we love.The Cinetone profile is great SOOC. That saved me countless hours in post trying to get color - especially skin tones - at least close to right. The new color science is outstanding. Much more “Canonesque” - even better. Color on the FS7 in post was a nightmare and we wanted to go back to Canon after out last documentary where our colorist was ready to quit.Autofocus is to die for. As is the dual native ISO feature. The new menu controls are a vast improvement. The viewfinder and eyepiece, not so much. I connected my Atomos Ninja V and it worked well.6K (which as of now is actually 4K oversampling) produces large file sizes. Don’t try to use this camera without at least 240GB XQD cards. Use Sony 512GB XQD Tough Cards if you can afford them. Insanity.A note on size. With the extender, this is really configured as a modified ENG setup. Without the extender and V-Mount batteries, it’s a LOT more manageable. If you have a good set of sticks it’s a lot easier. We use the Sachtler Flowtech FSB 10 fluid head on their Flowtech 100 carbon sticks and it’s outstanding.A few nits. Sony, ditch the micro tiny screws to take the cap off to install the back. Use Allen Key screws that are actually sized for humans to use. Same with other screws on the camera where users need to make adjustments in the field. This should not be like neurosurgery.Get a real base and a real top plate. Shape makes nice things. They also make a shoulder mount that you can actually use and a monitor arm extender.Sound is good and the inputs are easy to adjust. We usually take our audio into a mixer and then into camera. Yamaha XF12XU for interviews. In short, buy this camera and replace your FS7. Now.
| Pixels | 20.5 Megapixel |
| Video Recording | Yes |
| Audio Recording | Yes |
| Focus Type | Auto and Manual Focus |
| Image Sensor Type / Format | 35mm Full Frame |
