CineStill 800 Tungsten Color Negative 120 Film
Technical data 120, ISO 800 special features Finally a highly sensitive artificial light film again! The Cinestill has 800 ASA at 3200K artificial light. It enables shots to be taken under "natural" artificial light indoors for atmospheric, warm colors without flash. The film is unique and closes a gap in the analogue market. Due to its high sensitivity and adaptation to artificial light, it is perfect for "available light" photography, i.e. nighttime "street photography", shots in clubs, bars or at concerts. It will certainly also improve the image results of a Holga or Lomo camera after sunset, not least because of its wide exposure latitude.
Technical data 120, ISO 800 special features Finally a highly sensitive artificial light film again! The Cinestill has 800 ASA at 3200K artificial light. It enables shots to be taken under "natural" artificial light indoors for atmospheric, warm colors without flash. The film is unique and closes a gap in the analogue market. Due to its high sensitivity and adaptation to artificial light, it is perfect for "available light" photography, i.e. nighttime "street photography", shots in clubs, bars or at concerts. It will certainly also improve the image results of a Holga or Lomo camera after sunset, not least because of its wide exposure latitude.
Technical data 120, ISO 800 special features Finally a highly sensitive artificial light film again! The Cinestill has 800 ASA at 3200K artificial light. It enables shots to be taken under "natural" artificial light indoors for atmospheric, warm colors without flash. The film is unique and closes a gap in the analogue market. Due to its high sensitivity and adaptation to artificial light, it is perfect for "available light" photography, i.e. nighttime "street photography", shots in clubs, bars or at concerts. It will certainly also improve the image results of a Holga or Lomo camera after sunset, not least because of its wide exposure latitude.
Technical data 120, ISO 800 special features Finally a highly sensitive artificial light film again! The Cinestill has 800 ASA at 3200K artificial light. It enables shots to be taken under "natural" artificial light indoors for atmospheric, warm colors without flash. The film is unique and closes a gap in the analogue market. Due to its high sensitivity and adaptation to artificial light, it is perfect for "available light" photography, i.e. nighttime "street photography", shots in clubs, bars or at concerts. It will certainly also improve the image results of a Holga or Lomo camera after sunset, not least because of its wide exposure latitude.
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The lowest price for CineStill 800 Tungsten Color Negative 120 Film right now is $19.74 at pandacamera.com, compared across 13 retailers.
The all-time low was $19.66 on 28 May 2026. That's the lowest price we've ever tracked — a great time to buy.
Prices last updated 9 June 2026.
Last updated at 09/06/2026 20:42:17
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1 X Roll Cinestill 800t Tungsten Color Neg 120 Med. Format
Delivery $9.99
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Cinestill 800 Tungsten Colour Xpro 120 Film - C41 Col Neg
Free delivery
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Cinestill 800t Tungsten 800 Iso 120mm Color Negative Film
Delivery $25.29
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originally posted on analoguewonderland.co.uk
During this summer I intended to take photos of old aircraft, military vehicles and vintage farm machinery. I decided that B&W film would be a good choice of medium to try a convey a sense of age, so I decided on the 35mm Cinestill BWXX as I has seen some good reviews. I have been very pleased with the results. The film has very fine grain and tonal range. The processed results when scanned had slightly less contrast than my preference so I have added some contrast after scanning. I now intend to try this film in medium format.
originally posted on bhphotovideo.com
Cinestill’s 800t film is a fun film to use for a movie quality vibe. Has a distinct look that differs from your standard kodak professional films and will show red halation in the contrasted areas where it goes from very bright to very dark. I personally like this film when shooting at night with lots of lights in the frame. In the daytime it gives a very cool tone which is also fun to experiment with.
originally posted on analoguewonderland.co.uk
I was pretty happy with this film. It seemed to give especially interesting and moody results when there was light strong directional coming into the shot, especially towards the lens. This may be due of the lack of the remjet layer leading to halation, but I liked the results regardless of the reason why! In subdued light, I found it competent and still quite high contrast. I think it looks very similar to Tri-X. Shot on my Zenit TTL with a Helios 44M at 400 ISO and AW lab pushed it for me (thanks! :D ).
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** 12/24 EXPIRED ** Cinestill 50D Daylight 120 Color Negative Film
Delivery $12.43
Cinestill 800T Tungsten 120 Color Negative Film
Delivery $12.43
Cinestill 800 Tungsten - 120
CineStill 800T ISO 800 Tungsten Xpro C-41 Color Film (120 Format)
Delivery $35.55
CineStill 800 120 Xpro C-41 Tungsten Color Film
During this summer I intended to take photos of old aircraft, military vehicles and vintage farm machinery. I decided that B&W film would be a good choice of medium to try a convey a sense of age, so I decided on the 35mm Cinestill BWXX as I has seen some good reviews. I have been very pleased with the results. The film has very fine grain and tonal range. The processed results when scanned had slightly less contrast than my preference so I have added some contrast after scanning. I now intend to try this film in medium format.
Cinestill’s 800t film is a fun film to use for a movie quality vibe. Has a distinct look that differs from your standard kodak professional films and will show red halation in the contrasted areas where it goes from very bright to very dark. I personally like this film when shooting at night with lots of lights in the frame. In the daytime it gives a very cool tone which is also fun to experiment with.
I was pretty happy with this film. It seemed to give especially interesting and moody results when there was light strong directional coming into the shot, especially towards the lens. This may be due of the lack of the remjet layer leading to halation, but I liked the results regardless of the reason why! In subdued light, I found it competent and still quite high contrast. I think it looks very similar to Tri-X. Shot on my Zenit TTL with a Helios 44M at 400 ISO and AW lab pushed it for me (thanks! :D ).
I used most of this roll for long exposure shots at the beach through a huge stack of ND filters, hence the vignetting in the boat image. The exposure time there was around a minute off a tripod. The images look nice enough, but I'm not convinced they're better than what you would have got with a much cheaper film and there is quite a lot of grain. Long exposure perhaps isn't this film's strong suit. For comparison, the sea wall was shot at normal exposure durations freehand, and yet there is still a really surprising amount of grain for a fairly low ISO film.
I'm still undecided about this film. As we all know, it comes from Kodak cine stock - it's repurposed Vision3 500T with the remjet removed. I am a BIG fan of the Vision3 films in all their speeds but have had issues with Cinestill 800 on the past.I know some people love it. And maybe it is a bit Marmite. But I shot it in 35mm before in bright sunlight with a filter and it REALLY showed up the red halo - to the point that it looked like my lens was screwed. So I really wasn't a fan.I had a roll of it gifted to me in 120 format so thought I'd give it a go in the dark which is where everybody says it shines. And just to see what it could do, I metered it at 3200 and had it pushed two stops in developing. And yeah - I like it in that situation. The colours are great ... MoreI'm still undecided about this film. As we all know, it comes from Kodak cine stock - it's repurposed Vision3 500T with the remjet removed. I am a BIG fan of the Vision3 films in all their speeds but have had issues with Cinestill 800 on the past.I know some people love it. And maybe it is a bit Marmite. But I shot it in 35mm before in bright sunlight with a filter and it REALLY showed up the red halo - to the point that it looked like my lens was screwed. So I really wasn't a fan.I had a roll of it gifted to me in 120 format so thought I'd give it a go in the dark which is where everybody says it shines. And just to see what it could do, I metered it at 3200 and had it pushed two stops in developing. And yeah - I like it in that situation. The colours are great and it holds up very well to that push, but I still can't get past those red halos! And it isn't the cheapest of films. OK, it's a bit cheaper than Portra 800... but I think I'd still choose Portra (or the Lomo CN400 or 800 films) over this. It's probably just me but I really am not a fan of that red halo.
First time shooting with this film. Took it on a trip around france, I am very happy with the details and look of this film. Very good in bright sunlight, giving good details and contrast.I had a slight issue with unloading as the little bit of tape at the end of the roll was not attached. This was very panicky as there's not much you can do while abroad.But apart from that I am very happy and would use this film again.
This is my first roll of CineStill 800T shot at ISO 800 and I am very impressed with the results. Viewed on my 13" MacBook screen I can't see and grain and it would be easy to think the images are from a digital camera. I took some photos indoors under normal LED lighting without flash and they look amazing. It seems to make bright colours like reds really pop. I really like the look of this film and would like to make it my go to colour film but the cost per roll is very high for me. Luckily my wife bought me an assortment of CineStill films for my birthday so I have enough to keep me happy for this year at least.
Hey guys look! Look at the red halation around the highlights. LOOK AT THEM.Okay now we’ve got that out of the way. You can also shoot this film during the day with an appropriate warm up filter. Happy days indeed.Price wise - you get what you pay for. Highlight clout & low light performance. Better grain structure than other 800 speed films imo. Maybe not Portra.
I bought a few rolls if Cinestill 35mm and 120 with a conscious hope of finding an expression of nostalgia , for the London photowalk. I live in London , but avoid going 'into town' as it has become an uglier, dirtier beast than it was in my 20's (oldies all say that, because it's true), but didn't make the photowalk thanks to SW trains cancelling mine as I stood on the platform. I had hoped to find and replicate little cinematic corners of history for myself .Never mind. I had a stock of Cinestill.Sometimes the most amazing results come from using a film out of, what you originally thought was, it's context.I had the film so I took it on my hols to France.That is another story.This week I got round to developing and printing some of the shots.I had some ... MoreI bought a few rolls if Cinestill 35mm and 120 with a conscious hope of finding an expression of nostalgia , for the London photowalk. I live in London , but avoid going 'into town' as it has become an uglier, dirtier beast than it was in my 20's (oldies all say that, because it's true), but didn't make the photowalk thanks to SW trains cancelling mine as I stood on the platform. I had hoped to find and replicate little cinematic corners of history for myself .Never mind. I had a stock of Cinestill.Sometimes the most amazing results come from using a film out of, what you originally thought was, it's context.I had the film so I took it on my hols to France.That is another story.This week I got round to developing and printing some of the shots.I had some Rodinal , so that's what I used , timing appropriate to shooting the film at 200. The camera was a Nikon FE , 28mm lens, with or without red filter.It was pissing down with rain today so I had a go at printing.I have to say ,I have a new favourite film!It is a really moody one.Luscious blacks, gorgeous contrast ( Gd 3 filter too contrasty, gd 2 a bit muddy, settled on 2.5)Grain like golf balls.Not to everyone's taste, but it is SO mine.Lends itself well to storytelling , creative work and feeding the imagination. Extraordinarily good for textures and foliage.I have no scanner , the only digital input to these images is the android phone i used to snap the prints for sharing here . They were a pleasure to print.Try this at least once , especially if you print your own!
interesting results with and without the recommended filter; if you experiment enough it is possible to use this film in daylight I tried utilising both morning and evening golden and blue hours without the filter and results were mostly keepers.this film is not for beginners and shines in low light situations, be ready for various halos if you include sources of light or objects that reflect a lot of light including greasy shiny skin! it is an interesting experimental film for underwater photography, if you are looking to enhance reds, and render the sea beautifully azure.
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