Nikon NIKKOR Z 50mm f/1.2 S Lens
Unwavering, razor-sharp autofocus Creating ultra-high-resolution photography? This full-frame mirrorless lens focuses quickly, smoothly, and ever so quietly. Your area of focus is rendered sharply, even when shooting at close distances or with shallow depth of field. Superb aesthetic control in any light The f/1.2 maximum aperture opens up your possibilities when available light is in short supply. If shooting backlit subjects, Nikon’s anti-reflection ARNEO and Nano Crystal Coat combat ghosting and flare for remarkably clean images. Primed for any location Wherever your shoot takes you, this lens’ superior build offers worry-free durability. All moving parts of the lens barrel are extensively sealed to keep dust and moisture out, and there is rubber sealing around the metal lens mount. Cinematic depth When your vision is best realised in video, this 50 mm prime lens gives you vast control over depth of field. From shorts to campaigns, footage can look powerfully cinematic. Focus breathing is virtually non-existent, and smooth exposure control ensures steady transitions between interiors and exteriors. Smooth Quiet and precise, the silent control ring adjusts with just the right amount of torque. Use it for aperture, ISO, exposure compensation—or for manual focusing. Precise The OLED information-display panel ensures you won’t miss the details that count. Quickly and easily confirm aperture, focus distance, ISO, and depth of field. Customisable You can assign different functions to the lens’ Fn button. Deftly control shooting parameters, including metering, display zooming, bracketing, and more.
Unwavering, razor-sharp autofocus Creating ultra-high-resolution photography? This full-frame mirrorless lens focuses quickly, smoothly, and ever so quietly. Your area of focus is rendered sharply, even when shooting at close distances or with shallow depth of field. Superb aesthetic control in any light The f/1.2 maximum aperture opens up your possibilities when available light is in short supply. If shooting backlit subjects, Nikon’s anti-reflection ARNEO and Nano Crystal Coat combat ghosting and flare for remarkably clean images. Primed for any location Wherever your shoot takes you, this lens’ superior build offers worry-free durability. All moving parts of the lens barrel are extensively sealed to keep dust and moisture out, and there is rubber sealing around the metal lens mount. Cinematic depth When your vision is best realised in video, this 50 mm prime lens gives you vast control over depth of field. From shorts to campaigns, footage can look powerfully cinematic. Focus breathing is virtually non-existent, and smooth exposure control ensures steady transitions between interiors and exteriors. Smooth Quiet and precise, the silent control ring adjusts with just the right amount of torque. Use it for aperture, ISO, exposure compensation—or for manual focusing. Precise The OLED information-display panel ensures you won’t miss the details that count. Quickly and easily confirm aperture, focus distance, ISO, and depth of field. Customisable You can assign different functions to the lens’ Fn button. Deftly control shooting parameters, including metering, display zooming, bracketing, and more.
Unwavering, razor-sharp autofocus Creating ultra-high-resolution photography? This full-frame mirrorless lens focuses quickly, smoothly, and ever so quietly. Your area of focus is rendered sharply, even when shooting at close distances or with shallow depth of field. Superb aesthetic control in any light The f/1.2 maximum aperture opens up your possibilities when available light is in short supply. If shooting backlit subjects, Nikon’s anti-reflection ARNEO and Nano Crystal Coat combat ghosting and flare for remarkably clean images. Primed for any location Wherever your shoot takes you, this lens’ superior build offers worry-free durability. All moving parts of the lens barrel are extensively sealed to keep dust and moisture out, and there is rubber sealing around the metal lens mount. Cinematic depth When your vision is best realised in video, this 50 mm prime lens gives you vast control over depth of field. From shorts to campaigns, footage can look powerfully cinematic. Focus breathing is virtually non-existent, and smooth exposure control ensures steady transitions between interiors and exteriors. Smooth Quiet and precise, the silent control ring adjusts with just the right amount of torque. Use it for aperture, ISO, exposure compensation—or for manual focusing. Precise The OLED information-display panel ensures you won’t miss the details that count. Quickly and easily confirm aperture, focus distance, ISO, and depth of field. Customisable You can assign different functions to the lens’ Fn button. Deftly control shooting parameters, including metering, display zooming, bracketing, and more.
Unwavering, razor-sharp autofocus Creating ultra-high-resolution photography? This full-frame mirrorless lens focuses quickly, smoothly, and ever so quietly. Your area of focus is rendered sharply, even when shooting at close distances or with shallow depth of field. Superb aesthetic control in any light The f/1.2 maximum aperture opens up your possibilities when available light is in short supply. If shooting backlit subjects, Nikon’s anti-reflection ARNEO and Nano Crystal Coat combat ghosting and flare for remarkably clean images. Primed for any location Wherever your shoot takes you, this lens’ superior build offers worry-free durability. All moving parts of the lens barrel are extensively sealed to keep dust and moisture out, and there is rubber sealing around the metal lens mount. Cinematic depth When your vision is best realised in video, this 50 mm prime lens gives you vast control over depth of field. From shorts to campaigns, footage can look powerfully cinematic. Focus breathing is virtually non-existent, and smooth exposure control ensures steady transitions between interiors and exteriors. Smooth Quiet and precise, the silent control ring adjusts with just the right amount of torque. Use it for aperture, ISO, exposure compensation—or for manual focusing. Precise The OLED information-display panel ensures you won’t miss the details that count. Quickly and easily confirm aperture, focus distance, ISO, and depth of field. Customisable You can assign different functions to the lens’ Fn button. Deftly control shooting parameters, including metering, display zooming, bracketing, and more.
in 34 offers
The lowest price for Nikon NIKKOR Z 50mm f/1.2 S Lens right now is $2,485.00 at cccwarehouse.com.au, compared across 28 retailers.
The all-time low was $1,711.90 on 1 June 2026 — today's price is 45% above the lowest ever. It has been notably cheaper before — worth setting a price alert.
Prices last updated 22 June 2026.
Last updated at 22/06/2026 15:45:45
Nikon NIKKOR Z 50mm f/1.2 S Lens | Ultra-Fast f/1.2 Standard Prime | Beautiful Bokeh | Weather-Sealed | Full-Frame Mirrorless | Portrait & Creative
Affiliate Disclosure: We may receive a small commission for purchases made through this link at no extra cost to you. This helps support our site. Thank you!
Nikon NIKKOR Z 50mm f/1.2 S Lens
Delivery $18.15
Nikon Nikkor Z 50mm f/1.2 S Lens
Free delivery between 27 June – 4 July
Nikon NIKKOR Z 50mm f1.2 S Lens by Onestop Digital
Free delivery between 27 June – 2 July
Nikon NIKKOR Z 50mm f/1.2 S Lens - Brand New
Free delivery between 25 June – 1 July
2ND HAND - Nikon Z 50mm F1.2 S Lens
Free delivery between Wed – Thu
Nikon Nikkor Z 50mm f/1.2 S Lens
Delivery $9.95
Nikon Nikkor Z 50mm f/1.2 S Lens
Free delivery between Wed – Thu
Nikon Z 50mm F1.2 S Lens Ø82mm
Delivery $9.95
2ND HAND - Nikon Z 50mm F1.2 S Lens
Delivery between Thu – Mon $10
originally posted on bhphotovideo.com
I own the smaller and lighter Z 50mm f/1.8S lens. Prior to the arrival of the Z 50mm f/1.2S, it was the only native Z mount 50mm available. And quite frankly, the f/1.8S is perhaps the sharpest 50mm lens I've ever used on a camera over the 20 years or so I've been shooting with Nikon gear.At first I balked at the idea of the f/1.2 for two reasons. The price was one of them. While I have no qualms about purchasing lens that cost over US$2,000 (I own quite a few), the idea of a 50mm at this price seemed ridiculous. The second reason was the feedback from those who own this lens stating it's very large and very heavy. Again, I have other lenses that weigh more than the 50mm f/1.2. But they are zoom lenses that provide arguably greater versatility (e.g. Z 70-200 ... MoreI own the smaller and lighter Z 50mm f/1.8S lens. Prior to the arrival of the Z 50mm f/1.2S, it was the only native Z mount 50mm available. And quite frankly, the f/1.8S is perhaps the sharpest 50mm lens I've ever used on a camera over the 20 years or so I've been shooting with Nikon gear.At first I balked at the idea of the f/1.2 for two reasons. The price was one of them. While I have no qualms about purchasing lens that cost over US$2,000 (I own quite a few), the idea of a 50mm at this price seemed ridiculous. The second reason was the feedback from those who own this lens stating it's very large and very heavy. Again, I have other lenses that weigh more than the 50mm f/1.2. But they are zoom lenses that provide arguably greater versatility (e.g. Z 70-200 f/2.8S).However, as I read and followed a number of photographers who purchased the lens, including several who owned its smaller f/1.8S sibling, I finally succumbed to the self-imposed pressure and bought it. I can say without equivocation, I have no regrets.Certain lenses have a unique quality-a unique characteristic-that is heard to verbalize, but easy to demonstrate. Such is the case with the 50mm f/1.2S. Yes, it's light transmission is clearly greater than its sibling. I suspect this has to do with technical design issues such as the elements in the lens. It's autofocus is, in my view, noticeably faster than its sibling. Moreover, there is an optical quality that makes this lens stand out from its smaller sibling and several of the other Z mount lenses.My clients may never know that I am using a 50mm f/1.2S over another lens. But I know once I capture the image, it offers me something with just a little more of that special sauce, if you will, as I create images for clients. Can you do just fine without it? Of course you can. But if you are a demanding photographer with an affinity for the best of the 50mm focal range, I recommend this lens.
originally posted on adorama.com
Simply unreal.Having shot with a D850 and the Nikon 50mm 1.4 (which feels ancient at this point) for years, I recently upgraded to a Nikon Z9 and this 50mm 1.2, and I'm simply blown away.I'm definitely no lens scientist, and my tests were very simple: does it autofocus fast enough for a wedding photographer? And is it sharp? And both of those questions were definitely confirmed within the first 5 minutes. I went for a walk with it, and at 1.2 the sharpness blew me away, with almost no colour fringing whatsoever.I'm sure I'll learn more as we go along, but if you can afford this heavy beast, absolutely buy it, you won't use anything like it.
originally posted on bhphotovideo.com
If you can splurge and get the Nikkor Z 50mm f/1.2 s, I highly recommend it. The ability to shoot in low-light conditions makes this my go to prime for all things near and dear to my heart (literally as it is still a 50mm prime). The autofocus is fast and quiet with some typical response issues in low-light conditions but, nothing that cannot be overcome by selecting an area with contrast. The quality of this lens is apparent only in it's ability to pull shots where the standard f/2.8 simply leaves something to be desired. Tack sharp shots with killer bokeh are a thing of beauty with this lens. I LOVE THIS LENS and find myself using it so much more than the FTZ w/ my nifty 50 f/1.4 combo. It just seems like the shots are crisper and cleaner with the Z lens versus ... MoreIf you can splurge and get the Nikkor Z 50mm f/1.2 s, I highly recommend it. The ability to shoot in low-light conditions makes this my go to prime for all things near and dear to my heart (literally as it is still a 50mm prime). The autofocus is fast and quiet with some typical response issues in low-light conditions but, nothing that cannot be overcome by selecting an area with contrast. The quality of this lens is apparent only in it's ability to pull shots where the standard f/2.8 simply leaves something to be desired. Tack sharp shots with killer bokeh are a thing of beauty with this lens. I LOVE THIS LENS and find myself using it so much more than the FTZ w/ my nifty 50 f/1.4 combo. It just seems like the shots are crisper and cleaner with the Z lens versus the legacy nifty 50/FTZ combo.Overall, this lens is expensive but, it is simply my favorite lens in my kit (to date).
| General | |
| Length | 15 cm |
| Diameter | 8.95 cm |
| Weight | 1.09 kg |
| Lens System |
Nikon NIKKOR Z 50mm f/1.2 S Lens | Ultra-Fast f/1.2 Standard Prime | Beautiful Bokeh | Weather-Sealed | Full-Frame Mirrorless | Portrait & Creative
Affiliate Disclosure: We may receive a small commission for purchases made through this link at no extra cost to you. This helps support our site. Thank you!
Nikon NIKKOR Z 50mm f/1.2 S Lens
Delivery $18.15
Nikon Nikkor Z 50mm f/1.2 S Lens
Free delivery between 27 June – 4 July
Nikon NIKKOR Z 50mm f1.2 S Lens by Onestop Digital
Free delivery between 27 June – 2 July
Nikon NIKKOR Z 50mm f/1.2 S Lens - Brand New
Free delivery between 25 June – 1 July
I own the smaller and lighter Z 50mm f/1.8S lens. Prior to the arrival of the Z 50mm f/1.2S, it was the only native Z mount 50mm available. And quite frankly, the f/1.8S is perhaps the sharpest 50mm lens I've ever used on a camera over the 20 years or so I've been shooting with Nikon gear.At first I balked at the idea of the f/1.2 for two reasons. The price was one of them. While I have no qualms about purchasing lens that cost over US$2,000 (I own quite a few), the idea of a 50mm at this price seemed ridiculous. The second reason was the feedback from those who own this lens stating it's very large and very heavy. Again, I have other lenses that weigh more than the 50mm f/1.2. But they are zoom lenses that provide arguably greater versatility (e.g. Z 70-200 ... MoreI own the smaller and lighter Z 50mm f/1.8S lens. Prior to the arrival of the Z 50mm f/1.2S, it was the only native Z mount 50mm available. And quite frankly, the f/1.8S is perhaps the sharpest 50mm lens I've ever used on a camera over the 20 years or so I've been shooting with Nikon gear.At first I balked at the idea of the f/1.2 for two reasons. The price was one of them. While I have no qualms about purchasing lens that cost over US$2,000 (I own quite a few), the idea of a 50mm at this price seemed ridiculous. The second reason was the feedback from those who own this lens stating it's very large and very heavy. Again, I have other lenses that weigh more than the 50mm f/1.2. But they are zoom lenses that provide arguably greater versatility (e.g. Z 70-200 f/2.8S).However, as I read and followed a number of photographers who purchased the lens, including several who owned its smaller f/1.8S sibling, I finally succumbed to the self-imposed pressure and bought it. I can say without equivocation, I have no regrets.Certain lenses have a unique quality-a unique characteristic-that is heard to verbalize, but easy to demonstrate. Such is the case with the 50mm f/1.2S. Yes, it's light transmission is clearly greater than its sibling. I suspect this has to do with technical design issues such as the elements in the lens. It's autofocus is, in my view, noticeably faster than its sibling. Moreover, there is an optical quality that makes this lens stand out from its smaller sibling and several of the other Z mount lenses.My clients may never know that I am using a 50mm f/1.2S over another lens. But I know once I capture the image, it offers me something with just a little more of that special sauce, if you will, as I create images for clients. Can you do just fine without it? Of course you can. But if you are a demanding photographer with an affinity for the best of the 50mm focal range, I recommend this lens.
Simply unreal.Having shot with a D850 and the Nikon 50mm 1.4 (which feels ancient at this point) for years, I recently upgraded to a Nikon Z9 and this 50mm 1.2, and I'm simply blown away.I'm definitely no lens scientist, and my tests were very simple: does it autofocus fast enough for a wedding photographer? And is it sharp? And both of those questions were definitely confirmed within the first 5 minutes. I went for a walk with it, and at 1.2 the sharpness blew me away, with almost no colour fringing whatsoever.I'm sure I'll learn more as we go along, but if you can afford this heavy beast, absolutely buy it, you won't use anything like it.
If you can splurge and get the Nikkor Z 50mm f/1.2 s, I highly recommend it. The ability to shoot in low-light conditions makes this my go to prime for all things near and dear to my heart (literally as it is still a 50mm prime). The autofocus is fast and quiet with some typical response issues in low-light conditions but, nothing that cannot be overcome by selecting an area with contrast. The quality of this lens is apparent only in it's ability to pull shots where the standard f/2.8 simply leaves something to be desired. Tack sharp shots with killer bokeh are a thing of beauty with this lens. I LOVE THIS LENS and find myself using it so much more than the FTZ w/ my nifty 50 f/1.4 combo. It just seems like the shots are crisper and cleaner with the Z lens versus ... MoreIf you can splurge and get the Nikkor Z 50mm f/1.2 s, I highly recommend it. The ability to shoot in low-light conditions makes this my go to prime for all things near and dear to my heart (literally as it is still a 50mm prime). The autofocus is fast and quiet with some typical response issues in low-light conditions but, nothing that cannot be overcome by selecting an area with contrast. The quality of this lens is apparent only in it's ability to pull shots where the standard f/2.8 simply leaves something to be desired. Tack sharp shots with killer bokeh are a thing of beauty with this lens. I LOVE THIS LENS and find myself using it so much more than the FTZ w/ my nifty 50 f/1.4 combo. It just seems like the shots are crisper and cleaner with the Z lens versus the legacy nifty 50/FTZ combo.Overall, this lens is expensive but, it is simply my favorite lens in my kit (to date).
I bought this lens to be my overall go-to on most situations, sincerely, I wasn't expecting to be so sharp, and overall it hasn't let me down. Optical quality is spot on, super fast auto focus, with the image stabilization working as intended, it works great, in comparisson with the Nikon 70-200 f/ 2.8 for the F mount, with the FTZ Adapter. The bokeh is something else, extremely smooth, even tough using an older body (Nikon Z6, sometimes the body doesn't catch the focus plane exactly on the place you focus on) but, overall, I think is a great lens.The only withdraw, is the weight and the clunkiness overall, if you are planing on a long hike (I took it to Patagonia, on a 12 hr hike to Torres del Paine for the first time) it weighs on you. The construction, even ... MoreI bought this lens to be my overall go-to on most situations, sincerely, I wasn't expecting to be so sharp, and overall it hasn't let me down. Optical quality is spot on, super fast auto focus, with the image stabilization working as intended, it works great, in comparisson with the Nikon 70-200 f/ 2.8 for the F mount, with the FTZ Adapter. The bokeh is something else, extremely smooth, even tough using an older body (Nikon Z6, sometimes the body doesn't catch the focus plane exactly on the place you focus on) but, overall, I think is a great lens.The only withdraw, is the weight and the clunkiness overall, if you are planing on a long hike (I took it to Patagonia, on a 12 hr hike to Torres del Paine for the first time) it weighs on you. The construction, even though it feels like plastic, it is built like a freight train, on the above mentioned trip, a tree branch fell on top of my bag and camera, and it took it like a champ.
The only reason to buy this lens instead of the f1.8 is if you're going to shoot wide-open most of the time. The f1.8 is a great lens too, but for me there are enough reasons for me to want that extra stop.This is a hefty chunk of glass, but it's not cumbersome. If I'm traveling and want versatility, I can walk around with my Z7ii and 24-70 f2.8 during the day, and then switch to this lens at night. Both configurations fit in the same carefully chosen holster bag and the filter size is the same on both lenses too.This f1.2 really gulps down light and is just beautiful. Eye detection autofocus is working great for me in very low light. If you want some shallow depth of field for medium focal length portraiture, you can still run it full wide during the day by ... MoreThe only reason to buy this lens instead of the f1.8 is if you're going to shoot wide-open most of the time. The f1.8 is a great lens too, but for me there are enough reasons for me to want that extra stop.This is a hefty chunk of glass, but it's not cumbersome. If I'm traveling and want versatility, I can walk around with my Z7ii and 24-70 f2.8 during the day, and then switch to this lens at night. Both configurations fit in the same carefully chosen holster bag and the filter size is the same on both lenses too.This f1.2 really gulps down light and is just beautiful. Eye detection autofocus is working great for me in very low light. If you want some shallow depth of field for medium focal length portraiture, you can still run it full wide during the day by throwing on an ND or polarizer to cut some light and ramp the ISO all the way down.Still, if you want something lighter or aren't shooting wide-open most of the time, there's nothing wrong with going with the f1.8 instead.
Took it for a small test run with the Nikon Z9. The Nikon Z 50mm f/1.2 is one fantastic piece of glass that obliterates the background, making your subject stand out. I have included a few images I took with this fine piece of glass. Images captured wide open and stopped down to f2. The Z9 AF and this lens where made for each other. Given that the model was always fidgety the Z9 and the Z50mm did fantastic in the AF department. In the shot with the trees, I focused on the cut tree.
I anticipated the size and weight of this lens prior to receiving it, so it didn't come as any surprise how hefty it is. The optics are incredible, however, even wide open. Coming from a 58mm f/1.4 (quite a special lens unto itself, but not that sharp wide open) I was floored by the contrast and resolution of this f/1.2. I don't plan to use it as a general walk-around lens, but more for studio and night work. Balances very well on the Nikon Z9, but I could foresee the size and weight being somewhat of an issue for non-gripped cameras. If you're accustomed to gear that tips toward the heavier end of the spectrum and you're looking for the absolute best, look no further.
I did a ton of research before purchasing this lens. Starting with the obvious, it is a big and heavy lens. It feels too big on my Z6II, but feels well balanced on my Z9. I like this lens a lot. I got it specifically for portraits and street photography, but I am finding I like it a lot for any subject I put in front of it. Not a usual application, but I shot a cityscape from the 21st floor of a building and absolutely everything was sharp. When shot at closer range at f/1.2 it melts the backgrounds and creates lovely separation for my subjects. It is a success on all counts and I highly recommend it (despite the weight, size, and cost).
Amazingly sharp with great bokeh, this lens is hefty, but for me easy to hand-hold, especially with the camera's image stabilization. I took a few pictures at 1/15 second and was surprised by the quality of sharpness. This lens allows great available light photos with only the quality that gives shadow and highlight detail unprecedented. I expected softness at f1.2, but that did not show up. The price may be hefty, but the quality (as expected from Nikon) far exceeded my expectations. Can strongly recommend this lens for your Z camera.
My favorite prime lens is a 50 mm. Over the years I have owned three along with a close cousin, a Micro-Nikkor 55 mm f/3.5K. Good lenses all, but hands down the Z 50 mm f/1.2 S is tops. And not just tops among my 50s; it is far and away the best Nikkor I own.The Z 50 mm f/1.2 S quickly became my go-to lens. It is solid and it easily earned my trust to deliver what I ask it to. Superior image quality. Fast and accurate focusing. Intensely acute even wide open. Out-of-focus areas melt into the background with fluid smoothness. The resulting bokeh isolates the main subject clearly and adds exquisite beauty. Edge-to-edge acuity makes it perfect for group portraits as well as for full height and to length individual portraits - think maternity. Coupled with a Z 7II, ... MoreMy favorite prime lens is a 50 mm. Over the years I have owned three along with a close cousin, a Micro-Nikkor 55 mm f/3.5K. Good lenses all, but hands down the Z 50 mm f/1.2 S is tops. And not just tops among my 50s; it is far and away the best Nikkor I own.The Z 50 mm f/1.2 S quickly became my go-to lens. It is solid and it easily earned my trust to deliver what I ask it to. Superior image quality. Fast and accurate focusing. Intensely acute even wide open. Out-of-focus areas melt into the background with fluid smoothness. The resulting bokeh isolates the main subject clearly and adds exquisite beauty. Edge-to-edge acuity makes it perfect for group portraits as well as for full height and to length individual portraits - think maternity. Coupled with a Z 7II, the 50/1.2 renders gorgeous colors, especially at ISO 64.In my experience as a stills photographer there is one knock on this lens: the control ring moves too freely to prevent unintended input. I set the control ring for ISO control (can also control aperture and exposure compensation) but, even trying consciously not to, I was constantly changing my original setting when hand-holding the lens. This became frustrating to the point I reset the control ring to have no function. However, videographers probably praise this easy movement because they can adjust aperture so very smoothly.
| General | |
| Length | 15 cm |
| Diameter | 8.95 cm |
| Weight | 1.09 kg |
| Lens System |
