Nikon NIKKOR Z 14-24mm f/2.8 S Lens
The views through the NIKKOR Z 14-24mm f/2.8 S are simply epic. Ultra-wide perspectives that challenge our sense of scale. Clarity that transports you. A level of detail you have to see to believe. All in the shortest, lightest and most versatile 14-24mm f/2.8 constant aperture zoom available. Optimized for landscapes, cityscapes, night skies, architecture, interiors and environmental portraits—this is the lens for taking it all in. The NIKKOR Z 14-24mm f/2.8 S is smaller and lighter than any comparable lens. It's easier on your back, arms and tripod. It takes up less room in your bag, so you'll be more likely to take it everywhere you go. And it's superbly balanced on a Z camera for composing in the moment. Take it all in. With ultra-wide lenses, every millimeter counts. At its widest setting of 14mm, the NIKKOR Z 14-24mm f/2.8 S covers 115° of view. And it does so with staggering sharpness and clarity across the entire expansive frame—from the center to the far edges. More light. More options. Gather more light at any zoom position with a fast f/2.8 constant aperture and your Z camera's Vibration Reduction image stabilization. In low-light, illuminate subjects with longer exposures or sharpen them with faster shutter speeds. This is compositional freedom.
The views through the NIKKOR Z 14-24mm f/2.8 S are simply epic. Ultra-wide perspectives that challenge our sense of scale. Clarity that transports you. A level of detail you have to see to believe. All in the shortest, lightest and most versatile 14-24mm f/2.8 constant aperture zoom available. Optimized for landscapes, cityscapes, night skies, architecture, interiors and environmental portraits—this is the lens for taking it all in. The NIKKOR Z 14-24mm f/2.8 S is smaller and lighter than any comparable lens. It's easier on your back, arms and tripod. It takes up less room in your bag, so you'll be more likely to take it everywhere you go. And it's superbly balanced on a Z camera for composing in the moment. Take it all in. With ultra-wide lenses, every millimeter counts. At its widest setting of 14mm, the NIKKOR Z 14-24mm f/2.8 S covers 115° of view. And it does so with staggering sharpness and clarity across the entire expansive frame—from the center to the far edges. More light. More options. Gather more light at any zoom position with a fast f/2.8 constant aperture and your Z camera's Vibration Reduction image stabilization. In low-light, illuminate subjects with longer exposures or sharpen them with faster shutter speeds. This is compositional freedom.
The views through the NIKKOR Z 14-24mm f/2.8 S are simply epic. Ultra-wide perspectives that challenge our sense of scale. Clarity that transports you. A level of detail you have to see to believe. All in the shortest, lightest and most versatile 14-24mm f/2.8 constant aperture zoom available. Optimized for landscapes, cityscapes, night skies, architecture, interiors and environmental portraits—this is the lens for taking it all in. The NIKKOR Z 14-24mm f/2.8 S is smaller and lighter than any comparable lens. It's easier on your back, arms and tripod. It takes up less room in your bag, so you'll be more likely to take it everywhere you go. And it's superbly balanced on a Z camera for composing in the moment. Take it all in. With ultra-wide lenses, every millimeter counts. At its widest setting of 14mm, the NIKKOR Z 14-24mm f/2.8 S covers 115° of view. And it does so with staggering sharpness and clarity across the entire expansive frame—from the center to the far edges. More light. More options. Gather more light at any zoom position with a fast f/2.8 constant aperture and your Z camera's Vibration Reduction image stabilization. In low-light, illuminate subjects with longer exposures or sharpen them with faster shutter speeds. This is compositional freedom.
The views through the NIKKOR Z 14-24mm f/2.8 S are simply epic. Ultra-wide perspectives that challenge our sense of scale. Clarity that transports you. A level of detail you have to see to believe. All in the shortest, lightest and most versatile 14-24mm f/2.8 constant aperture zoom available. Optimized for landscapes, cityscapes, night skies, architecture, interiors and environmental portraits—this is the lens for taking it all in. The NIKKOR Z 14-24mm f/2.8 S is smaller and lighter than any comparable lens. It's easier on your back, arms and tripod. It takes up less room in your bag, so you'll be more likely to take it everywhere you go. And it's superbly balanced on a Z camera for composing in the moment. Take it all in. With ultra-wide lenses, every millimeter counts. At its widest setting of 14mm, the NIKKOR Z 14-24mm f/2.8 S covers 115° of view. And it does so with staggering sharpness and clarity across the entire expansive frame—from the center to the far edges. More light. More options. Gather more light at any zoom position with a fast f/2.8 constant aperture and your Z camera's Vibration Reduction image stabilization. In low-light, illuminate subjects with longer exposures or sharpen them with faster shutter speeds. This is compositional freedom.
in 35 offers
The lowest price for Nikon NIKKOR Z 14-24mm f/2.8 S Lens right now is $2,273.99 at Techinthebasket AU, compared across 25 retailers.
The all-time low was $727.50 on 24 May 2026 — today's price is 213% above the lowest ever. It has been notably cheaper before — worth setting a price alert.
Prices last updated 9 June 2026.
Last updated at 09/06/2026 18:08:24
Nikon NIKKOR Z 14-24mm f/2.8 S Lens | World's Lightest 14-24mm f/2.8 Zoom | Weather-Sealed | Fast Constant Aperture | Full Frame | Landscape &
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Nikon NIKKOR Z 14-24mm f/2.8 S Lens
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Nikon NIKKOR Z 14-24mm f/2.8 S Lens
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Nikon NIKKOR Z 14-24mm F2.8 S Lens - Brand New
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Nikon NIKKOR Z 14-24mm f/2.8 S Lens
Free delivery between 15–22 June
Nikon NIKKOR Z 14-24mm F2.8 S Lens - BRAND NEW
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Nikon Z 14-24mm f/2.8 S Lens
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Nikon Z 14-24mm f/2.8 S Lens
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Nikon NIKKOR Z 14-24mm F2.8 S Lens - BRAND NEW
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Nikon NIKKOR Z 14-24mm f/2.8 S Lens by Onestop Digital
Free delivery between 15–19 June
originally posted on bhphotovideo.com
I've had this lens for a couple weeks now, and it pretty much stays on my camera. Other lenses I currently own are the Z 40mm f/2, Z 85mm f/1.8 S, and the Z 14-24mm f/2.8 S.The Z 24-70mm is super sharp to the corners on my Z6 II. The wide aperture of this lens combined with the excellent low light capability of the Z6 II is a perfect match. There is a little vignetting at 24mm wide open, but very gradual and easily taken care of in post processing. The focusing elements are all internal and very fast and quiet. Unfortunately, unlike the Z 14-24 and 70-200 f/2.8, this lens extends when you move from 24mm out to 70mm. It's a bit heavy, but that's to be expected for a lens of this type and specifications. The OLED screen is useless and gimmicky in my opinion.The ... MoreI've had this lens for a couple weeks now, and it pretty much stays on my camera. Other lenses I currently own are the Z 40mm f/2, Z 85mm f/1.8 S, and the Z 14-24mm f/2.8 S.The Z 24-70mm is super sharp to the corners on my Z6 II. The wide aperture of this lens combined with the excellent low light capability of the Z6 II is a perfect match. There is a little vignetting at 24mm wide open, but very gradual and easily taken care of in post processing. The focusing elements are all internal and very fast and quiet. Unfortunately, unlike the Z 14-24 and 70-200 f/2.8, this lens extends when you move from 24mm out to 70mm. It's a bit heavy, but that's to be expected for a lens of this type and specifications. The OLED screen is useless and gimmicky in my opinion.The first copy I ordered from B&H had excessive wiggle when extended beyond 50mm. I first contacted Nikon and they said that shouldn't be the case. Being the only 1 of the 3 "holy trinity" produced in Japan I was a little surprised by this. But, the next copy I received is amazing and I have no regrets. B&H was super fast getting a replacement out to me.No lens is perfect, and pricier they get the more critical users will be. Nevertheless, I decided to order the Z 70-200mm f/2.8 after my experiences with the performances of this lens and the Z 14-24mm f/2.8. Both of which are fantastic lenses. You won't be disappointed adding this lens to your bag.
originally posted on bhphotovideo.com
I've had this lens for a several weeks now. I purchased it for day and night landscape photography as well as Milky Way and occasional aurora shots. Other lenses I currently own are the Z 40mm f/2, Z 85mm f/1.8 S, and the Z 24-70mm f/2.8 S.I previously owned the AF-S 14-24mm f/2.8 and prefer this new Z version. Besides being able to use filters on it (unlike the AF-S version), the Z 14-24mm f/2.8 is super sharp to the corners on my Z6 II. Although, shots are noticeably softer at apertures below around 4.0 at long range. The wide aperture of this lens combined with the excellent low light capability of the Z6 II is a perfect match in my opinion. The focusing elements are all internal and very fast and quiet. Unlike the Z 24-70mm f/2.8, this lens does not extend as ... MoreI've had this lens for a several weeks now. I purchased it for day and night landscape photography as well as Milky Way and occasional aurora shots. Other lenses I currently own are the Z 40mm f/2, Z 85mm f/1.8 S, and the Z 24-70mm f/2.8 S.I previously owned the AF-S 14-24mm f/2.8 and prefer this new Z version. Besides being able to use filters on it (unlike the AF-S version), the Z 14-24mm f/2.8 is super sharp to the corners on my Z6 II. Although, shots are noticeably softer at apertures below around 4.0 at long range. The wide aperture of this lens combined with the excellent low light capability of the Z6 II is a perfect match in my opinion. The focusing elements are all internal and very fast and quiet. Unlike the Z 24-70mm f/2.8, this lens does not extend as you move from 14mm to 24mm. Therefore, less chance for dust intrusion. It is very light for its class. The OLED screen is useless and gimmicky in my opinion. I have been very happy with the optical performance of this lens so far.The only "holy trinity" Z zoom produced in Japan is the 24-70mm f/2.8. I was a little surprised when I learned this, but QA/QC in Thailand appears to be spot on, at least for the copy I received.I decided to purchase the Z 70-200mm f/2.8 following my experiences with the performances of this lens and the Z 24-70mm f/2.8. Both of which are fantastic lenses. You won't be disappointed adding this lens to your bag.
originally posted on bhphotovideo.com
I had really high expectations for this lens given the reviews I read. I bought it primarily for Milky Way photography. The lens has many great features--it's light, well-built, compatible with screw-in filters, and weather-sealed. And I'm a loyal Nikon user, so I'm predisposed to like anything from Nikon. But I am very disappointed with this lens. There are two problems with this lens, and only one can be fixed with a work-around. The main problem with this lens is that it suffers from noticeable sagittal coma in the corners. Noticeable in that the coma can be seen in an 8x10 print. You can see the coma in the photo I uploaded (10-second exposure, ISO1600, f/2.8, Nikon Z6). The coma is mostly gone by f/5.6, but that's a lot of light to give up given the cost of ... MoreI had really high expectations for this lens given the reviews I read. I bought it primarily for Milky Way photography. The lens has many great features--it's light, well-built, compatible with screw-in filters, and weather-sealed. And I'm a loyal Nikon user, so I'm predisposed to like anything from Nikon. But I am very disappointed with this lens. There are two problems with this lens, and only one can be fixed with a work-around. The main problem with this lens is that it suffers from noticeable sagittal coma in the corners. Noticeable in that the coma can be seen in an 8x10 print. You can see the coma in the photo I uploaded (10-second exposure, ISO1600, f/2.8, Nikon Z6). The coma is mostly gone by f/5.6, but that's a lot of light to give up given the cost of this lens. The second problem is that the lens hood that holds the screw-in filters isn't light-tight. That is, light can get in between the front glass of the lens and the inside surface of the filter. That problem can be fixed with a little tape, but it shouldn't be necessary given the price of this lens. So, I think this is a very nice lens for daytime landscape photography, but I don't think that it's worth the money for Milky Way photography.
| General | |
| Length | 12.45 cm |
| Diameter | 8.85 cm |
| Weight | 650 g |
| Lens System |
Nikon NIKKOR Z 14-24mm f/2.8 S Lens | World's Lightest 14-24mm f/2.8 Zoom | Weather-Sealed | Fast Constant Aperture | Full Frame | Landscape &
Free delivery
Affiliate Disclosure: We may receive a small commission for purchases made through this link at no extra cost to you. This helps support our site. Thank you!
Nikon NIKKOR Z 14-24mm f/2.8 S Lens
Free delivery
Nikon NIKKOR Z 14-24mm f/2.8 S Lens
Delivery $26.90
Nikon NIKKOR Z 14-24mm F2.8 S Lens - Brand New
Free delivery between 12–18 June
Nikon NIKKOR Z 14-24mm f/2.8 S Lens
Free delivery between 15–22 June
I've had this lens for a couple weeks now, and it pretty much stays on my camera. Other lenses I currently own are the Z 40mm f/2, Z 85mm f/1.8 S, and the Z 14-24mm f/2.8 S.The Z 24-70mm is super sharp to the corners on my Z6 II. The wide aperture of this lens combined with the excellent low light capability of the Z6 II is a perfect match. There is a little vignetting at 24mm wide open, but very gradual and easily taken care of in post processing. The focusing elements are all internal and very fast and quiet. Unfortunately, unlike the Z 14-24 and 70-200 f/2.8, this lens extends when you move from 24mm out to 70mm. It's a bit heavy, but that's to be expected for a lens of this type and specifications. The OLED screen is useless and gimmicky in my opinion.The ... MoreI've had this lens for a couple weeks now, and it pretty much stays on my camera. Other lenses I currently own are the Z 40mm f/2, Z 85mm f/1.8 S, and the Z 14-24mm f/2.8 S.The Z 24-70mm is super sharp to the corners on my Z6 II. The wide aperture of this lens combined with the excellent low light capability of the Z6 II is a perfect match. There is a little vignetting at 24mm wide open, but very gradual and easily taken care of in post processing. The focusing elements are all internal and very fast and quiet. Unfortunately, unlike the Z 14-24 and 70-200 f/2.8, this lens extends when you move from 24mm out to 70mm. It's a bit heavy, but that's to be expected for a lens of this type and specifications. The OLED screen is useless and gimmicky in my opinion.The first copy I ordered from B&H had excessive wiggle when extended beyond 50mm. I first contacted Nikon and they said that shouldn't be the case. Being the only 1 of the 3 "holy trinity" produced in Japan I was a little surprised by this. But, the next copy I received is amazing and I have no regrets. B&H was super fast getting a replacement out to me.No lens is perfect, and pricier they get the more critical users will be. Nevertheless, I decided to order the Z 70-200mm f/2.8 after my experiences with the performances of this lens and the Z 14-24mm f/2.8. Both of which are fantastic lenses. You won't be disappointed adding this lens to your bag.
I've had this lens for a several weeks now. I purchased it for day and night landscape photography as well as Milky Way and occasional aurora shots. Other lenses I currently own are the Z 40mm f/2, Z 85mm f/1.8 S, and the Z 24-70mm f/2.8 S.I previously owned the AF-S 14-24mm f/2.8 and prefer this new Z version. Besides being able to use filters on it (unlike the AF-S version), the Z 14-24mm f/2.8 is super sharp to the corners on my Z6 II. Although, shots are noticeably softer at apertures below around 4.0 at long range. The wide aperture of this lens combined with the excellent low light capability of the Z6 II is a perfect match in my opinion. The focusing elements are all internal and very fast and quiet. Unlike the Z 24-70mm f/2.8, this lens does not extend as ... MoreI've had this lens for a several weeks now. I purchased it for day and night landscape photography as well as Milky Way and occasional aurora shots. Other lenses I currently own are the Z 40mm f/2, Z 85mm f/1.8 S, and the Z 24-70mm f/2.8 S.I previously owned the AF-S 14-24mm f/2.8 and prefer this new Z version. Besides being able to use filters on it (unlike the AF-S version), the Z 14-24mm f/2.8 is super sharp to the corners on my Z6 II. Although, shots are noticeably softer at apertures below around 4.0 at long range. The wide aperture of this lens combined with the excellent low light capability of the Z6 II is a perfect match in my opinion. The focusing elements are all internal and very fast and quiet. Unlike the Z 24-70mm f/2.8, this lens does not extend as you move from 14mm to 24mm. Therefore, less chance for dust intrusion. It is very light for its class. The OLED screen is useless and gimmicky in my opinion. I have been very happy with the optical performance of this lens so far.The only "holy trinity" Z zoom produced in Japan is the 24-70mm f/2.8. I was a little surprised when I learned this, but QA/QC in Thailand appears to be spot on, at least for the copy I received.I decided to purchase the Z 70-200mm f/2.8 following my experiences with the performances of this lens and the Z 24-70mm f/2.8. Both of which are fantastic lenses. You won't be disappointed adding this lens to your bag.
I had really high expectations for this lens given the reviews I read. I bought it primarily for Milky Way photography. The lens has many great features--it's light, well-built, compatible with screw-in filters, and weather-sealed. And I'm a loyal Nikon user, so I'm predisposed to like anything from Nikon. But I am very disappointed with this lens. There are two problems with this lens, and only one can be fixed with a work-around. The main problem with this lens is that it suffers from noticeable sagittal coma in the corners. Noticeable in that the coma can be seen in an 8x10 print. You can see the coma in the photo I uploaded (10-second exposure, ISO1600, f/2.8, Nikon Z6). The coma is mostly gone by f/5.6, but that's a lot of light to give up given the cost of ... MoreI had really high expectations for this lens given the reviews I read. I bought it primarily for Milky Way photography. The lens has many great features--it's light, well-built, compatible with screw-in filters, and weather-sealed. And I'm a loyal Nikon user, so I'm predisposed to like anything from Nikon. But I am very disappointed with this lens. There are two problems with this lens, and only one can be fixed with a work-around. The main problem with this lens is that it suffers from noticeable sagittal coma in the corners. Noticeable in that the coma can be seen in an 8x10 print. You can see the coma in the photo I uploaded (10-second exposure, ISO1600, f/2.8, Nikon Z6). The coma is mostly gone by f/5.6, but that's a lot of light to give up given the cost of this lens. The second problem is that the lens hood that holds the screw-in filters isn't light-tight. That is, light can get in between the front glass of the lens and the inside surface of the filter. That problem can be fixed with a little tape, but it shouldn't be necessary given the price of this lens. So, I think this is a very nice lens for daytime landscape photography, but I don't think that it's worth the money for Milky Way photography.
THE GOOD:Outstanding optically! Corner to corner sharpness is second to none. One of the best zoom lenses on the planet. It's as sharp as prime lenses in its range. It's absolute perfection with minimal to no CA, minimal to no distortion.THE BADLacks character. Its lack of flaws in turn makes the rendering a little boring. Also, the build quality doesn't feel as premium as I would expect from top-of-the-line Nikkor. The OLED display is cool but unnecessary for most applications. Could have saved a little size and price by not having the OLED display.For landscapes, this lens is a no-brainer. However, for weddings, events, portraits and fashion, I actually prefer the F-mount 24-70mm f/2.8 due to its slight optical flaws and more captivating rendition.
I have recently purchased a Z9 from B&H. I love NIKON in that the old lenses fit the newer products...usually with an adaptor.. So having purchased the FTX II converter ring, I shot several hundred pictures using various lenses that I have had for years and used with my D850, D500 and D7101.First, let me say that the pictures were fantastic even with the non-mirrorless lenses, (a tribute to the Z9 in large part I'm sure) ...However, after renting a mirrorless lens...I knew that I needed to add the Z 24-70 f/2.8 S to my camera bag.Secondly, I have not disappointed in any way. Crystal clear, versatile and lighter than I expected, I can see why mirrorless equipment has caught on in such a big way. I wish I could go completely mirrorless, but there is no way I could ... MoreI have recently purchased a Z9 from B&H. I love NIKON in that the old lenses fit the newer products...usually with an adaptor.. So having purchased the FTX II converter ring, I shot several hundred pictures using various lenses that I have had for years and used with my D850, D500 and D7101.First, let me say that the pictures were fantastic even with the non-mirrorless lenses, (a tribute to the Z9 in large part I'm sure) ...However, after renting a mirrorless lens...I knew that I needed to add the Z 24-70 f/2.8 S to my camera bag.Secondly, I have not disappointed in any way. Crystal clear, versatile and lighter than I expected, I can see why mirrorless equipment has caught on in such a big way. I wish I could go completely mirrorless, but there is no way I could afford such a move at this time....but if I could I would!Finally, the fact that NIKON/B&H had this lens on sale for $300.00 off, made this purchase one of the best values for a lens of this quality, I have ever made.The Z 24-70 and B&H receive my highest recommendation
I recently purchased a Z9 from B&H and had been using my non- mirrorless lenses for about a month. While my pictures were very sharp and I was very extremely impressed with the Z9, I was extremely interested in testing a Z lens with my camera.I was certainly NOT disappointed... The Z 24-70 f/2.8 S is everything that it is advertised to be. It is razor sharp and crystal clear, and is super versatile. I have been very impressed. Naturally, without the necessity of the FTZ II mount adaptor it makes the Z9 that much lighter and more responsive...Finally...since I was lucky enough to purchase it on sale, (and saved 300.00) it was an even more fantastic purchase. Great lens, great camera...and as always...it's great dealing with B&H.They have excellent service, ... MoreI recently purchased a Z9 from B&H and had been using my non- mirrorless lenses for about a month. While my pictures were very sharp and I was very extremely impressed with the Z9, I was extremely interested in testing a Z lens with my camera.I was certainly NOT disappointed... The Z 24-70 f/2.8 S is everything that it is advertised to be. It is razor sharp and crystal clear, and is super versatile. I have been very impressed. Naturally, without the necessity of the FTZ II mount adaptor it makes the Z9 that much lighter and more responsive...Finally...since I was lucky enough to purchase it on sale, (and saved 300.00) it was an even more fantastic purchase. Great lens, great camera...and as always...it's great dealing with B&H.They have excellent service, prompt delivery, and great packaging.I enthusiastically recommend this lens...and of course, B&H.
I thought that I could save a few bucks by going with the 14-30mm Z lens, but the multiple distortions were a real problem for the interiors that I shoot. Way too much time (and frame edges) was lost in fixing every shot. So in switching, getting an extra f/stop is nice, but not the biggest reason for making this switch. While the 14-24mm f/2.8 is not a real rectilinear lens, it has better control of distortion and has greater edge to edge sharpness. That and other benefits explains why the 14-24mm is basically twice the price. If you're on the fence trying to decide which wide angle zoom you will ultimately buy, and you are a serious interior and landscapes photographer, don't waste your time just to save a few bucks.
I had been using the equivalent lens in F mount for years, which delivered extremely fine images, also was tough, rugged. At first, I used that lens with a converter, on my new Z9 camera. Then, my wife was having problems with a 3rd party brand, on her F mount DSLR and I gave this to her, ordering the Z lens for my use. I expect, and thus far am seeing, similarly excellent results from this new lens. On the Z9 camera, the weight is lighter and balance better with this dedicated lens, compared to the older lens with a converter. Further, while I can't quantify, my impression is the Z lens with Z9 camera seems better integrated, all functions operating perhaps faster, more smoothly (although - there were NO problems with the older lens and adapter).
The Z 24-70mm f/2.8 S is one heck of an optic! This lens is bright and super-sharp even when wide-opened. My only complaint is that at 24mm setting, you cannot stack two screw-mount filters without getting a little vignette. I have B+W UV and Heliopan CPL on this lens. They are both slim line and the vignette is still presence. This is just a minor inconvenience because it can be easily fix in post. I do notice that the vignette disappears at 27mm when both the UV and CPL are attached.Attached, are some sample images made using the Z9 with Nikkor Z 24-70mm f/2.8 S mounted. These images were taken down and dirty for a quick test using natural light. No strobe. No reflectors. No light modifier. All were shot wide opened at f/2.8 on manual mode. I haven't tried ... MoreThe Z 24-70mm f/2.8 S is one heck of an optic! This lens is bright and super-sharp even when wide-opened. My only complaint is that at 24mm setting, you cannot stack two screw-mount filters without getting a little vignette. I have B+W UV and Heliopan CPL on this lens. They are both slim line and the vignette is still presence. This is just a minor inconvenience because it can be easily fix in post. I do notice that the vignette disappears at 27mm when both the UV and CPL are attached.Attached, are some sample images made using the Z9 with Nikkor Z 24-70mm f/2.8 S mounted. These images were taken down and dirty for a quick test using natural light. No strobe. No reflectors. No light modifier. All were shot wide opened at f/2.8 on manual mode. I haven't tried stopping down the lens yet. I am sure it will be even sharper.
For twelve years I have shot with the F-Mount version of this new Z S series lens and was extremely happy with the results I have obtained. In comparison, this new Z 14-24 2.8 S has just amazed me with how much more detail, clarity and edge sharpness is captured with this lens. A dramatic improvement in all areas of operation.One of the Trinity series of lenses, this new version will no doubt go down as one of the best, if not the best, wide angle zooms on the market. It is lighter in weight, smaller in physical size, much better balanced, has amazing detail out to the edges at all apertures, excellent contrast and color rendition, very tight control over any distortion and chromatic aberration, better filter options, is fast to focus and rewards the user with ... MoreFor twelve years I have shot with the F-Mount version of this new Z S series lens and was extremely happy with the results I have obtained. In comparison, this new Z 14-24 2.8 S has just amazed me with how much more detail, clarity and edge sharpness is captured with this lens. A dramatic improvement in all areas of operation.One of the Trinity series of lenses, this new version will no doubt go down as one of the best, if not the best, wide angle zooms on the market. It is lighter in weight, smaller in physical size, much better balanced, has amazing detail out to the edges at all apertures, excellent contrast and color rendition, very tight control over any distortion and chromatic aberration, better filter options, is fast to focus and rewards the user with outstanding images. I also like the two different lens hoods with the larger one making adding filters very easy and both of them actually having lens caps to use if so desired. Not much more to ask for in a first class lens.This lens is a little bit on the expensive side, in my opinion it is well worth the money spent to obtain this overall level of quality and craftsmanship and it complements the Z7 II camera body perfectly. This lens is a joy to use !
| General | |
| Length | 12.45 cm |
| Diameter | 8.85 cm |
| Weight | 650 g |
| Lens System |
