Sigma 16mm f/1.4 DC DN Contemporary for Fujifilm
The Sigma 16mm F1.4 DC DN Contemporary is the world's first interchangeable lens for mirrorless Sony E-Mount cameras with APS-C format sensors. It offers a field of view equivalent to a 24mm focal length in 35mm full-frame format and a maximum aperture of F1.4. In the Micro Four Thirds mount, the lens's field of view corresponds to a 32mm focal length in 35mm full-frame format, also providing an aperture value of F1.4. It is the high-speed wide-angle lens that photographers with mirrorless cameras have been waiting for. DN lenses for mirrorless cameras are characterized by a lightweight, compact design that is built for everyday use and delivers outstanding performance across all key focal lengths. The 16mm F1.4 DC DN Contemporary builds on the success of the 30mm F1.4 DC DN Contemporary, which Sigma released in 2016 as the first lens in a series of prime lenses for mirrorless cameras. It combines the brightness of F1.4 with optical excellence. The 16mm F1.4 DC DN Contemporary, which follows the same development concept as the Sigma 30mm F1.4 DC DN Contemporary, features a lens construction of 16 elements in 13 groups and is made from high-quality materials. This lens effectively minimizes optical aberrations and delivers excellent resolution even at wide open apertures and throughout the entire aperture range. The lens design and stepping motor also provide smooth autofocus during video recording, and the mount is dust and splash resistant due to a sealing.
The Sigma 16mm F1.4 DC DN Contemporary is the world's first interchangeable lens for mirrorless Sony E-Mount cameras with APS-C format sensors. It offers a field of view equivalent to a 24mm focal length in 35mm full-frame format and a maximum aperture of F1.4. In the Micro Four Thirds mount, the lens's field of view corresponds to a 32mm focal length in 35mm full-frame format, also providing an aperture value of F1.4. It is the high-speed wide-angle lens that photographers with mirrorless cameras have been waiting for. DN lenses for mirrorless cameras are characterized by a lightweight, compact design that is built for everyday use and delivers outstanding performance across all key focal lengths. The 16mm F1.4 DC DN Contemporary builds on the success of the 30mm F1.4 DC DN Contemporary, which Sigma released in 2016 as the first lens in a series of prime lenses for mirrorless cameras. It combines the brightness of F1.4 with optical excellence. The 16mm F1.4 DC DN Contemporary, which follows the same development concept as the Sigma 30mm F1.4 DC DN Contemporary, features a lens construction of 16 elements in 13 groups and is made from high-quality materials. This lens effectively minimizes optical aberrations and delivers excellent resolution even at wide open apertures and throughout the entire aperture range. The lens design and stepping motor also provide smooth autofocus during video recording, and the mount is dust and splash resistant due to a sealing.
The Sigma 16mm F1.4 DC DN Contemporary is the world's first interchangeable lens for mirrorless Sony E-Mount cameras with APS-C format sensors. It offers a field of view equivalent to a 24mm focal length in 35mm full-frame format and a maximum aperture of F1.4. In the Micro Four Thirds mount, the lens's field of view corresponds to a 32mm focal length in 35mm full-frame format, also providing an aperture value of F1.4. It is the high-speed wide-angle lens that photographers with mirrorless cameras have been waiting for. DN lenses for mirrorless cameras are characterized by a lightweight, compact design that is built for everyday use and delivers outstanding performance across all key focal lengths. The 16mm F1.4 DC DN Contemporary builds on the success of the 30mm F1.4 DC DN Contemporary, which Sigma released in 2016 as the first lens in a series of prime lenses for mirrorless cameras. It combines the brightness of F1.4 with optical excellence. The 16mm F1.4 DC DN Contemporary, which follows the same development concept as the Sigma 30mm F1.4 DC DN Contemporary, features a lens construction of 16 elements in 13 groups and is made from high-quality materials. This lens effectively minimizes optical aberrations and delivers excellent resolution even at wide open apertures and throughout the entire aperture range. The lens design and stepping motor also provide smooth autofocus during video recording, and the mount is dust and splash resistant due to a sealing.
The Sigma 16mm F1.4 DC DN Contemporary is the world's first interchangeable lens for mirrorless Sony E-Mount cameras with APS-C format sensors. It offers a field of view equivalent to a 24mm focal length in 35mm full-frame format and a maximum aperture of F1.4. In the Micro Four Thirds mount, the lens's field of view corresponds to a 32mm focal length in 35mm full-frame format, also providing an aperture value of F1.4. It is the high-speed wide-angle lens that photographers with mirrorless cameras have been waiting for. DN lenses for mirrorless cameras are characterized by a lightweight, compact design that is built for everyday use and delivers outstanding performance across all key focal lengths. The 16mm F1.4 DC DN Contemporary builds on the success of the 30mm F1.4 DC DN Contemporary, which Sigma released in 2016 as the first lens in a series of prime lenses for mirrorless cameras. It combines the brightness of F1.4 with optical excellence. The 16mm F1.4 DC DN Contemporary, which follows the same development concept as the Sigma 30mm F1.4 DC DN Contemporary, features a lens construction of 16 elements in 13 groups and is made from high-quality materials. This lens effectively minimizes optical aberrations and delivers excellent resolution even at wide open apertures and throughout the entire aperture range. The lens design and stepping motor also provide smooth autofocus during video recording, and the mount is dust and splash resistant due to a sealing.
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The lowest price for Sigma 16mm f/1.4 DC DN Contemporary for Fujifilm right now is $65.82 at Amazon.com.au, compared across 8 retailers.
The all-time low was $65.82 on 5 June 2026. That's the lowest price we've ever tracked — a great time to buy.
Prices last updated 7 June 2026.
Last updated at 07/06/2026 23:48:47
Ultimaxx 67MM Complete Lens Filter Accessory Kit for Lenses with 67MM Filter Size: UV CPL FLD Filter Set + Macro Close Up Set (+1 +2 +4 +10)
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Sigma 16mm F/1.4 DC DN Contemporary Lens
Delivery $9.90
Sigma 16mm f/1.4 DC DN Contemporary Lens For Fuji X-Mount
Delivery between 10–15 June $12.90
Sigma f/1.4 DC DN Contemporary Lens Canon M-Mount, 16mm
Free delivery between 11–19 June
Sigma f/1.4 DC DN Contemporary Lens Fuji Film X-Mount, 16mm
Free delivery between 11–19 June
Sigma f/1.4 DC DN Contemporary Lens RF Mount, 16mm
Free delivery between 11–19 June
Sigma f/1.4 DC DN Contemporary Lens Sony E-Mount, 16mm
Free delivery between 11–19 June
Sigma f/1.4 DC DN Contemporary Lens Nikon Z Mount, 16mm
Free delivery between 11–19 June
Sigma 16mm f1.4 DC DN Contemporary Lens - L-Mount
Delivery $10
Sigma 16mm f/1.4 DC DN Contemporary Lens for Micro Four Thirds
Free delivery between 12–18 June
originally posted on ebay.com
I have been on the fence about this lens for a while. It has been presented as the industry standard wide angle lens for APSC cameras and now that I have it, I can see why. It works incredibly well with SONY cameras. The picture quality rivals the native SONY lenses that I have experienced. The 1.4 aperture allows you to get superb depth of field and works well in less than optimal lighting conditions. It is well work the money.
originally posted on bhphotovideo.com
I have ordered three Rokinon 16mm lenses in the past. All three had to be returned due to a defect commonly called as decentering. Based on that experience, it would be rather unwise to order a fourth Rokinon, right? So, I decided to go for Sigma 16mm, although I would prefer manual manual focus lens.Guess what I found, when I tested it. Exactly the same issue Rokinons had, maybe even more pronounced. Some may say, that something must be wrong with my testing method. It would be statistically impossible to come across four lenses in a row with the same defect.Yes, but why my other lens - 24mm full frame Minolta doesnt show any signs of tilted plane of focus? 19mm f/2.8 Sigma doesnt show it either, at least not to such pronounced magnitude.In my test, I take ... MoreI have ordered three Rokinon 16mm lenses in the past. All three had to be returned due to a defect commonly called as decentering. Based on that experience, it would be rather unwise to order a fourth Rokinon, right? So, I decided to go for Sigma 16mm, although I would prefer manual manual focus lens.Guess what I found, when I tested it. Exactly the same issue Rokinons had, maybe even more pronounced. Some may say, that something must be wrong with my testing method. It would be statistically impossible to come across four lenses in a row with the same defect.Yes, but why my other lens - 24mm full frame Minolta doesnt show any signs of tilted plane of focus? 19mm f/2.8 Sigma doesnt show it either, at least not to such pronounced magnitude.In my test, I take pictures of a wall, covered with newspapers from about 10 ft. I go from wide open to about f/5.6. The sensor of the camera is parallel to the wall and placed exactly in the center, so I can see in the viewfinder the wall as almost perfect rectangle, free of perspective distortions. If I set the focus at the center, I should get corners somewhat unsharp, especially at large apertures, but this unsharpness should be uniform for every corner. In case of Sigma lens, one corner was totally fuzzy, even at 5.6, while the opposite corner was ok. Also there was noticeable difference between sharpness of left and right side of the frame. Real life shots confirmed, that items on the one side of the frame get into focus at much different distances than items on the other side of the frame.Looks like finding a good working lens nowadays is harder than winning a lottery.
originally posted on bhphotovideo.com
I use the Lumix G9 and have a wide variety of lenses in my collection. After hearing about Sigma, I decided to try out their products. I purchased the 16mm M4/3 lens.This lens does not disappoint. The pictures that come out of this lens are very sharp. I have also used this lens at night and the pictures always came out very nicely. The aperture goes all the way to a bright F1.4.The lens is has a premium feel to it. The focusing ring is very smooth and the materials are very nice to the touch. For the price of only $399.99, this is a steal.
| Dimensions | 7.114 × 7.114 × 7.114 in |
| Exceptions | excluding clearance |
Ultimaxx 67MM Complete Lens Filter Accessory Kit for Lenses with 67MM Filter Size: UV CPL FLD Filter Set + Macro Close Up Set (+1 +2 +4 +10)
Affiliate Disclosure: We may receive a small commission for purchases made through this link at no extra cost to you. This helps support our site. Thank you!
Sigma 16mm F/1.4 DC DN Contemporary Lens
Delivery $9.90
Sigma 16mm f/1.4 DC DN Contemporary Lens For Fuji X-Mount
Delivery between 10–15 June $12.90
Sigma f/1.4 DC DN Contemporary Lens Canon M-Mount, 16mm
Free delivery between 11–19 June
Sigma f/1.4 DC DN Contemporary Lens Fuji Film X-Mount, 16mm
Free delivery between 11–19 June
I have been on the fence about this lens for a while. It has been presented as the industry standard wide angle lens for APSC cameras and now that I have it, I can see why. It works incredibly well with SONY cameras. The picture quality rivals the native SONY lenses that I have experienced. The 1.4 aperture allows you to get superb depth of field and works well in less than optimal lighting conditions. It is well work the money.
I have ordered three Rokinon 16mm lenses in the past. All three had to be returned due to a defect commonly called as decentering. Based on that experience, it would be rather unwise to order a fourth Rokinon, right? So, I decided to go for Sigma 16mm, although I would prefer manual manual focus lens.Guess what I found, when I tested it. Exactly the same issue Rokinons had, maybe even more pronounced. Some may say, that something must be wrong with my testing method. It would be statistically impossible to come across four lenses in a row with the same defect.Yes, but why my other lens - 24mm full frame Minolta doesnt show any signs of tilted plane of focus? 19mm f/2.8 Sigma doesnt show it either, at least not to such pronounced magnitude.In my test, I take ... MoreI have ordered three Rokinon 16mm lenses in the past. All three had to be returned due to a defect commonly called as decentering. Based on that experience, it would be rather unwise to order a fourth Rokinon, right? So, I decided to go for Sigma 16mm, although I would prefer manual manual focus lens.Guess what I found, when I tested it. Exactly the same issue Rokinons had, maybe even more pronounced. Some may say, that something must be wrong with my testing method. It would be statistically impossible to come across four lenses in a row with the same defect.Yes, but why my other lens - 24mm full frame Minolta doesnt show any signs of tilted plane of focus? 19mm f/2.8 Sigma doesnt show it either, at least not to such pronounced magnitude.In my test, I take pictures of a wall, covered with newspapers from about 10 ft. I go from wide open to about f/5.6. The sensor of the camera is parallel to the wall and placed exactly in the center, so I can see in the viewfinder the wall as almost perfect rectangle, free of perspective distortions. If I set the focus at the center, I should get corners somewhat unsharp, especially at large apertures, but this unsharpness should be uniform for every corner. In case of Sigma lens, one corner was totally fuzzy, even at 5.6, while the opposite corner was ok. Also there was noticeable difference between sharpness of left and right side of the frame. Real life shots confirmed, that items on the one side of the frame get into focus at much different distances than items on the other side of the frame.Looks like finding a good working lens nowadays is harder than winning a lottery.
I use the Lumix G9 and have a wide variety of lenses in my collection. After hearing about Sigma, I decided to try out their products. I purchased the 16mm M4/3 lens.This lens does not disappoint. The pictures that come out of this lens are very sharp. I have also used this lens at night and the pictures always came out very nicely. The aperture goes all the way to a bright F1.4.The lens is has a premium feel to it. The focusing ring is very smooth and the materials are very nice to the touch. For the price of only $399.99, this is a steal.
I bought this when it was on sale (just under $400). I would easily pay full price for this amazing lens, though. The shallow depth of field is excellent and it was easy keeping my shots focused. Here are some samples of pics I've taken with it (using a a6100 base). Next up, the 56mm 1.4 Sigma lens ;)In terms of B&H, they are excellent. This was the first time I had purchased a lens from them. I usually buy external SSDs from B&H, though (never any problems).
I bought this lens by mistake thinking it was a full frame lens. I own the Sony 20mm f/1.8 and I tried to use it inside my car with my Sony A7IV and it was just not quite wide enough. So, I found this lens and I thought 16mm would be perfectly wide to shoot inside my car.However, when I received it, I noticed it is an APS-C lens (my bad) and my first thought was to return it. But, I decided to at least try it to see how bad the vignetting was going to be. First, I need to change a setting on my A7IV called 'APS-C S35 Shooting' from Auto to Off. Then, the camera will disable the auto cropping it automatically applies to APS-C lenses. And I tried it and the vignetting is not that bad and it works for my particular situation. There's vignetting only on the corners ... MoreI bought this lens by mistake thinking it was a full frame lens. I own the Sony 20mm f/1.8 and I tried to use it inside my car with my Sony A7IV and it was just not quite wide enough. So, I found this lens and I thought 16mm would be perfectly wide to shoot inside my car.However, when I received it, I noticed it is an APS-C lens (my bad) and my first thought was to return it. But, I decided to at least try it to see how bad the vignetting was going to be. First, I need to change a setting on my A7IV called 'APS-C S35 Shooting' from Auto to Off. Then, the camera will disable the auto cropping it automatically applies to APS-C lenses. And I tried it and the vignetting is not that bad and it works for my particular situation. There's vignetting only on the corners and the darkness blends well with my frame (inside my car). Check the still frame I am attaching, so you can see what I mean.Then, the lens is super sharp, and the auto focus works essentially like a native Sony lens on a Sony body. Consequently, I am keeping the Sigma 16mm to make these videos inside my car. And the price is quite inexpensive for such a wonderful lens. I highly recommend you to buy it or at least try it. You can always return it if it doesn't work for your particular situation. Cheers!
The whole second tier of vendors designing and manufacturing lenses, the Sigmas, the Rokinons, do a splendid job I think, in practical terms of producing not just serviceable gear, but equipment that stands up to the first tier of brands – mainly the camera manufacturers and heritage brands of optics, like Zeiss. This lens does what I bought it for: to shoot with. It's sharp, the auto-focus is responsive, the contrast and flatness of field meet my needs. I've been shooting, professionally and for personal fine art projects, for over 50 years, and I've used my share of premium optics. It's rare that bargain designs don't at all at least come close to measuring up. Especially if I keep the lenses I use off the optical testing bench.This lens works for me in producing ... MoreThe whole second tier of vendors designing and manufacturing lenses, the Sigmas, the Rokinons, do a splendid job I think, in practical terms of producing not just serviceable gear, but equipment that stands up to the first tier of brands – mainly the camera manufacturers and heritage brands of optics, like Zeiss. This lens does what I bought it for: to shoot with. It's sharp, the auto-focus is responsive, the contrast and flatness of field meet my needs. I've been shooting, professionally and for personal fine art projects, for over 50 years, and I've used my share of premium optics. It's rare that bargain designs don't at all at least come close to measuring up. Especially if I keep the lenses I use off the optical testing bench.This lens works for me in producing large format high-resolution prints on archival printers good enough for exhibition. I don't bother myself about how it may be soft around the edges (literally or figuratively). This is intended for practical use, not for lab analysis.The fit and finish are on a par with Zeiss and Sony kit I own, probably made of far more durable materials, but not detectably in the Sigma, which has mass and heft and, new at least, works smoothly and tightly as expected: for focus, for fitting and removing to the body. Being used primarily with the Sony a6600. It's a wonderful combination.
if you’re hesitate and you’re now reading this, get it. sooo happy with ny purchase. i absolutely love it. the filmmaking quality goes crazy and its just what i was slooking for. i ordered it to vlog on my sony zv-e10. no regrets nor any disappointments. everything about this product is amazing. i’m new to the camera world so i’ll be watching a tun of videos so i can learn more.
| Dimensions | 7.114 × 7.114 × 7.114 in |
| Exceptions | excluding clearance |
